21 50 2002 https://omeka.pahrc.net/files/original/04a45f650d46a3cff03eddcb8dfd1267.mp3 e49d69cb8db7937f611ff160bab88b81 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Transcription Any written text transcribed from a sound <div style="width: 750px; height: 300px; overflow: scroll;">1 00:00:00,000 --> 00:00:05,240 There is a river there.   2 00:00:05,240 --> 00:00:08,160 You don't have to die of thirst.   3 00:00:08,160 --> 00:00:09,800 There is a river.   4 00:00:09,800 --> 00:00:12,680 It's your option for your family.   5 00:00:12,680 --> 00:00:17,920 Because I want to say too that the uniqueness of my life is the family.   6 00:00:17,920 --> 00:00:19,000 The family.   7 00:00:19,000 --> 00:00:20,400 The family.   8 00:00:20,400 --> 00:00:24,640 The one little community without which we cannot live.   9 00:00:24,640 --> 00:00:26,880 Church or state or anything else.   10 00:00:26,880 --> 00:00:31,500 And that's the poor little community that's neglected the most of all.   11 00:00:31,500 --> 00:00:37,920 We make little communities of this group and that group and steal them out of the little   12 00:00:37,920 --> 00:00:41,140 anemic ones that's left behind.   13 00:00:41,140 --> 00:00:43,100 It's the easiest way.   14 00:00:43,100 --> 00:00:49,780 But the family rosary crusade starts at the hardest, the most severely in need of the   15 00:00:49,780 --> 00:00:51,260 water.   16 00:00:51,260 --> 00:00:54,900 to reach him, to make God change him.   17 00:00:54,900 --> 00:00:58,660 At a diocetan crusade, when the bishop gathers his priests   18 00:00:58,660 --> 00:01:00,700 and that he puts me in front of them,   19 00:01:00,700 --> 00:01:04,660 that I say, it isn't the saint you're after.   20 00:01:04,660 --> 00:01:06,540 The one that I want you to begin with,   21 00:01:06,540 --> 00:01:09,500 and I'm speaking in the name of our blessed Lord,   22 00:01:09,500 --> 00:01:14,460 is the worst, the worst, the hardest, the cruelest,   23 00:01:14,460 --> 00:01:18,460 the most diabolical man, but he's Mary's son.   24 00:01:18,460 --> 00:01:19,820 And one day Christ said,   25 00:01:19,820 --> 00:01:24,440 love that man as much as you love me. Be as much concerned about that man as   26 00:01:24,440 --> 00:01:29,340 about me because he's my brother. That's where you begin and you can answer,   27 00:01:29,340 --> 00:01:35,360 dear father John or Michael, you're ridiculous. He would tar and feather me.   28 00:01:35,360 --> 00:01:46,180 He would drive me from his house and my answer is, do what I did. Make our Lord   29 00:01:46,180 --> 00:01:52,900 do it and that's the key of our diocesan crusades. The ability of that pastor or   30 00:01:52,900 --> 00:01:59,260 that bishop to do such a violence to God that he has to change the whole face of   31 00:01:59,260 --> 00:02:03,820 the earth and the bishops that put this through will testify that that's right.   32 00:02:03,820 --> 00:02:10,780 And so dear people it's to make an awareness to keep ever aware of all   33 00:02:10,780 --> 00:02:17,020 peoples there is water for you to drink and you don't have to despair and I will   34 00:02:17,020 --> 00:02:20,900 finish with this last little thing.   35 00:02:28,940 --> 00:02:36,060 Some man said to me the other day, I want to do what you say because I want to   36 00:02:36,060 --> 00:02:42,300 protect my children. I'm concerned for my children. I want them to grow up safe and   37 00:02:42,300 --> 00:02:58,060 sane and secure to follow the path of faith. And I said, were I to stand before   38 00:02:58,060 --> 00:03:05,340 a seven-year-old child or her grandfather, the 70-year-old man, with the   39 00:03:05,340 --> 00:03:14,860 pretense that I was able to convert her, able to change her or him, I would be so   40 00:03:14,860 --> 00:03:22,540 laughable, so ridiculous. If I had the pretense and the snobbishness and the   41 00:03:22,540 --> 00:03:31,020 insanity to think that I'm so so above that person, I must convert him. I must   42 00:03:31,020 --> 00:03:36,260 changes ways. That's God's job.   43 00:03:43,940 --> 00:03:55,020 And so the explanation why my security lies and my safety lies and my sureness   44 00:03:55,020 --> 00:04:07,340 relies on the interior conviction that I am the donkey. The driver is the one that   45 00:04:07,340 --> 00:04:15,300 has to do the converting, the changing, so long as I do not refuse the bridle or   46 00:04:15,300 --> 00:04:25,180 to be guided where to go. Where did I find such a tremendous sureness? Was it   47 00:04:25,180 --> 00:04:30,220 some great priest that taught me in the seminary? Was it some great library book   48 00:04:30,220 --> 00:04:36,380 that I pulled down by accident? Was it some sermon or mission? And my answer is   49 00:04:36,380 --> 00:04:54,760 no, no, no. It was a poor little man in a little village in the mountains of Mayo,   50 00:04:54,760 --> 00:05:05,300 my father, with his wife, my mother, who could not read or write. And every child   51 00:05:05,300 --> 00:05:11,140 that God wished them to have, they opened their door and hearts and her womb to   52 00:05:11,140 --> 00:05:18,500 that child. I was away down the line of the nine and when it came to my turn in   53 00:05:18,500 --> 00:05:26,000 God's design to come, my mother and my father didn't stop me coming. They   54 00:05:26,000 --> 00:05:37,340 welcome me, even though that they could say his coming will make it harder for   55 00:05:37,340 --> 00:05:46,420 those that came before him. He'll take some of their bread. But they did more   56 00:05:46,420 --> 00:05:56,060 than welcoming. They gave me a home of love to live in. They gave me a home of   57 00:05:56,060 --> 00:06:01,780 love to live in for 19 years.   58 00:06:01,780 --> 00:06:11,360 How did they do it?   59 00:06:11,360 --> 00:06:13,520 Buying beautiful clothes?   60 00:06:13,520 --> 00:06:20,460 No. My mother had to patch and repatch and repatch my clothes.   61 00:06:20,460 --> 00:06:22,940 I went down to take the cast-off shoes   62 00:06:22,940 --> 00:06:27,780 of the neighboring schoolmaster's boy to fit myself.   63 00:06:27,780 --> 00:06:35,720 There were destitute, two little rooms in a shack.   64 00:06:35,720 --> 00:06:41,860 The kitchen held the bed where the four brothers slept.   65 00:06:41,860 --> 00:06:45,080 But I wouldn't change it for a palace.   66 00:06:45,080 --> 00:06:48,060 It was like Bethlehem.   67 00:06:48,060 --> 00:06:50,020 God was there.   68 00:06:50,020 --> 00:06:51,460 Mary was there.   69 00:06:51,460 --> 00:06:57,760 My father and mother made sure they were there, obliged them to be there, compelled them to   70 00:06:57,760 --> 00:07:03,360 be there, persecuted them daily to be there, so that they wouldn't have a spark   71 00:07:03,360 --> 00:07:10,840 of sensitivity after hearing that humble mother saying, Mary, I believe you're   72 00:07:10,840 --> 00:07:17,560 alive, I believe you have a son that's my God, will you take care of these little   73 00:07:17,560 --> 00:07:25,280 kids for us, will you bring him into our midst? And so that's what I heard, that's   74 00:07:25,280 --> 00:07:32,440 what I saw. That's what made the Holy Home, the happy home, the United Home, the   75 00:07:32,440 --> 00:07:38,920 home of justice, the home of fidelity, the home that like the garden where the   76 00:07:38,920 --> 00:07:47,800 roses grow, rich with soil and sun and rain, the family rosary. I die for it. I'm   77 00:07:47,800 --> 00:07:54,400 living for it because to that I give, I owe my heaven on earth and it   78 00:07:54,400 --> 00:08:00,840 It isn't an insane man saying it, but the security that I have of who am I, where am   79 00:08:00,840 --> 00:08:07,280 I going, why am I here, what is the Trinity, what is the Blessed Sacrament, who in the   80 00:08:07,280 --> 00:08:14,440 world is Mary, that that blessed rosary more than priests or teachers or bishops or anybody   81 00:08:14,440 --> 00:08:22,520 else in that tiny little shack of a home for 19 years burned it into me like the farmer   82 00:08:22,520 --> 00:08:28,600 in Wyoming that uses a red-hot iron to put his name on his calf. That's the   83 00:08:28,600 --> 00:08:34,640 rosary in the family. It taught me. It inspired me. It made a home for me. It   84 00:08:34,640 --> 00:08:42,160 branded me. It made me go that road directly to God because Mary was   85 00:08:42,160 --> 00:08:47,920 persecuted and we would judge her if she said no after saying 53 times   86 00:08:47,920 --> 00:08:55,280 the night, our needs to her, our joys with her, our love for her, and for her to turn   87 00:08:55,280 --> 00:09:01,820 her back on us. She lifted us in her arms and her eyesight became ours, her purity   88 00:09:01,820 --> 00:09:09,460 became ours, her strength became ours, her love became ours, her powerful prayer   89 00:09:09,460 --> 00:09:14,420 became ours, and in spite of the superficial little annoyances that come   90 00:09:14,420 --> 00:09:20,300 the way to everyone, down deep like the Mississippi, our hearts, the whole nine   91 00:09:20,300 --> 00:09:26,900 kids that were born and trained and formed and fashioned in that little shack   92 00:09:26,900 --> 00:09:32,720 by the Rosary are like the Mississippi River, deep down, solid, safe, and on its   93 00:09:32,720 --> 00:09:37,560 journey to the sea, even though that the waves at the top might say it's full of   94 00:09:37,560 --> 00:09:45,700 distress and sorrow. I'll finish with gratitude to you and love for you and I   95 00:09:45,700 --> 00:09:57,180 ask you for one beautiful thing because you're known to the poor prisoner of   96 00:09:57,180 --> 00:10:02,380 2,000 years ago that had to stand through the night to be killed the next   97 00:10:02,380 --> 00:10:10,180 day and he's watching you and he knows you and he'll answer you. Next January   98 00:10:10,180 --> 00:10:17,900 the family Rosary Crusade will be 35 years old.   99 00:10:17,900 --> 00:10:32,940 I want to make the most of it for Mary, to serve her,   100 00:10:32,940 --> 00:10:37,820 to help her perform her second role.   101 00:10:39,260 --> 00:10:42,720 And so I have come to the conclusion   102 00:10:42,720 --> 00:10:51,720 that I will kill myself to deliver a trilogy for the television of the world,   103 00:10:51,720 --> 00:10:55,220 but especially for the English world,   104 00:10:55,220 --> 00:11:06,520 that will comprise three half hours for Christmas, Passion Week, Easter Week,   105 00:11:06,520 --> 00:11:09,520 when the hearts of men are open.   106 00:11:13,680 --> 00:11:18,080 And the three mysteries that I want to recreate,   107 00:11:18,080 --> 00:11:24,720 not as a show, but as a prayer, as a spiritual experience,   108 00:11:24,720 --> 00:11:34,880 are the three basic truths that gives us the courage to go on.   109 00:11:34,880 --> 00:11:39,880 the incarnation represented by the nativity,   110 00:11:39,880 --> 00:11:44,880 the redemption represented by the crucifixion,   111 00:11:44,880 --> 00:11:50,880 and eternal life for you and me represented by the resurrection.   112 00:11:50,880 --> 00:11:52,880 I want them to be classics.   113 00:11:52,880 --> 00:12:02,880 I want to put into that song, story, prayer, reading, drama.   114 00:12:02,880 --> 00:12:12,720 And that it's true, that it's the rosary, that it's three mysteries of the rosary that   115 00:12:12,720 --> 00:12:20,800 are, that will be reflective for all peoples.   116 00:12:20,800 --> 00:12:36,880 But it's no wonder that the rosary has come down through the centuries, has been in the   117 00:12:36,880 --> 00:12:45,720 hands of the saints and the missionaries and the martyrs and the families and the widows   118 00:12:45,720 --> 00:12:58,280 and the dying and that of all Christendom it's the most popular prayer.   119 00:12:58,280 --> 00:13:11,000 I ask your support in prayer, in prayer that this will happen, this trilogy, and that that   120 00:13:11,000 --> 00:13:19,880 to me will be the crown, the thanksgiving, the love to God and Mary for letting me serve   121 00:13:19,880 --> 00:13:30,920 them and men for 35 years, the rosary glorified, glamorized, dramatized, prayed, sung, presented   122 00:13:30,920 --> 00:13:38,440 in a trilogy that can be repeated every Christmas, Passion Week, and Easter.   123 00:13:38,440 --> 00:13:40,860 I will say a Hail Mary in thanksgiving.   124 00:13:42,680 --> 00:13:45,980 Hail Mary full of grace, the Lord is with thee.   125 00:13:45,980 --> 00:13:47,840 Blessed art thou among women   126 00:13:47,840 --> 00:13:50,740 and blessed is the fruit of thy womb, Jesus.   127 00:13:55,760 --> 00:13:58,080 Glory be to the Father and to the Son   128 00:13:58,080 --> 00:13:59,740 and to the Holy Spirit.   129 00:14:03,860 --> 00:14:05,660 In the name of the Father and of the Son   130 00:14:05,660 --> 00:14:07,660 and of the Holy Spirit, amen.   131 00:14:08,440 --> 00:14:37,080 My dear brothers in Christ, let us go spiritually to the Shrine of Loreto in Italy.   132 00:14:37,080 --> 00:14:47,040 Let us go to the humble house of Nazareth where Mary said yes, where the Word was made   133 00:14:47,040 --> 00:14:52,440 flesh and dwelt amongst us.   134 00:14:52,440 --> 00:15:02,920 At this moment, before beginning our brief meditation on the Feast of the Yes of Mary,   135 00:15:02,920 --> 00:15:11,440 I would like to suggest a change in the third verse of the Angelus.   136 00:15:11,440 --> 00:15:23,420 We say, The Word was made flesh and dwelt amongst us.   137 00:15:23,420 --> 00:15:30,080 We should say, And he dwelt amongst us.   138 00:15:30,080 --> 00:15:36,080 Here he is, our Savior Jesus Christ.   139 00:15:36,080 --> 00:15:46,460 At the opening of this solemn Eucharistic vigil, the priests said the words of the   140 00:15:46,460 --> 00:15:57,120 consecration and Jesus answered, Yes, and the bread was made flesh.   141 00:15:57,120 --> 00:16:01,620 By the grace of Mary, we have Jesus.   142 00:16:01,620 --> 00:16:06,620 By the grace of Jesus, we have the Holy Eucharist.   143 00:16:07,760 --> 00:16:12,760 Oh Lord, tell us where you live, ask the disciples.   144 00:16:14,100 --> 00:16:17,420 We cannot ask, we know.   145 00:16:17,420 --> 00:16:20,160 Here is where he lives.   146 00:16:21,060 --> 00:16:23,300 And many do not know it.   147 00:16:23,300 --> 00:16:27,300 Many ignore him.   148 00:16:27,300 --> 00:16:34,300 Paul VI at the Eucharistic Congress of Bombay said,   149 00:16:34,300 --> 00:16:39,300 Jesus is here! God is here!   150 00:16:41,300 --> 00:16:48,300 He wanted to be one of us in order to make us like him.   151 00:16:48,300 --> 00:16:53,300 He became food in order to nourish us.   152 00:16:53,300 --> 00:17:02,300 We accept him, we believe in him, we adore him as Mary did in the house of Nazareth.   153 00:17:02,300 --> 00:17:09,300 We should carry him within ourselves as Mary did in her womb.   154 00:17:09,300 --> 00:17:16,300 We should bring him to our brothers as we leave this stadium this morning.   155 00:17:16,300 --> 00:17:21,300 just as Mary brought him to Elizabeth,   156 00:17:21,300 --> 00:17:25,660 so that Jesus will be for them their home,   157 00:17:25,660 --> 00:17:27,980 redemption and salvation.   158 00:17:29,460 --> 00:17:34,460 Let us meditate more often on the yes of our Lady   159 00:17:34,580 --> 00:17:38,940 to the plan of God and to the carrying out   160 00:17:38,940 --> 00:17:43,660 of the divine plan, that is on the incarnation,   161 00:17:43,660 --> 00:17:51,740 so as to understand better the sacrament of the love of Jesus, the Holy Eucharist.   162 00:17:52,940 --> 00:18:04,540 In these 10 Hail Marys, we shall ask Mary to help us to be faithful to the yes we say during this Holy Night.   163 00:18:04,540 --> 00:18:14,940 By her yes to the Archangel Gabriel, she gave herself completely to God and has become the   164 00:18:14,940 --> 00:18:18,220 Tabernacle of the Lord.   165 00:18:18,220 --> 00:18:27,180 By the same token, she gave herself without reserve to all of us, becoming the Mother   166 00:18:27,180 --> 00:18:36,760 of the Savior and the Ark of the New Alliance, the Mother of the Eucharist, Our Lady of the   167 00:18:36,760 --> 00:18:47,740 Eucharist, as Pope Pius X said. She has become the first tabernacle to give Jesus for our   168 00:18:47,740 --> 00:18:55,900 nourishment. She has become the first monstrance to teach us to be living   169 00:18:55,900 --> 00:19:05,460 monstrances to our brothers. As Mary obeyed God and gave herself to the   170 00:19:05,460 --> 00:19:15,820 service of God and to us, her children, so should we say yes to Jesus who has given   171 00:19:15,820 --> 00:19:25,820 who is giving his life for us, who lives in our midst to help us, to nourish us with his bread of life.   172 00:19:25,820 --> 00:19:37,820 From the house of Nazareth have gone forth the yes of Jesus and Mary, a yes of obedience to God.   173 00:19:37,820 --> 00:19:48,820 and through these yeses we have the incarnation, the redemption, and the Holy Eucharist.   174 00:19:48,820 --> 00:19:50,820 Amen.   175 00:19:50,820 --> 00:19:51,820 All hail Mary.   176 00:19:51,820 --> 00:19:53,820 Our Father who art in heaven,   177 00:19:53,820 --> 00:19:55,820 hallowed be thy name.   178 00:19:55,820 --> 00:19:57,820 Thy kingdom come...   179 00:20:00,820 --> 00:20:03,820 It's been trying hard to rain tonight.   180 00:20:03,820 --> 00:20:07,820 It was pouring rain across the river in New Jersey.   181 00:20:07,820 --> 00:20:10,820 And we expected to see showers here.   182 00:20:10,820 --> 00:20:15,820 But apparently Our Lady is holding back the tears from the sky   183 00:20:15,820 --> 00:20:19,980 as we're trying to dry her tears over the sins of the world.   184 00:20:21,420 --> 00:20:25,120 The second decade of the Rosary will be led   185 00:20:25,120 --> 00:20:27,200 by Father Philip Higgins,   186 00:20:28,360 --> 00:20:31,280 a priest of the Holy Cross Fathers,   187 00:20:32,280 --> 00:20:36,280 who for the first 14 years of his priestly life   188 00:20:36,280 --> 00:20:39,600 was an assistant to Father Patrick Payton   189 00:20:39,600 --> 00:20:42,580 in the Crusade of the Family Rosary,   190 00:20:42,580 --> 00:20:46,300 and who is now chaplain of the Blue Army's National   191 00:20:46,300 --> 00:20:49,540 Center in Washington, New Jersey.   192 00:20:57,580 --> 00:21:03,540 In this second meditation for the visitation,   193 00:21:03,540 --> 00:21:08,500 the intention will be for the aged and social justice.   194 00:21:08,500 --> 00:21:21,940 I will conduct this with the thought of those who are sick, in hospitals, that are infirm,   195 00:21:21,940 --> 00:21:25,300 and who are dying.   196 00:21:25,300 --> 00:21:37,480 What impulse of love made you hurry to visit your cousin Elizabeth, kind mother, at a moment   197 00:21:37,480 --> 00:21:42,480 when you had every right to rest in the jubilant news   198 00:21:44,460 --> 00:21:49,100 that you would be the mother of the Messiah.   199 00:21:50,640 --> 00:21:55,040 You left the place of your exaltation.   200 00:21:56,120 --> 00:22:01,120 No doubt, the advanced age of Elizabeth   201 00:22:01,780 --> 00:22:03,960 caused you concern.   202 00:22:03,960 --> 00:22:08,960 Your compassionate heart turned toward her.   203 00:22:10,960 --> 00:22:15,960 Elizabeth, in her old age, needed the comfort of your youth.   204 00:22:18,840 --> 00:22:23,840 The child in your womb, conceived by the Holy Spirit,   205 00:22:25,480 --> 00:22:30,480 began his work of redemption by sanctifying John.   206 00:22:33,960 --> 00:22:44,600 Your zeal, dear mother, to carry Jesus to others, no matter what the cost,   207 00:22:44,600 --> 00:22:52,600 embarrasses us and causes us to blush with shame.   208 00:22:52,600 --> 00:22:59,600 We neglect the aged because we are too busy.   209 00:22:59,600 --> 00:23:13,600 We permit the generation gap to widen because we do not possess the love to bridge the distance.   210 00:23:13,600 --> 00:23:24,600 We permit social injustice because we do not wish to be our brother's keepers.   211 00:23:24,600 --> 00:23:35,360 Holy Mary, bring Jesus to us through the merits of your visit to Elizabeth.   212 00:23:35,360 --> 00:23:50,760 Obtain for us the graces we need to magnify the Lord by our humility in dealing with our neighbor,   213 00:23:50,760 --> 00:24:04,760 our concern for the aged, our zeal for social justice, and our courage when duty calls for sacrifice.   214 00:24:04,760 --> 00:24:11,760 Our Father, who art in heaven, hallowed be thy name.   215 00:24:11,760 --> 00:24:22,760 We'll be led by Father Armand D'Asseville, a Capuchin father of the New York Province,   216 00:24:22,760 --> 00:24:29,160 spiritual director of the Blue Army of Our Lady in New York, who has led the all-night   217 00:24:29,160 --> 00:24:36,880 vigils consecutively at St. John's Church in New York City for the past five years.   218 00:24:36,880 --> 00:24:40,240 Armand D'Aseville.   219 00:24:40,240 --> 00:25:07,240 And the third, a joyful mystery.   220 00:25:07,240 --> 00:25:20,880 Bethlehem, where the Savior of the world was born in a stable, reminds us of one of our   221 00:25:20,880 --> 00:25:28,980 first obligations, to worship and to adore.   222 00:25:28,980 --> 00:25:40,380 This theme of Bethlehem has always been reflected in the Christmas liturgy.   223 00:25:40,380 --> 00:25:43,460 Christ is born for us.   224 00:25:43,460 --> 00:25:47,080 Come, let us adore.   225 00:25:47,080 --> 00:26:00,300 And in the Christmas hymns, O come, all ye faithful, let us adore him, Christ the Lord.   226 00:26:00,300 --> 00:26:12,920 The very first adorer of the newborn Son of God was Mary, his virgin mother, who lovingly   227 00:26:12,920 --> 00:26:17,920 laid him in the manger for all to behold.   228 00:26:19,680 --> 00:26:24,680 Next came St. Joseph, his foster father and guardian,   229 00:26:27,520 --> 00:26:32,520 who is depicted on his knees before him in the manger.   230 00:26:36,120 --> 00:26:41,120 And then the angels, the lowly shepherds,   231 00:26:41,120 --> 00:26:52,520 young and old, and finally the Magi and their retinue, all wrapped in wondrous   232 00:26:52,520 --> 00:27:04,000 worship. Adoration, therefore, is the dominant sentiment of Christmas. The urge   233 00:27:04,000 --> 00:27:16,380 to adore is certainly a great grace, because only believers adore. Only the   234 00:27:16,380 --> 00:27:26,240 faithful know by faith that Christ is the Son of God, true God of true God,   235 00:27:26,240 --> 00:27:38,680 begotten, not created. Worthy is he to receive honor and glory and praise, for   236 00:27:38,680 --> 00:27:50,000 he is the Son of God become man, the Word made flesh, the Son of God and Mary.   237 00:27:50,000 --> 00:28:00,640 These first and true friends of Christ at the stable of Bethlehem teach us the   238 00:28:00,640 --> 00:28:11,340 spirit of adoration. It is a spirit that must become an imminent part and a   239 00:28:11,340 --> 00:28:22,660 constant practice of our lives if we want truly to be like them, his friends.   240 00:28:22,660 --> 00:28:35,900 This Congress reminds us that the Holy Eucharist gives us many chances to adore,   241 00:28:35,900 --> 00:28:46,300 opportunities to worship him by visits to the Blessed Sacrament where the Christ in   242 00:28:46,300 --> 00:28:59,420 the crib is now the Christ in the host, truly and really the same God and Emmanuel.   243 00:28:59,420 --> 00:29:12,620 Here he waits for us to come and to sing to him with the angels, glory to God in the highest.   244 00:29:12,620 --> 00:29:23,600 Here he looks for us as he did for the shepherds to visit our divine neighbor.   245 00:29:23,600 --> 00:29:37,280 And here he draws us, as the Magi were drawn, to come, to fall down, and to worship him.   246 00:29:37,280 --> 00:29:48,480 Every day at Holy Mass he is lifted high at the consecration and is placed often in the   247 00:29:48,480 --> 00:29:58,760 demonstrants for benediction and processions for us to behold and to adore.   248 00:29:58,760 --> 00:30:11,760 Is our response one of adoring love, such as marked the worship of Mary, Joseph, the   249 00:30:11,760 --> 00:30:21,360 the angels, the shepherds, and the magi on that very first Christmas.   250 00:30:21,360 --> 00:30:33,040 And so, as we meditate on the third joyful mystery of the Rosary, ask Our Lady, the newborn   251 00:30:33,040 --> 00:30:45,180 Savior's first and most ardent worshiper to teach us to adore him, to glorify him,   252 00:30:45,180 --> 00:30:56,460 and to love him always at Holy Mass, in the Tabernacle, and especially when he is present   253 00:30:56,460 --> 00:31:00,980 within us in Holy Communion.   254 00:31:00,980 --> 00:31:03,780 Our Father, who art in...   255 00:31:03,780 --> 00:31:07,420 The fourth decade of the Rosary   256 00:31:07,420 --> 00:31:12,560 will be led by Father Francis Litz, Redemptorist,   257 00:31:12,560 --> 00:31:15,020 who is the custodian, as it were,   258 00:31:15,020 --> 00:31:18,120 of the body of Blessed John Newman   259 00:31:18,120 --> 00:31:20,760 here in Philadelphia.   260 00:31:20,760 --> 00:31:24,360 Father Litz is the vice postulator   261 00:31:24,360 --> 00:31:27,800 of the cause of Blessed John Newman,   262 00:31:27,800 --> 00:31:32,000 who is believed will soon be canonized,   263 00:31:32,000 --> 00:31:34,700 the third American saint.   264 00:31:34,700 --> 00:31:37,900 Bishop Newman was the first to introduce   265 00:31:37,900 --> 00:31:42,140 the 40 hours devotion in the United States.   266 00:31:42,140 --> 00:31:46,380 Father Litz was one of the first to introduce   267 00:31:46,380 --> 00:31:50,480 the all night vigils in the United States.   268 00:31:50,480 --> 00:31:53,420 And it was at St. ...   269 00:31:53,420 --> 00:31:56,920 Almost said St. John Newman.   270 00:31:56,920 --> 00:32:00,720 in the Blessed John Newman Shrine here in Philadelphia.   271 00:32:00,720 --> 00:32:01,720 Father Litz.   272 00:32:08,360 --> 00:32:12,680 You will now hear the Vice-Postulant   273 00:32:12,680 --> 00:32:16,680 of the Beatification of a Bishop of Philadelphia.   274 00:32:26,920 --> 00:32:36,680 The fourth joyful rosary mystery, the presentation of the child Jesus in the   275 00:32:36,680 --> 00:32:44,880 temple. So important according to the minds of the church is this fourth   276 00:32:44,880 --> 00:32:54,440 joyful mystery of the rosary that it is commemorated 40 days after the birth of   277 00:32:54,440 --> 00:33:04,260 Christ by the entire church each succeeding year on February the 2nd by a   278 00:33:04,260 --> 00:33:13,000 liturgical feast entitled the presentation of the Lord popularly   279 00:33:13,000 --> 00:33:24,400 known as Candlemas Day. The reason for this important liturgical feast day is   280 00:33:24,400 --> 00:33:34,040 is the clear and detailed narration of this outstanding event in the early days   281 00:33:34,040 --> 00:33:42,560 of Christ's life on earth by Saint Luke, the great evangelist of the infancy of   282 00:33:42,560 --> 00:33:52,520 Christ. Saint Luke tells us how Mary and Joseph brought the 40-day-old child   283 00:33:52,520 --> 00:34:03,600 Jesus to Jerusalem, so that he could be presented to the Lord. They came also to   284 00:34:03,600 --> 00:34:13,680 offer in sacrifice two young pigeons. During the ceremony, a just and pious man   285 00:34:13,680 --> 00:34:22,320 named Simeon, entered the temple and inspired by the Holy Spirit, took the   286 00:34:22,320 --> 00:34:30,680 child in his arms and blessed God for this great privilege, saying,   287 00:34:30,680 --> 00:34:39,320 Now you can dismiss your servant in peace, for you have fulfilled your work.   288 00:34:39,320 --> 00:34:49,600 My eyes have seen him who is the glory of your people and a light to all the nations.   289 00:34:49,600 --> 00:35:00,280 Then Simeon said to Mary in prophetic tones, This child is destined to be the downfall   290 00:35:00,280 --> 00:35:07,180 and the rise of many, a subject of contradiction.   291 00:35:07,180 --> 00:35:12,180 you yourself shall be pierced with a sword.   292 00:35:12,180 --> 00:35:22,180 St. Luke also mentions the presence in the temple as a witness of this event.   293 00:35:22,180 --> 00:35:32,920 An 84-year-old widow by the name of Anna, who was constantly in the temple, worshipping   294 00:35:32,920 --> 00:35:42,340 day and night, and St. Luke tells us how she could not stop thanking God for and   295 00:35:42,340 --> 00:35:52,440 telling others of the privilege that was hers. Tonight, as we meditate on the deep   296 00:35:52,440 --> 00:36:00,260 significance of this mystery of the presentation of the child Jesus in the   297 00:36:00,260 --> 00:36:09,100 Temple, we naturally turn our thoughts to the day of our presentation in the   298 00:36:09,100 --> 00:36:18,980 Temple, the day of our baptism, when our Godparents took us to the church to   299 00:36:18,980 --> 00:36:27,940 present us at the very beginning of our lives to the Lord. On that day of our   300 00:36:27,940 --> 00:36:35,900 initiation into the mystical body of Christ, our grandparents in our name   301 00:36:35,900 --> 00:36:46,180 made an offering for us in the name of our baptismal promises to renounce Satan,   302 00:36:46,180 --> 00:36:55,820 all his works, all his empty promises, to renounce sin so as to live in the   303 00:36:55,820 --> 00:37:04,700 freedom of the children of God, to reject the glamour of evil, and refuse to be   304 00:37:04,700 --> 00:37:13,180 mastered by sin, and to adhere throughout life to the faith of the Church of   305 00:37:13,180 --> 00:37:23,340 Christ. As Mary carried the child Jesus to the temple, so we too were pledged   306 00:37:23,340 --> 00:37:34,580 then at our baptism to carry Christ and his saving doctrine to many, to as many   307 00:37:34,580 --> 00:37:44,940 as possible. Like Christ, we too are destined, each in our own life, by our   308 00:37:44,940 --> 00:37:53,440 Christian life through edification or dis- edification for the rise or the   309 00:37:53,440 --> 00:38:04,080 fall of many. No one goes to their reward in God or to their rejection by God   310 00:38:04,080 --> 00:38:13,980 alone. The prophecy of Simeon that a sword of sorrow would pierce Mary's   311 00:38:13,980 --> 00:38:24,560 heart has likewise its echoes in our own personal life, for the cross is the   312 00:38:24,560 --> 00:38:34,320 characteristic mark of every Christian life, whose reward we enjoy only after   313 00:38:34,320 --> 00:38:42,960 having passed through many tribulations. With Mary, the tabernacle of the Lord, as   314 00:38:42,960 --> 00:38:52,320 as our model and guide in bearing with patience and with profit the sufferings,   315 00:38:52,320 --> 00:39:01,200 the hardships, the trials of everyday living, and eventually accepting death as   316 00:39:01,200 --> 00:39:11,200 a stepping stone to an ending happy association with Jesus, Mary, Joseph, with   317 00:39:11,200 --> 00:39:14,360 with Holy Simeon, with prayerful Anne.   318 00:39:15,740 --> 00:39:19,240 May this, the greatest of all night vigils   319 00:39:21,400 --> 00:39:23,640 in the history of America,   320 00:39:24,640 --> 00:39:28,560 since that first vigil of the American martyrs   321 00:39:31,160 --> 00:39:35,320 on the Feast of the Assumption at Aureusville, New York.   322 00:39:35,320 --> 00:39:59,320 May this all-night vigil encourage each one of us, through Mary's intercession, to remain loyal and true to our presentation in the temple to the promises of our baptism.   323 00:39:59,320 --> 00:40:04,320 Our Father who art in heaven,   324 00:40:04,320 --> 00:40:09,320 hallowed be thy name.   325 00:40:09,320 --> 00:40:11,320 The fifth decade of the Rosary   326 00:40:11,320 --> 00:40:14,320 will be led by Father Hubert Schiffer,   327 00:40:14,320 --> 00:40:19,320 a Jesuit who was eight blocks from ground zero   328 00:40:19,320 --> 00:40:26,320 when the atomic bomb exploded 31 years ago today.   329 00:40:26,320 --> 00:40:31,320 that is August the 6th when we began the vigil.   330 00:40:31,320 --> 00:40:38,320 He was in a house in which there were 16 people including himself.   331 00:40:38,320 --> 00:40:41,320 They are all still living.   332 00:40:41,320 --> 00:40:47,320 Every other person within a mile is dead.   333 00:40:47,320 --> 00:40:52,320 More than 200 experts have tried to find out   334 00:40:52,320 --> 00:40:57,320 what was different about that house.   335 00:40:57,320 --> 00:41:02,320 There was one thing, only one thing that was different.   336 00:41:03,320 --> 00:41:08,320 In that house they said the daily rosary.   337 00:41:09,320 --> 00:41:12,320 Father Schiffer wrote the booklet,   338 00:41:12,320 --> 00:41:16,320 The Rosary of Hiroshima.   339 00:41:16,320 --> 00:41:20,320 At Fatima, Our Lady predicted that if her requests   340 00:41:20,320 --> 00:41:27,960 continue to be ignored, the world will go even down the road of war to the annihilation   341 00:41:27,960 --> 00:41:36,560 of nations. Father Schiffer is in himself a living proof of that special protection   342 00:41:36,560 --> 00:41:45,960 of Our Lady in this atomic age to those who lovingly say her rosary. Let us join with   343 00:41:45,960 --> 00:41:52,960 him to pray for America.   344 00:42:15,960 --> 00:42:28,760 were killed. He and all 16 people in the house are still alive. He wrote a book,   345 00:42:29,880 --> 00:42:36,040 The Rosary of Hiroshima. We listen to it with great attention.   346 00:42:36,040 --> 00:42:47,040 Thank you, John, and merci beaucoup, mon père.   347 00:42:53,640 --> 00:42:59,040 Dear friends of our blessed mother,   348 00:42:59,040 --> 00:43:04,800 especially all of you here who are forming the living   349 00:43:04,800 --> 00:43:08,200 Rosalie at this all-night vigil.   350 00:43:11,400 --> 00:43:18,080 I'm very happy to be with you today or tonight.   351 00:43:18,080 --> 00:43:25,160 It's a beautiful occasion, a beautiful opportunity   352 00:43:25,160 --> 00:43:29,720 for our blessed mother to show her motherly concern.   353 00:43:29,720 --> 00:43:43,720 So, some years ago, Bishop Sheen, when he was speaking about the Rosary, said,   354 00:43:43,720 --> 00:43:51,720 you know there are all kinds of people who find it difficult to say the Rosary.   355 00:43:51,720 --> 00:43:57,320 You repeat the Hail Mary and another Hail Mary.   356 00:43:57,320 --> 00:43:59,160 And why do you have to repeat that?   357 00:44:02,280 --> 00:44:06,320 And then he added a very beautiful thought.   358 00:44:06,320 --> 00:44:14,280 He said, let's not forget that Mary is a woman.   359 00:44:14,280 --> 00:44:19,880 And to a woman, you say, I love you.   360 00:44:19,880 --> 00:44:22,560 And she would say, do you really love me?   361 00:44:22,560 --> 00:44:25,560 I say, yes, indeed, I love you.   362 00:44:25,560 --> 00:44:29,040 Do you love me more than anybody else?   363 00:44:29,040 --> 00:44:30,520 Yes.   364 00:44:30,520 --> 00:44:31,760 I love you.   365 00:44:31,760 --> 00:44:32,920 I love you.   366 00:44:32,920 --> 00:44:34,040 I really love you.   367 00:44:36,880 --> 00:44:39,920 And I have a strange feeling today.   368 00:44:42,040 --> 00:44:47,040 I had a beautiful preparation all typed up.   369 00:44:49,880 --> 00:44:55,560 And it just got lost an hour ago.   370 00:44:55,560 --> 00:44:58,120 How it fell out of my pocket, I don't know.</div> Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marian Vigil - Part 2 - Side A Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Rev. Rafferty Bishop Venancio Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-06 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_20 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.pahrc.net/files/original/a01b77663947682f996fa7e7f9f55676.mp3 89f086ec79b932a49abadc0fb6a26ab8 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Transcription Any written text transcribed from a sound <div style="width: 750px; height: 300px; overflow: scroll;" 1="" br="">00:00:00,000 --> 00:00:13,600 I had the impression that Our Lady had something to do with this and told me in effect, 2 00:00:13,600 --> 00:00:27,360 Hubert, throw away these papers, just open your heart and that's what I'm going to do. 3 00:00:27,360 --> 00:00:37,500 Because as Christians, we profess a religion of love, don't we? 4 00:00:37,600 --> 00:00:42,200 And when you make a declaration of love, 5 00:00:42,300 --> 00:00:50,080 you don't take a document, a declaration, 6 00:00:50,180 --> 00:00:51,740 and read off, 7 00:00:51,840 --> 00:00:54,880 Honey, I love you. 8 00:00:54,980 --> 00:00:56,480 Wait a moment. 9 00:00:56,480 --> 00:01:00,880 I love you very much. 10 00:01:00,880 --> 00:01:08,280 I love you more than anybody else. 11 00:01:08,280 --> 00:01:13,280 It's almost ridiculous, is it not? 12 00:01:13,280 --> 00:01:18,380 So what we ought to do in addition to whatever we write, 13 00:01:18,380 --> 00:01:24,880 and it's beautiful and fine, what we ought to do first 14 00:01:24,880 --> 00:01:28,280 and foremost is to open our heart. 15 00:01:30,680 --> 00:01:33,120 The mystery of the Rosary, 16 00:01:34,420 --> 00:01:38,320 the fifth of the joyful mysteries, 17 00:01:41,260 --> 00:01:46,260 has something to do with our Lord teaching Mary and Joseph 18 00:01:46,260 --> 00:02:02,140 teaching Mary and Joseph to really open up to the Lord and to realize how they 19 00:02:02,140 --> 00:02:13,200 had to give, to offer up Jesus to God. When Jesus was 12 years old, Holy 20 00:02:13,200 --> 00:02:25,840 Holy Scripture tells us Mary and Joseph, when they went on their pilgrimage to Jerusalem 21 00:02:25,840 --> 00:02:34,400 on the Passover feast, took Jesus along. 22 00:02:34,400 --> 00:02:46,880 And after they had stayed there for a week, they left the city, assuming Jesus was in 23 00:02:46,880 --> 00:03:01,800 the caravan, and they didn't realize that he had stayed behind in Jerusalem. 24 00:03:01,800 --> 00:03:07,880 And when they found out, they searched for him. 25 00:03:07,880 --> 00:03:19,320 Can you imagine the feelings, the shock Mary must have felt in her heart? 26 00:03:19,320 --> 00:03:33,560 God sends her, the Messiah, her baby, somebody she was asked to take care of. 27 00:03:33,560 --> 00:03:39,680 Lord God, where is he? 28 00:03:39,680 --> 00:03:43,520 Lord, I'm sorry. 29 00:03:43,520 --> 00:03:46,120 What can I possibly say? 30 00:03:46,120 --> 00:03:50,960 I didn't look after the child. 31 00:03:50,960 --> 00:03:54,620 Lord help me find him. 32 00:03:54,620 --> 00:04:09,360 And after three days, three days of tears, of a feeling we can't put in words, they 33 00:04:09,360 --> 00:04:13,600 I find him, finally, in the temple. 34 00:04:13,600 --> 00:04:23,360 And Mary said, my child, why have you done this to us? 35 00:04:23,360 --> 00:04:31,880 She's all shook up, as you would expect a mother to be. 36 00:04:31,880 --> 00:04:36,400 Why have you done this to us? 37 00:04:36,400 --> 00:04:41,040 And you know, time and time again, 38 00:04:41,040 --> 00:04:42,820 we ask the same question. 39 00:04:46,160 --> 00:04:51,160 Lord, why do you do things like this? 40 00:04:53,960 --> 00:04:58,800 Why do you permit real grief to come, 41 00:04:59,680 --> 00:05:04,540 particularly to people whom you call close to you? 42 00:05:06,400 --> 00:05:12,400 to ourselves, to people we deeply care for, 43 00:05:12,400 --> 00:05:17,400 God, why do you do this? 44 00:05:17,400 --> 00:05:22,400 And we don't know the answer. 45 00:05:22,400 --> 00:05:29,400 The only answer we know is we have to trust God. 46 00:05:29,400 --> 00:05:45,400 And so God leads us more and more to a deeper faith, to a more beautiful trust, and to a generous love. 47 00:05:45,400 --> 00:06:03,920 When John Hereford, he's not only the director of the Blue Army, he's also a very wonderful 48 00:06:03,920 --> 00:06:10,780 friend of mine, and I'm proud and happy to have him. 49 00:06:10,780 --> 00:06:17,780 When he invited me to join you in this Rosary, he said, 50 00:06:17,780 --> 00:06:25,780 Father, it seems to me it would be a wonderful opportunity 51 00:06:25,780 --> 00:06:31,780 if you could weave in the experience of Hiroshima 52 00:06:31,780 --> 00:06:37,780 into the mystery of the Rosary 53 00:06:37,780 --> 00:06:47,720 and the mystery of how our blessed mother cares for us 54 00:06:47,720 --> 00:06:50,940 and leads us to find Jesus. 55 00:06:54,820 --> 00:06:58,300 Now, John is a great man. 56 00:06:58,300 --> 00:07:05,020 He's close to God, and I'm very happy to follow his suggestion. 57 00:07:05,020 --> 00:07:06,100 I'll make it very brief. 58 00:07:11,140 --> 00:07:17,780 I was in Hiroshima, eight blocks from where 59 00:07:17,780 --> 00:07:19,980 the atomic bomb exploded. 60 00:07:24,420 --> 00:07:30,260 At the time, I really didn't know what happened. 61 00:07:30,260 --> 00:07:32,260 There was a tremendous explosion. 62 00:07:35,980 --> 00:07:43,020 I knew I was seriously wounded, and I knew I was dying. 63 00:07:46,580 --> 00:07:50,940 Whether I would be dead within half an hour, which 64 00:07:50,940 --> 00:07:57,220 seemed most likely, or within two hours, I didn't know. 65 00:07:57,220 --> 00:08:09,380 But I had not the slightest doubt, neither had anybody else, that I would be dead very 66 00:08:09,380 --> 00:08:11,500 soon. 67 00:08:11,500 --> 00:08:28,220 I was found and received a little bit of first aid 12 hours later among 1,500 or 1,600 dead 68 00:08:28,220 --> 00:08:34,940 Japanese, piled up all over. 69 00:08:34,940 --> 00:08:44,780 And I was listening while the other Jesuits who had come in to pick me up were discussing 70 00:08:44,780 --> 00:08:49,980 – let's bring him out now. 71 00:08:49,980 --> 00:08:53,700 We don't know where we are. 72 00:08:53,700 --> 00:08:56,300 We wouldn't find him again. 73 00:08:56,300 --> 00:09:00,180 We have to give him a funeral tomorrow morning. 74 00:09:00,180 --> 00:09:10,860 That's a beautiful thought, and they carry you out of a burning city for a funeral, your 75 00:09:10,860 --> 00:09:16,900 funeral. 76 00:09:16,900 --> 00:09:20,820 I made a request. 77 00:09:20,820 --> 00:09:24,380 After all, it was my funeral. 78 00:09:24,380 --> 00:09:39,340 I said, well, somebody please sing the Magnificat in any language, Japanese, Latin, any language 79 00:09:39,340 --> 00:09:41,420 at all. 80 00:09:41,420 --> 00:09:51,220 Just sing the Magnificat because my body feels lousy, but my soul is happy. 81 00:09:51,220 --> 00:10:02,820 There were more than 200,000 people dead. 82 00:10:02,820 --> 00:10:13,780 There were thousands of people wounded, many of them crippled for life. 83 00:10:13,780 --> 00:10:23,340 And for the next couple of weeks, when my Jesuit friends ignored the notice outside 84 00:10:23,340 --> 00:10:39,940 my room, no visitors, they came in, peeked in the door and said, are you still alive? 85 00:10:39,940 --> 00:10:45,380 Do you mind if I come in for a moment? 86 00:10:45,380 --> 00:10:51,060 And after four or five months, most of them 87 00:10:51,060 --> 00:10:58,940 felt that I would probably make it, but nobody was sure. 88 00:10:58,940 --> 00:11:04,860 So here I am, and I'm very happy to be 89 00:11:04,860 --> 00:11:09,860 part of this great team praising our Blessed Mother. 90 00:11:13,500 --> 00:11:17,940 And I consider it a privilege that I can now 91 00:11:17,940 --> 00:11:24,140 invite you to honor our Blessed Mother 92 00:11:24,140 --> 00:11:33,460 and to pray to her that she may lead us to find Jesus, 93 00:11:33,460 --> 00:11:41,660 to find him with all our hearts, with a deep love, 94 00:11:41,660 --> 00:11:45,540 and a generosity that knows no bounds. 95 00:11:48,460 --> 00:11:49,300 And so let us pray. 96 00:11:52,820 --> 00:11:55,300 Our Father, who art in heaven. 97 00:11:55,300 --> 00:12:04,860 He could not be here himself because of his advanced age, but he sent the 98 00:12:04,860 --> 00:12:12,020 International Vice President of the Legion of Mary, Mr. Cummins, who is going 99 00:12:12,020 --> 00:12:19,140 to read the words written by Mr. Duff. I invite the members of the Living Rosary 100 00:12:19,140 --> 00:12:22,140 to remain for this one meditation 101 00:12:22,140 --> 00:12:27,140 and this one last decade of the Rosary of the Night. 102 00:12:27,140 --> 00:12:29,140 Mr. Cummins. 103 00:12:33,140 --> 00:12:36,140 Mr. Cummins will now read the text 104 00:12:36,140 --> 00:12:41,140 written especially by the founder of the Legion of Mary, 105 00:12:41,140 --> 00:12:43,140 Frank Duff. 106 00:12:49,140 --> 00:12:56,140 This meditation is on the Assumption of Our Blessed Lady. 107 00:12:56,140 --> 00:13:02,140 The doctrine of the Assumption has many intriguing features. 108 00:13:02,140 --> 00:13:07,140 It was never controverted in the Catholic Church, 109 00:13:07,140 --> 00:13:15,140 and yet it was defined when there did not seem to be any necessity for that step. 110 00:13:15,140 --> 00:13:24,000 It was, moreover, the most ancient of all the feasts of Our Lady, being the first one 111 00:13:24,000 --> 00:13:29,840 to be separated from her original single feast. 112 00:13:29,840 --> 00:13:39,240 That it should have opened up the Marian liturgical flowering shows the completeness of the belief 113 00:13:39,240 --> 00:13:41,520 in the Assumption. 114 00:13:41,520 --> 00:13:49,840 The Immaculate Conception was also a modern definition, but, unlike the Assumption, it 115 00:13:49,840 --> 00:14:02,920 had encountered opposition so that a definition was called for. 116 00:14:02,920 --> 00:14:09,360 As there was no contradiction in the case of the Assumption, why should the step of 117 00:14:09,360 --> 00:14:20,500 defining it be proceeded to at all. Perhaps I may, with due timidity, suggest an explanation. 118 00:14:20,500 --> 00:14:27,940 For possibly one hundred years the doctrine of Our Lady's mediation of all graces had 119 00:14:27,940 --> 00:14:36,340 been receiving increasing attention. Referred to frequently by the Fathers of the Church, 120 00:14:36,340 --> 00:14:38,800 by the saints throughout the ages, 121 00:14:38,800 --> 00:14:42,240 and in the teachings of the more recent popes, 122 00:14:42,240 --> 00:14:45,580 it was stressed in a particular manner 123 00:14:45,580 --> 00:14:53,180 by the institution in 1921 of a feast in its honor. 124 00:14:53,180 --> 00:14:58,900 An additional circumstance which may be held to possess weight 125 00:14:58,900 --> 00:15:02,080 was the birth of the Legion of Mary 126 00:15:02,080 --> 00:15:07,880 three months after the institution of that feast. 127 00:15:07,880 --> 00:15:11,320 Although unaware of the feast, the Legion 128 00:15:11,320 --> 00:15:16,080 built its system on the mediation. 129 00:15:16,080 --> 00:15:19,960 This acquires its importance from the fact 130 00:15:19,960 --> 00:15:23,680 that the Legion is now universal. 131 00:15:23,680 --> 00:15:27,960 It is operating in more than 1,900 132 00:15:27,960 --> 00:15:32,600 of the ecclesiastical jurisdictions of the world, 133 00:15:32,600 --> 00:15:37,360 and it comprises persons of every nation, section, 134 00:15:37,360 --> 00:15:39,320 and class. 135 00:15:39,320 --> 00:15:43,600 Already, it has produced many martyrs. 136 00:15:43,600 --> 00:15:49,240 It has been highly commended by each pope since its inception, 137 00:15:49,240 --> 00:15:53,720 even from as early as 1931. 138 00:15:53,720 --> 00:15:58,480 that a worldwide society of many million members, 139 00:15:58,480 --> 00:16:00,800 active and auxiliary, 140 00:16:00,800 --> 00:16:04,720 should be found thinking and praying 141 00:16:04,720 --> 00:16:07,480 in the sense of the mediation 142 00:16:07,480 --> 00:16:12,480 has its own special value in the mind of the church 143 00:16:12,480 --> 00:16:15,080 by reason of the axiom, 144 00:16:15,080 --> 00:16:18,400 lex orandi, lex credendi. 145 00:16:20,020 --> 00:16:21,820 There is the further fact 146 00:16:21,820 --> 00:16:26,820 that God is frequently found confirming a doctrine 147 00:16:26,820 --> 00:16:29,980 by a subsequent visible manifestation. 148 00:16:30,980 --> 00:16:35,980 For example, Lourdes, three years after the definition 149 00:16:36,460 --> 00:16:37,980 of the Immaculate Conception. 150 00:16:39,200 --> 00:16:42,020 The Legion came three months 151 00:16:42,020 --> 00:16:44,120 after the Feast of the Mediation. 152 00:16:45,540 --> 00:16:48,580 I have said that the modern trend 153 00:16:48,580 --> 00:16:53,060 was towards the definition of that doctrine. 154 00:16:53,060 --> 00:16:55,900 Many took it for granted that it would be 155 00:16:55,900 --> 00:16:59,300 realized in the near future. 156 00:16:59,300 --> 00:17:03,140 This supposition appeared to be justified 157 00:17:03,140 --> 00:17:08,380 by the definition of the assumption in 1950. 158 00:17:08,380 --> 00:17:12,580 It was reasoned that as the assumption was already 159 00:17:12,580 --> 00:17:18,180 fully accepted, there had to be a special purpose in placing 160 00:17:18,180 --> 00:17:25,900 on the Church's statute book. And what other purpose could there be but the 161 00:17:25,900 --> 00:17:33,820 preparing of the way for the mediation? The two are bound together in as much as 162 00:17:33,820 --> 00:17:39,900 the assumption would have to be defined doctrine in order that the mediation 163 00:17:39,900 --> 00:17:46,660 might be given that status. If the assumption had not been previously 164 00:17:46,660 --> 00:17:54,300 defined, then it would be necessary as part of the definition of the mediation that it 165 00:17:54,300 --> 00:17:59,060 would include the defining of the assumption. 166 00:17:59,060 --> 00:18:08,420 And one might think, why not proceed in that unified way rather than in two separate stages? 167 00:18:08,420 --> 00:18:15,780 I suggest that it would not do justice to the venerable doctrine of the assumption thus 168 00:18:15,780 --> 00:18:24,060 to treat it as a mere prelude or laying of a foundation for another doctrine. 169 00:18:24,060 --> 00:18:32,020 Be that as it may, the procedure actually adopted by the Holy See was the definition 170 00:18:32,020 --> 00:18:37,100 of the assumption in full state and style. 171 00:18:37,100 --> 00:18:45,780 This left the way open for the expected step of defining of the mediation. 172 00:18:45,780 --> 00:18:50,480 But Pope Pius XII did not take that step. 173 00:18:50,480 --> 00:18:57,300 He is understood to have stated privately that there was still much preparatory work 174 00:18:57,300 --> 00:19:04,480 to be done in connection with the mediation and that finality would not be reached during 175 00:19:04,480 --> 00:19:14,440 his pontificate. Soon afterwards, the movement towards the mediation was surprisingly reversed. 176 00:19:14,440 --> 00:19:23,220 This formed part of the worldwide transformation which coincided with the Council. Everything 177 00:19:23,220 --> 00:19:32,220 became different. There has been a crisis of religion, the uprise of Asia and Africa, 178 00:19:32,220 --> 00:19:40,500 the changing balance of power, the universal anarchy and confusion which seem to be token 179 00:19:40,500 --> 00:19:50,420 chaos. Nevertheless, there are two things which I would regard as certain, one major, 180 00:19:50,420 --> 00:19:59,900 the other minor. The first is that the Catholic Church will enter on the 21st century stronger 181 00:19:59,900 --> 00:20:11,160 than ever. Indeed, as the only thinkable religion. Protestantism has fissured to its ultimate. 182 00:20:11,160 --> 00:20:19,060 The non-Christian religions will melt away before the cynical sophistication of that 183 00:20:19,060 --> 00:20:29,580 new world. Alone, the Church, which has survived 20 searing centuries, will live through the 184 00:20:29,580 --> 00:20:38,740 next one and make greater conquests than ever before. The minor development will 185 00:20:38,740 --> 00:20:46,100 be the massive growth of the Legion of Mary. It seems as if it is the Legion 186 00:20:46,100 --> 00:20:53,540 prophesied by St. Louis Marie de Montfort and destined to be the agency for the 187 00:20:53,540 --> 00:21:03,620 mobilises of the people of God projected by the Council. If so, much depends on it and 188 00:21:03,620 --> 00:21:12,860 it must receive such aid as can be given to it. Part of this would lie in the confirming 189 00:21:12,860 --> 00:21:22,340 of the doctrine which is its special driving force, Mary's motherhood of the souls of 190 00:21:22,340 --> 00:21:31,700 the world. If any aspect of the doctrine still needs strengthening, it seems imperative that 191 00:21:31,700 --> 00:21:42,560 this be done, for the Legion is being assailed on the score that its belief in Mary is excessive. 192 00:21:42,560 --> 00:21:52,300 Would not the resumption of the interrupted advance towards the mediation serve that purpose? 193 00:21:52,300 --> 00:22:01,460 Moreover it would form the orderly and juicy will to the definition of the assumption of 194 00:22:01,460 --> 00:22:04,420 Our Blessed Lady. 195 00:22:04,420 --> 00:22:08,660 Our Father who art in heaven, hallowed be thy name. 196 00:22:08,660 --> 00:22:12,980 Here is the Bishop of Our Lady. 197 00:22:12,980 --> 00:22:20,940 The Bishop's homily will be rendered in English by Father Macias Coelho, one of the 198 00:22:20,940 --> 00:22:26,940 the outstanding Apostles of the message of Fatima in Portugal and the world. 199 00:22:26,000 --> 00:22:45,000 Meus irmãos, quiseram os responsáveis por esta maravilhosa velada noturna que estamos a celebrar, 200 00:22:45,000 --> 00:22:52,000 vos dissesse uma palavra simples de saudação, integrada na celebração da Eucaristia, precedida 201 00:22:52,000 --> 00:22:56,000 gan y Patriarca Imenentísimo Cardeal de Lisboa. 202 00:22:56,000 --> 00:22:59,000 Faço-o com a maior satisfação. 203 00:22:59,000 --> 00:23:03,000 Costio muito embora da minha pobreza. 204 00:23:12,940 --> 00:23:23,480 Those who organized this all night vigil that we are still celebrating, wanted me to say a word in this mass presided by his eminence, 205 00:23:23,480 --> 00:23:29,720 the Cardinal Patriarch of Lisbon. This is what I am doing with most joy. 206 00:23:33,000 --> 00:23:37,000 Com esta velada noturna que estamos prestes a terminar, 207 00:23:37,000 --> 00:23:41,000 para além de toda a sua riqueza sobrenatural, 208 00:23:41,000 --> 00:23:45,000 que gostosamente entregamos em ordem aos fins, 209 00:23:45,000 --> 00:23:56,000 Atingir neste Congresso Eucarístico Internacional, quis-se pôr em foco a relação íntima das duas providenciais devoções 210 00:23:56,000 --> 00:24:04,000 que o Céu pede para os nossos dias, primeiras sextas-feiras e primeiros sábados dos meses, 211 00:24:04,000 --> 00:24:14,000 aquelas em honra do Sagrado Coração de Jesus, estes em honra do Coração Imaculado de Maria. 212 00:24:15,120 --> 00:24:20,120 With this all-night vigil we are just finishing, 213 00:24:20,120 --> 00:24:26,120 we wanted to stress the intimate connection 214 00:24:26,120 --> 00:24:29,620 between the two providential devotions 215 00:24:29,620 --> 00:24:33,120 Heaven is asking today, 216 00:24:33,120 --> 00:24:37,620 First Fridays and First Saturdays. 217 00:24:37,620 --> 00:24:43,120 First Fridays in honour of the Sacred Heart of Jesus 218 00:24:43,120 --> 00:24:49,120 and First Saturdays in honour of the Immaculate Heart of Mary. 219 00:24:51,560 --> 00:24:57,560 Todos conhecemos, certamente, aquelas palavras simples, 220 00:24:57,560 --> 00:25:00,560 mas cheias de fogo do céu, 221 00:25:00,560 --> 00:25:06,560 anunciadas pela pecanina Jacinta Marto nas vésperas da partida para o céu. 222 00:25:07,560 --> 00:25:12,560 Dizias á sua prima Lucia que nulas conta nos seus escritos. 223 00:25:13,120 --> 00:25:26,360 All of us know those words, those simple words, those words full of heavenly fire, pronounced 224 00:25:26,360 --> 00:25:39,240 by the little seer Jacinta Marto just in her last days, when she was just dying. 225 00:25:39,240 --> 00:25:49,240 So as she said to her cousin Lúcia, as Lúcia tells us in his memoirs. 226 00:25:52,560 --> 00:25:55,560 Já falta pouco para ir para o céu. 227 00:25:56,560 --> 00:25:59,560 Tu ficas cá para dizeres 228 00:25:59,560 --> 00:26:06,560 que Deus quer estabelecer no mundo a devoção ao Imaculado Coração de Maria. 229 00:26:06,560 --> 00:26:12,560 Quando fores para dizer isso, não te escondas nem tenhas medo. 230 00:26:12,560 --> 00:26:20,560 Diz a toda a gente que Deus nos concede as graças por meio do Coração Imaculado de Maria. 231 00:26:20,560 --> 00:26:29,880 de Maria, que lhes peçam a ela, que o coração de Jesus quer que a seu lado se venera o coração 232 00:26:29,880 --> 00:26:38,840 imaculado de Maria, que peçam a paz ao coração imaculado de Maria, que Deus lhe entregou 233 00:26:38,840 --> 00:26:39,840 a ela. 234 00:26:39,840 --> 00:26:48,520 Se eu pudesse meter no coração de toda a gente o lume que tenho cá dentro do peito 235 00:26:48,520 --> 00:26:56,520 a queimar-me e fazer-me gostar tanto do coração de Jesus e do coração imaculado de Maria? 236 00:27:01,240 --> 00:27:08,200 These are the words of Jacinta, I am going to heaven very soon. 237 00:27:08,200 --> 00:27:18,360 You remain in this earth to tell everybody that God wants to establish in the world the 238 00:27:18,360 --> 00:27:22,960 devotion to the Immaculate Heart of Mary. 239 00:27:22,960 --> 00:27:29,180 When you are going to say this, do not hide yourself. 240 00:27:29,180 --> 00:27:38,060 Tell everybody that God gives us his graces through the Immaculate Heart of Mary. 241 00:27:38,060 --> 00:27:43,380 Tell everybody to ask her the graces. 242 00:27:43,380 --> 00:27:52,020 Tell everybody that the heart of Jesus wants that the heart of Mary be venerated at his 243 00:27:52,020 --> 00:27:53,480 side. 244 00:27:53,480 --> 00:28:02,640 everybody to ask the peace to the Immaculate Heart of Mary because God gave peace to her. 245 00:28:02,640 --> 00:28:14,000 I wish I could enkindle in the heart of everybody the fire I feel in my heart burning me and 246 00:28:14,000 --> 00:28:22,400 making me love so much, so much, the heart of Jesus and the Immaculate Heart of Mary. 247 00:28:28,280 --> 00:28:31,280 É das revelações mais profundas. 248 00:28:31,280 --> 00:28:39,280 esta a que se refere a nossa pequenina apóstola numa linguagem infantil tão sua própria, 249 00:28:39,280 --> 00:28:47,280 a união dos dois corações de Jesus e de Maria na obra da nossa salvação. 250 00:28:47,280 --> 00:28:55,280 O mediador único, principal, entre Deus e os homens, quis ter, quer ter a seu lado, 251 00:28:55,280 --> 00:28:59,280 A medianeira, a medianeira junto do mediador. 252 00:28:59,280 --> 00:29:03,280 Não foi por ela que nos veio o Redentor? 253 00:29:03,280 --> 00:29:06,280 Que admira que continue a ser por ela 254 00:29:06,280 --> 00:29:10,280 que até nós ele venha na obra continuada 255 00:29:10,280 --> 00:29:13,280 e sempre renovada da Redenção. 256 00:29:13,000 --> 00:29:25,400 This revelation is one of the deepest, although exposed in a childish way. 257 00:29:25,400 --> 00:29:34,380 This is the union of the two hearts, the heart of Jesus and the heart of Mary. 258 00:29:34,380 --> 00:29:44,540 The only Mediator, the Mediator between God and mankind wanted to have and wants to have 259 00:29:44,540 --> 00:29:52,180 at his side the Mediatrix, Mediatrix besides the Mediator. 260 00:29:52,180 --> 00:29:59,220 Wasn't it through her that the Redeemer came to us? 261 00:29:59,220 --> 00:30:13,220 I wonder if He wants to have her as Mediatrix of all graces He wants to give us. 262 00:30:16,780 --> 00:30:19,980 Caro Maria, caro Jesus. 263 00:30:19,980 --> 00:30:24,980 binomio de salvação jamais renegado por Deus. 264 00:30:24,980 --> 00:30:29,980 Deus não muda nos designios da sua misericórdia. 265 00:30:29,220 --> 00:30:40,220 heart of Mary and heart of Jesus, binomium of salvation that God wants. 266 00:30:40,220 --> 00:30:47,220 God does not change in His plans, in plans of His mercy. 267 É doutrina tradicional da Igreja, seja seu testemunho solena, 65 268 o célebre dito de São Bernardo, que numa só frase 66 269 compendiava quanto o povo cristão sempre acreditou nesta matéria. 67 270 É que as devoluntas dei, 68 271 oitoto nos haber evoluit per Maria. 69 272 É esta a vontade de Deus, que tudo nos venha por Maria. 265 273 this is the traditional teaching of church and st. bernard, may somebody follow the teaching in the following sentence. 266 274 This is the will of God that we receive everything 267 275 through Mary. 113 276 Fátima, diz um celebrado autor, 114 277 vem unir a devoção 115 278 a devoção do Imaculado Coração de Maria à do Coração Sagrado de Jesus. 116 279 Vem colocar a Cor Redentora junto do Redentor, a Medianeira ao lado do Mediador. 269 280 Fatima is the revelation to the world 270 281 of the universal mediation of Mary, 271 282 a united and subordinated mediation 272 283 of the main Mediator. 273 284 Jesus Christ, as He brought us together 274 285 with Mary in the work of the Resurrection, 275 286 at the top of the Calvary, 276 287 continues to save us and to grant us 277 288 Fátima comes to unite the devotion of the Immaculate Heart of Mary to the Lord Jesus 121 289 Fátima, vem lembrar-nos que Deus nos concede as graças por meio de ambos os corações, 122 290 do mediador e da medianeira. 123 291 yw'r adroddiad o'r mediad universal o Mary, 124 292 mediad unigol i'r mediador prin, Jesus Christus. 125 293 Jesus Christus rhedegu'r bobl gyda Mary 126 294 ac mae'n mynd ymlaen i rannu'r byd trwy ei mawr. 127 295 Fatima nos lemos que Deus nos dá asceitos através dos dois corações, 128 296 o coração do mediador e do coração da mediatrix. 278 297 According to a famous author Fátima compares the devotion of the immaculate heart of mary to the devotion of the Sacred Heart of Jesus. 279 298 Fatima places the Choradimtrix besides the Redeemer, 280 299 the Mediatrix besides the Mediator. 281 300 Fatima is the revelation 282 301 of the universal Mediation of Mary, 283 302 Mediation united to that of the main Mediator, 284 303 Jesus Christ. Jesus Christ redeemed mankind with Mary and goes on saving the 285 304 world through his mother. Fatima reminds us that God gives his 286 305 graces to us through both hearts, the heart of the mediator and the heart of 287 306 of the Mediatrix. 129 307 Isto, aliás, o sugerira já, nas suas três visitas aos pastorinhos, 130 308 O Anjo de Portugal, o Anjo da Paz, a prepará-los para a grande mensagem trazida pessoalmente pela Mãe de Deus. 131 309 Os corações de Jesus e Maria estão atentos à voz das vossas súplicas. 132 310 Primeira aparição na loca do cabeça. 133 311 Na segunda, junto do poço no quintal do Arneiro, repete, 134 312 Os corações de Jesus e Maria têm sobre vós desígnios de misericórdia. 135 313 A grande oração reparadora que lhes ensina na terceira aparição, 136 314 de novo na loca do cabeço, 137 315 dirigida à Santíssima Trindade, 138 316 termina por estas palavras. 139 317 E pelos méritos infinitos do seu Santíssimo Coração 140 318 e do Coração Imaculado de Maria, 141 319 Peço-vos à conversão dos pobres pecadores. Sempre os dois corações. 295 320 This has been stressed from the first moment by the Angel of Portugal, 296 321 the angel of peace who prepared the seers for the message of Our Lady. 297 322 The angel said, 298 323 The hearts of Jesus and Mary pay attention to your prayers. 299 324 This was said during the first apparition of the angel in Loca do Cabeço. 300 325 In the second apparition, near the well in the garden of Reneiro, the angel said, 301 326 The hearts of Jesus and Mary have upon you plans of mercy. 302 327 The great prayer in reparation the angel teaches the seers in the third apparition 303 328 ends with these words, and by the infinite merits of his most holy heart, and the merits 304 329 of the Immaculate Heart of Mary, I ask for the conversion of poor sinners. 305 330 We have always, in Fatima, both hearts. 160 331 Primeiras sextas-feiras, primeiros sábados, 161 332 invenção amorosa dos corações de Jesus e Maria 162 333 para a salvação eterna de muitas almas, 163 334 de todas quantas se quiserem aproveitar desta graça inafável. 306 335 First Fridays, first Saturdays, lovely invention of the hearts of Jesus and Mary, to the eternal 307 336 salvation of several souls, of all souls who want to accept this invitation of Heaven. 168 337 Eu sei que em muitas partes, nomeadamente aqui na América, 169 338 o Exército Azul de Nossa Senhora de Fátima, 170 339 de colaboração, aliás, com outros movimentos apostólicos marianos, 171 340 Está empenhado em larga campanha da celebração mensal das duas providenciais devoções, 172 341 primeiras sextas-feiras do Sagrado Coração de Jesus e primeiros sábados do Coração Imaculado de Maria, 173 342 ligando-as com velada noturna de oração. 315 343 I know that in several parts of the world, especially here in the United States, the 316 344 Blue Army of Our Lady of Fatima with some other apostolic movements is promoting a monthly 317 345 celebration of these two providential devotions. First Fridays in honour of the Sacred Heart 318 346 of Jesus and first Saturdays in honour of the Immaculate Heart of Mary, uniting them 319 347 with a whole night vigil. 180 348 Dê-lhe cada um de nós o seu apoio pessoal 181 349 Celebrando-as, tais quais aspediram os dois santíssimos corações 182 350 e procurando por todos os meios que outros, muitos outros, se lhes associem. 183 351 Está nisso a salvação de muitas almas. 184 352 Será este um bom fruto da nossa participação neste 41º Congresso Eucarístico Internacional 185 353 e nesta maravilhosa velada noturna. Assim seja. 322 354 Let us do our best to celebrate these devotions, let us do our best to spread by all means 323 355 these devotions. 324 356 And this is the salvation of several souls, of many souls. 325 357 And this will be a fruit of our participation in this 41st Eucharistic International Congress 326 358 and in this wonderful All-Night Vigil. 327 359 So be it.</div> Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marian Vigil - Part 2 - Side B Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Rev. Rafferty Bishop Venancio Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-06 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_20 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.pahrc.net/files/original/f2a305613f9c9463046ec147d862f28b.mp3 522c9427b452baee74aa0393c687273e https://omeka.pahrc.net/files/original/f7ffa4fa9c10b5a3adb263890d5be524.mp3 95c5543785043b031288f396130bf979 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marriage Encounter: Celibacy- Life Giving to Priest and People Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Fr. Patrick Colleran Fr. Desmond Colleran Date A point or period of time associated with an event in the lifecycle of the resource 1976-08 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/lnC/1.0/">http://rightsstatements.org/vocab/lnC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_916-02 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.pahrc.net/files/original/a3ac8ef40324e42ae4c18ba933916f5d.mp3 0274961fddc83331ad2f873854315657 https://omeka.pahrc.net/files/original/b348d893ae0df50bf330f139a544ee77.mp3 c8aead20f3fd5ee2fcde90b5b7bd11a4 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marriage Encounter: Communication in Marriage Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Arthur Fitzgerald Elsa Fitzgerald Date A point or period of time associated with an event in the lifecycle of the resource 1976-08 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/lnC/1.0/">http://rightsstatements.org/vocab/lnC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_914-02 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.pahrc.net/files/original/6adde75ed6d5d13132dd45938d8b7361.mp3 23f3d1b7f6801efed6f9f75f0498fc7d Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marriage Encounter: Life Giving Parenthood, Part 1 (Part 1) Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Rev. Charles Gallagher Date A point or period of time associated with an event in the lifecycle of the resource 1976-08 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/lnC/1.0/">http://rightsstatements.org/vocab/lnC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_912-02 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.pahrc.net/files/original/eebd2f656b36de895dad715e0aee42f7.mp3 fca7fbe57860f7545c703965dc8b4e21 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marriage Encounter: Life Giving Parenthood, Part 1 (Part 2) Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Rev. Charles Gallagher Date A point or period of time associated with an event in the lifecycle of the resource 1976-08 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/lnC/1.0/">http://rightsstatements.org/vocab/lnC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_912-02 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.pahrc.net/files/original/c9e68377302df1166993d1d7b58c740d.mp3 4bf567abc37a7e3553ced1a6cb1e488c https://omeka.pahrc.net/files/original/188c0d1c1bdbd1ad0132c509d5a606b6.mp3 46e2efa6647e1410d13f8922a2f9dc62 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marriage Encounter: Life Giving Parenthood, Part 2 Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Rev. Charles Gallagher Date A point or period of time associated with an event in the lifecycle of the resource 1976-08 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/lnC/1.0/">http://rightsstatements.org/vocab/lnC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_913-02 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.pahrc.net/files/original/e88e4baf629737c40c79e45e70d7bfd8.mp3 092401f30eb2799749d4a47eec79b549 https://omeka.pahrc.net/files/original/db055a0b36191a14479bc0747b6e79aa.mp3 2185ea05816ed6588275368f6dd831ef Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marriage Encounter: Matrimony and Holy Orders- Sacraments for Service Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Bud Quigley Marie Quigley Fr. Michael Sullivan Date A point or period of time associated with an event in the lifecycle of the resource 1976-08 Rights Information about rights held in and over the resource http://rightsstatements.org/vocab/lnC/1.0/ Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_915-02 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.pahrc.net/files/original/9313d4e64476932af8738372f51d493f.jpg 7141c9a67a45abacdf70bae33a2c8859 https://omeka.pahrc.net/files/original/ea4d7d088758454bc27c5d6e31b6ee52.jpg 3fcce699675b5b65cb1cad59d0f90ee2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 18.5" x 25" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Description An account of the resource Portrait photograph of Martin I. J. Griffin, hand-painted. Photographer unknown. Identifier An unambiguous reference to the resource within a given context 2016.010.04 Subject The topic of the resource Griffin, Martin I. J. (Martin Ignatius Joseph), 1842-1911. Albumen prints--Hand-painted. Catholic Church--Pennsylvania--Philadelphia--History. Catholics--Pennsylvania--Philadelphia. Portrait photographs--1900-1910. Portraits--1900-1910. Title A name given to the resource Martin I. J. Griffin Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/" target="_blank">http://rightsstatements.org/vocab/UND/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.pahrc.net/files/original/617365a0be2ade6e8c7ea83e917f841a.jpg 7a0ea6e13af8dc0b5d3be1a4e7e74123 https://omeka.pahrc.net/files/original/bb5d3cc2090835fc6c79a52d8f0db447.jpg 32a8000d205996814b04f39be98bd254 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 14" x 11" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Photograph of the future Cardinal Sebastiano Martinelli, Apostolic delegate to the U.S., with a group of Augustinians at Villa Nova. Photographer unknown. Identifier An unambiguous reference to the resource within a given context 1993.018.OS055 Subject The topic of the resource Martinelli, Sebastian, Archbishop, 1848-1918. Bishops--Italy--19th century. Bishops--United States--19th century. Catholic Church--Italy--Clergy--19th century. Catholic Church--United States--Clergy--19th century. Group portraits--1890-1900. Title A name given to the resource Martinelli, in Villa Nova Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. 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Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 13" x 11" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Description An account of the resource Photograph of children on steps and porch of the Mary R. and W. Brice Home in Port Kennedy, Pa. (now Upper Merion Township) during summer outing for poor Catholic children. Photographer unknown. Identifier An unambiguous reference to the resource within a given context 100.4.1.St. Vincent Subject The topic of the resource Catholic Church--Charities. Catholic Church--Societies, etc. Children--Pictorial works. Church work with poor children. Group portraits--1920-1930. St. Vincent de Paul Society (Philadelphia, Pa.) Title A name given to the resource Mary R. and W. Brice Home summer outing for poor children. St. Vincent de Paul Society of Phila. Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/" target="_blank">http://rightsstatements.org/vocab/UND/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.pahrc.net/files/original/e709248fd9830d2072392a4ffda0c1c2.mp3 07da575b621b3b01fda99b1f7016f937 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Transcription Any written text transcribed from a sound <div style="width: 750px; height: 300px; overflow: scroll;" 1="" br="">00:00:00,000 --> 00:00:09,600 In the name of the Father, and of the Son, and of the Holy Spirit.   2 00:00:09,600 --> 00:00:14,440 Peace be with you.   3 00:00:14,440 --> 00:00:24,680 The entire theme for this Mass is based upon the constant prayer of Blessed John Newman,   4 00:00:25,480 --> 00:00:29,600 Give me holiness.   5 00:00:29,600 --> 00:00:37,280 My brothers and sisters, to prepare ourselves to celebrate the sacred mysteries, let us   6 00:00:37,280 --> 00:00:42,280 call to mind our sins.   7 00:00:55,680 --> 00:01:01,520 Lord Jesus, you have shown us the way to the Father.   8 00:01:01,520 --> 00:01:04,920 Lord have mercy.   9 00:01:04,920 --> 00:01:10,600 Lord Jesus, you have given us the consolation of the truth.   10 00:01:10,600 --> 00:01:14,160 Christ have mercy.   11 00:01:14,160 --> 00:01:21,080 Lord Jesus, you are the good shepherd leading us into everlasting life.   12 00:01:21,080 --> 00:01:24,240 Lord have mercy.   13 00:01:24,240 --> 00:01:34,240 May almighty God have mercy on us, forgive us our sins, and bring us to everlasting life.   14 00:01:34,240 --> 00:01:40,240 Let us pray.   15 00:01:40,240 --> 00:01:51,240 Father, you called Blessed John Newman to lay before the gospel among the people of   16 00:01:51,240 --> 00:01:54,240 the New World.   17 00:01:54,240 --> 00:01:58,240 His ministry strengthened many others in the Christian faith.   18 00:01:58,240 --> 00:02:06,240 Through his prayers, may faith grow strong in this land.   19 00:02:06,240 --> 00:02:16,240 Grant this through our Lord Jesus Christ, your Son, who lives and reigns with you and   20 00:02:16,240 --> 00:02:25,240 the Holy Spirit, one God forever and ever.   21 00:02:25,240 --> 00:02:30,240 Amen.   22 00:02:32,240 --> 00:02:41,740 In the liturgy of the Word, keep in mind that the liturgy of this Mass honors Blessed John   23 00:02:41,740 --> 00:02:46,740 Newman, and the theme for the first reading is as follows.   24 00:02:46,740 --> 00:03:02,740 The Lord God anointed me and sent me to bring good news to the poor.   25 00:03:02,740 --> 00:03:07,740 The Spirit of the Lord God is upon me, because the Lord has anointed me.   26 00:03:08,740 --> 00:03:14,740 He has sent me to bring glad tidings to the lowly, to heal the brokenhearted, to proclaim   27 00:03:14,740 --> 00:03:20,740 liberty to the captives and release to the prisoners, to announce a year of favor from   28 00:03:20,740 --> 00:03:28,740 the Lord and a day of vindication by our God, to comfort all who mourn, to place on those   29 00:03:28,740 --> 00:03:36,740 who mourn in Zion a diadem instead of ashes, to give them oil of gladness in place of mourning,   30 00:03:36,740 --> 00:03:40,740 a glorious mantle instead of a listless spirit.   31 00:03:40,740 --> 00:03:42,740 This is the Word of the Lord.   32 00:03:42,740 --> 00:03:44,740 Thanks be to God.   33 00:03:47,740 --> 00:03:55,740 The theme for the second reading, I became the servant of the Church when God made me   34 00:03:55,740 --> 00:04:00,740 responsible for delivering his message to you.   35 00:04:01,740 --> 00:04:07,740 A reading from the letter of Paul to the Colossians.   36 00:04:07,740 --> 00:04:14,740 Even now I find my joy in the suffering I endure for you.   37 00:04:14,740 --> 00:04:22,740 In my own flesh I fill up what is lacking in the sufferings of Christ for the sake of   38 00:04:22,740 --> 00:04:24,740 his body, the Church.   39 00:04:25,740 --> 00:04:33,740 I became a minister of this Church through the commission God gave me to preach among   40 00:04:33,740 --> 00:04:41,740 you his word in its fullness, that mystery hidden from all ages and from all generations   41 00:04:41,740 --> 00:04:45,740 past, but now revealed to his holy ones.   42 00:04:46,740 --> 00:04:54,740 God has willed to make known to them the glory beyond Christ, which this mystery brings to   43 00:04:54,740 --> 00:05:01,740 the Gentiles, the mystery of Christ in you, your hope of glory.   44 00:05:02,740 --> 00:05:11,740 This is the Christ we proclaim while we admonish all men and teach them in the full measure   45 00:05:11,740 --> 00:05:16,740 of wisdom, hoping to make every man complete in Christ.   46 00:05:17,740 --> 00:05:24,740 For this I work and struggle, impelled by that energy of his, which is so powerful a   47 00:05:24,740 --> 00:05:26,740 force within me.   48 00:05:27,740 --> 00:05:29,740 This is the Word of the Lord.   49 00:05:29,740 --> 00:05:31,740 Thanks be to God.   50 00:05:41,740 --> 00:06:05,740 Hallelujah, Hallelujah, Hallelujah   51 00:06:06,740 --> 00:06:32,740 Hallelujah, Hallelujah, Hallelujah   52 00:06:33,740 --> 00:06:49,740 Hallelujah, Hallelujah, Hallelujah   53 00:06:54,740 --> 00:06:55,740 The Lord be with you.   54 00:06:55,740 --> 00:06:57,740 And also with you.   55 00:06:57,740 --> 00:07:01,740 A reading from the Holy Gospel according to John.   56 00:07:01,740 --> 00:07:03,740 Glory to you, O Lord.   57 00:07:05,740 --> 00:07:09,740 Jesus said, I am the good shepherd.   58 00:07:10,740 --> 00:07:14,740 The good shepherd lays down his life for the sheep.   59 00:07:15,740 --> 00:07:22,740 The hired hand, who is no shepherd nor owner of the sheep, catches sight of the wolf coming   60 00:07:22,740 --> 00:07:28,740 and runs away, leaving the sheep to be snatched and scattered by the wolf.   61 00:07:28,740 --> 00:07:31,740 That is because he works for pay.   62 00:07:31,740 --> 00:07:34,740 He has no concern for his sheep.   63 00:07:35,740 --> 00:07:37,740 I am the good shepherd.   64 00:07:38,740 --> 00:07:45,740 I know my sheep and my sheep know me in the same way that the Father knows me and I know   65 00:07:45,740 --> 00:07:46,740 the Father.   66 00:07:47,740 --> 00:07:50,740 For these sheep, I will give my life.   67 00:07:51,740 --> 00:07:55,740 I have other sheep that do not belong to this fold.   68 00:07:55,740 --> 00:07:59,740 I must lead them too and they shall hear my voice.   69 00:08:00,740 --> 00:08:03,740 There shall be one flock then, one shepherd.   70 00:08:04,740 --> 00:08:06,740 And this is the Gospel of the Lord.   71 00:08:06,740 --> 00:08:09,740 Praise be to the Lord Jesus Christ.   72 00:08:14,740 --> 00:08:22,740 Your Eminence Cardinal Crowell and other members of the hierarchy and dearly beloved in Christ,   73 00:08:22,740 --> 00:08:28,740 all of us gathered here for this special Mass in honor of Blessed John Newman   74 00:08:29,740 --> 00:08:32,740 during this International Eucharistic Congress.   75 00:08:36,740 --> 00:08:44,740 Our Eucharistic sacrifice here this evening is but one of many events scheduled during   76 00:08:44,740 --> 00:08:50,740 this Congress built around the theme of the hungers of humanity.   77 00:08:50,740 --> 00:09:00,740 The special theme for today is the hunger for truth and this day is entitled Pilgrim   78 00:09:00,740 --> 00:09:01,740 People Day.   79 00:09:03,740 --> 00:09:12,740 To each of these themes and titles, John Newman, whom we honor in this Mass, has a special claim.   80 00:09:12,740 --> 00:09:22,740 We honor him but we also pray for his intercession that the hunger for truth in our land and   81 00:09:22,740 --> 00:09:31,740 in our world may be satisfied through the endless mercy of the source of all truth,   82 00:09:31,740 --> 00:09:33,740 our Eucharistic Christ.   83 00:09:33,740 --> 00:09:42,740 Hunger is the theme of the Congress but we must pause on an occasion like this in this   84 00:09:42,740 --> 00:09:53,740 bicentennial year of our nation to realize that hunger also was at the heart of the founding   85 00:09:53,740 --> 00:09:54,740 of our nation.   86 00:09:54,740 --> 00:10:03,740 It was literally human hunger that built up our nation over the 200 years that we celebrate   87 00:10:03,740 --> 00:10:05,740 in 1976.   88 00:10:06,740 --> 00:10:13,740 Hunger for freedom and opportunity, hunger for the chance to find a new life, hunger   89 00:10:13,740 --> 00:10:19,740 to share the intellectual and material resources of our land.   90 00:10:19,740 --> 00:10:23,740 It was these hungers that drew millions to our shores.   91 00:10:29,740 --> 00:10:39,740 The readings we have just heard remind us of another hunger, the hunger of the pastor   92 00:10:39,740 --> 00:10:46,740 and it was this hunger alone that brought the nation to its feet.   93 00:10:46,740 --> 00:10:52,740 And it was this hunger alone that drew John Newman to our land.   94 00:10:55,740 --> 00:11:02,740 The whole theme of his life was to give himself to feed the hungers of the pilgrim church.   95 00:11:03,740 --> 00:11:10,740 This was the central theme of the life of this man, John Newman, priest, redemptorist, bishop.   96 00:11:11,740 --> 00:11:18,740 Millions of others came here driven by hunger for food or fortune or fame.   97 00:11:19,740 --> 00:11:28,740 He came only to feed spiritual hunger, not a human hunger but a divine hunger, not a   98 00:11:28,740 --> 00:11:32,740 material hunger but a spiritual hunger drove him.   99 00:11:33,740 --> 00:11:40,740 The readings we have just heard are indeed a description of his life, an expansion of   100 00:11:40,740 --> 00:11:49,740 the work of the spirit in his life and a tribute to his total fidelity, to his vocation to   101 00:11:49,740 --> 00:11:54,740 walk in the footsteps of the Redeemer, the Good Shepherd.   102 00:11:54,740 --> 00:12:00,740 Phrase after phrase that we have just heard were echoed in his thoughts, in his words,   103 00:12:00,740 --> 00:12:02,740 in his actions.   104 00:12:03,740 --> 00:12:10,740 From the moment that he set foot on the streets of the city of New York in 1836 as a young   105 00:12:10,740 --> 00:12:16,740 layman and seminarian until he collapsed on the streets of Philadelphia as its bishop   106 00:12:16,740 --> 00:12:17,740 in 1860.   107 00:12:17,740 --> 00:12:24,740 Here again the words, the spirit of the Lord is upon me because the Lord has anointed me.   108 00:12:25,740 --> 00:12:34,740 Here was a man anointed by God to be a pastor and this was symbolic of the complete dedication   109 00:12:34,740 --> 00:12:38,740 of this man to the people to whom God sent him.   110 00:12:38,740 --> 00:12:40,740 He is truly a man of faith.   111 00:12:40,740 --> 00:12:47,740 He is a model and example for all in the church as our Holy Father Pope Paul has said, a model   112 00:12:47,740 --> 00:12:56,740 to the laity, to the priests, to religious, to bishops because he too was sent as we are   113 00:12:56,740 --> 00:12:59,740 to bring the glad tidings.   114 00:13:00,740 --> 00:13:02,740 This sums up the story of his life.   115 00:13:03,740 --> 00:13:06,740 Constantly he spent himself in the service of the Lord.   116 00:13:06,740 --> 00:13:08,740 This sums up the story of his life.   117 00:13:08,740 --> 00:13:15,740 Constantly he spent himself to feed the hunger for the message of the gospel.   118 00:13:16,740 --> 00:13:23,740 His life is a challenge even today to us, perhaps even a rebuke because we have that   119 00:13:23,740 --> 00:13:27,740 same commission in the church today to bring that message.   120 00:13:28,740 --> 00:13:36,740 It was a man also who gave himself to the goal of healing the brokenhearted.   121 00:13:37,740 --> 00:13:44,740 In the words of the reading we have just heard, this was always his primary concern, to heal   122 00:13:44,740 --> 00:13:51,740 souls, to console, to encourage, to bring people to Christ and to the mother of God.   123 00:13:52,740 --> 00:14:01,740 His concern for the poor, for the broken should shame us today as we honor him and measure   124 00:14:01,740 --> 00:14:05,740 ourselves against the example he has given to the church.   125 00:14:07,740 --> 00:14:12,740 For him too he was called to proclaim liberty to captives.   126 00:14:13,740 --> 00:14:21,740 God only knows how many thousands he freed from the captivity of sin to whom he brought   127 00:14:21,740 --> 00:14:24,740 the freedom of the truth.   128 00:14:25,740 --> 00:14:33,740 How many people in our nation today, in our world, still cry out for liberty and we do   129 00:14:33,740 --> 00:14:35,740 not hear their cry.   130 00:14:36,740 --> 00:14:39,740 John Newman, we beg you, open our ears.   131 00:14:43,740 --> 00:14:52,740 The second reading we heard caught up for us the spirit of St. Paul and this surely   132 00:14:52,740 --> 00:14:59,740 was a spirit which John Newman grasped, to which he gave himself.   133 00:15:00,740 --> 00:15:08,740 For his life was indeed a commentary on those words, in my own flesh I fill up what is lacking   134 00:15:08,740 --> 00:15:13,740 in the sufferings of Christ for the sake of his body, the church.   135 00:15:13,740 --> 00:15:21,740 For here was the good shepherd in the words of Christ himself, spending himself, pouring   136 00:15:21,740 --> 00:15:29,740 out his energy, his talent for the time God gave him for the missionary goals of the church.   137 00:15:29,740 --> 00:15:37,740 For we cannot pass over too lightly that phrase Christ used, he lays down his life for his   138 00:15:37,740 --> 00:15:38,740 sheep.   139 00:15:39,740 --> 00:15:49,740 We know that Christ himself did in this sacrifice we have here in the mass, lay down his life.   140 00:15:50,740 --> 00:15:55,740 But he also laid it out for us to pick up, to lift up.   141 00:15:56,740 --> 00:16:04,740 And as Christ was the center of the life of John Newman, so also the ministry of his life   142 00:16:04,740 --> 00:16:07,740 was centered around the Eucharist.   143 00:16:08,740 --> 00:16:19,740 And it is indeed most fitting that we celebrate and honor him here in this Eucharistic sacrifice.   144 00:16:20,740 --> 00:16:26,740 For this man John Newman has earned the prominence we give him at this Eucharistic Congress here   145 00:16:26,740 --> 00:16:32,740 in our land, here in this city, where he spent the last years of his priestly life as Bishop   146 00:16:32,740 --> 00:16:33,740 of the Diocese.   147 00:16:34,740 --> 00:16:40,740 He surely belongs at an international Eucharistic Congress because he was international by both   148 00:16:40,740 --> 00:16:42,740 birth and by his life.   149 00:16:42,740 --> 00:16:48,740 He was Eucharistic by choice, by the acceptance of the gift of faith he received.   150 00:16:49,740 --> 00:16:57,740 And the primary goal of his life was always to share that faith with those who lacked it,   151 00:16:58,740 --> 00:17:03,740 to strengthen it in the lives of those who had been given the gift of faith.   152 00:17:05,740 --> 00:17:16,740 On this occasion, when we combine this consideration of the work of John Newman in our land as a missionary   153 00:17:17,740 --> 00:17:24,740 with this Eucharistic Congress and this city in our bicentennial year, we should pause to ask ourselves,   154 00:17:24,740 --> 00:17:27,740 why did he come here?   155 00:17:29,740 --> 00:17:35,740 He came here not because of orders given to him.   156 00:17:36,740 --> 00:17:40,740 He did not come here as a religious sent by his superiors.   157 00:17:40,740 --> 00:17:43,740 He did not come to find fame or fortune.   158 00:17:44,740 --> 00:17:51,740 He came only to feed the hungers of human souls.   159 00:17:51,740 --> 00:18:01,740 We should think back to those days when he arrived in our land to give himself to his missionary labors   160 00:18:01,740 --> 00:18:09,740 as a priest of the Archdiocese of New York, and then as a redemptorist missionary,   161 00:18:09,740 --> 00:18:14,740 and then as Bishop of this diocese here.   162 00:18:14,740 --> 00:18:20,740 He brought to these new Americans, in whose footsteps he followed as an immigrant himself,   163 00:18:22,740 --> 00:18:32,740 the deep conviction that they had treasures to bring to this land, not only treasures to garner from it.   164 00:18:32,740 --> 00:18:40,740 He brought to these Americans, who were immigrants like himself, the conviction that they had treasures to bring to this land,   165 00:18:40,740 --> 00:18:46,740 to these Americans, who were immigrants like himself, the conviction that they did not have to set aside or leave behind   166 00:18:46,740 --> 00:18:54,740 the cultural heritage that was theirs, the religious values which they brought with them.   167 00:18:54,740 --> 00:19:03,740 He helped give them courage and ambition to win a livelihood in this strange new land of America.   168 00:19:03,740 --> 00:19:12,740 They could be enriched here, he told them, without losing any of the riches of ideas or faith that they brought with them.   169 00:19:12,740 --> 00:19:19,740 Yes, John Newman was just another immigrant. He was not a native-born American.   170 00:19:19,740 --> 00:19:27,740 But he belongs to our land because he gave himself to it by deliberate choice.   171 00:19:27,740 --> 00:19:32,740 He felt in his life the grace of God drawing him to our shores.   172 00:19:32,740 --> 00:19:36,740 And he landed there, he knew little old New York.   173 00:19:36,740 --> 00:19:42,740 He knew the mule bells and the bugles of barges on the Erie Canal.   174 00:19:42,740 --> 00:19:47,740 He knew Pittsburgh in the brawling days of the log rafters.   175 00:19:47,740 --> 00:19:50,740 He knew the gold rush days of the 49ers.   176 00:19:51,740 --> 00:19:57,740 Harpers Ferry he knew, and Gettysburg, long before war made them famous.   177 00:19:57,740 --> 00:20:02,740 David Crockett was alive when John Newman landed in New York.   178 00:20:02,740 --> 00:20:07,740 Abraham Lincoln was just coming into national prominence in the year he died.   179 00:20:07,740 --> 00:20:13,740 So he knew us, he was one of us. His life has much to say for us today.   180 00:20:13,740 --> 00:20:17,740 He was the shepherd who gave himself for his people.   181 00:20:17,740 --> 00:20:21,740 He was the shepherd who fed the hunger for truth.   182 00:20:21,740 --> 00:20:28,740 And all of his life was spent in fulfilling his God-given call   183 00:20:28,740 --> 00:20:32,740 to be a missionary to the people of God.   184 00:20:32,740 --> 00:20:37,740 And that's what drove him, that was what motivated him for that reason.   185 00:20:37,740 --> 00:20:41,740 He developed a school system for which he is so famous.   186 00:20:42,740 --> 00:20:48,740 He did the writing, the preaching, the traveling, all that people might come to know.   187 00:20:48,740 --> 00:20:52,740 The truth that would make them free in this land of the free.   188 00:20:52,740 --> 00:20:55,740 Free with the freedom of God.   189 00:20:55,740 --> 00:20:59,740 So he gave to this land much more than he took.   190 00:20:59,740 --> 00:21:02,740 He gave it because he loved it.   191 00:21:02,740 --> 00:21:05,740 He gave it because he chose it.   192 00:21:05,740 --> 00:21:10,740 He gave himself health, youth, wisdom, learning, prayers.   193 00:21:10,740 --> 00:21:16,740 He shared with us his deep attachment to Christ, to the Eucharist,   194 00:21:16,740 --> 00:21:18,740 his deep love of the Mother of God.   195 00:21:18,740 --> 00:21:23,740 This is his heritage to this city, to this nation of ours.   196 00:21:23,740 --> 00:21:32,740 And something else he gave us, proof that the soil of our land can nurture saints.   197 00:21:32,740 --> 00:21:38,740 That here in our land of self-made men, anyone with the help of God can be holy.   198 00:21:38,740 --> 00:21:45,740 Men who salute the stars and stripes can also win halos if they wish.   199 00:21:45,740 --> 00:21:49,740 So to all of us he is an example to old and young,   200 00:21:49,740 --> 00:21:55,740 to laymen, to religious, to priests and bishops, to all of us.   201 00:21:56,740 --> 00:22:06,740 This man who centered his life around Christ in the Eucharist speaks to us today.   202 00:22:06,740 --> 00:22:11,740 The example of his life, the message of his life,   203 00:22:11,740 --> 00:22:20,740 bids us to love this Eucharistic Christ which has brought us together around this altar today.   204 00:22:20,740 --> 00:22:25,740 So in this bicentennial year we salute this man who chose our land,   205 00:22:25,740 --> 00:22:32,740 who chose to give himself to the missionary work needed in our land,   206 00:22:32,740 --> 00:22:37,740 who chose to join a missionary order, to found the teaching order of sisters,   207 00:22:37,740 --> 00:22:41,740 sisters of St. Francis, to build church after church   208 00:22:41,740 --> 00:22:44,740 and to try to pair that with school after school,   209 00:22:44,740 --> 00:22:47,740 all that he might meet, the hunger for truth.   210 00:22:47,740 --> 00:22:51,740 This was the story of his life.   211 00:22:51,740 --> 00:22:56,740 We still need the inspiration that he gives us.   212 00:22:56,740 --> 00:23:02,740 On this day then, during this Eucharistic Congress,   213 00:23:02,740 --> 00:23:07,740 dedicated to the Eucharist and the hungers of the human family,   214 00:23:07,740 --> 00:23:12,740 we have before us in this mass a man who has been a great example   215 00:23:12,740 --> 00:23:18,740 We have before us in this mass the example of a man who brushed aside   216 00:23:18,740 --> 00:23:21,740 no human hunger that he could feed.   217 00:23:21,740 --> 00:23:30,740 Above all, we have before us this man who gave his whole missionary life in our midst.   218 00:23:30,740 --> 00:23:34,740 He strove with all his talents, gave all his time and energy.   219 00:23:34,740 --> 00:23:42,740 He poured himself out as a sacrifice for those to whom he was called.   220 00:23:42,740 --> 00:23:48,740 This is a man who lived and died by the message of the liturgy   221 00:23:48,740 --> 00:23:51,740 we celebrate this evening in his honor,   222 00:23:51,740 --> 00:23:58,740 with the living Christ who offers us eternal life.   223 00:23:58,740 --> 00:24:04,740 Proudly we salute and honor this servant of eternal truth   224 00:24:04,740 --> 00:24:10,740 here with our Eucharistic Christ who is now and forever   225 00:24:10,740 --> 00:24:16,740 our way, our truth, our life.   226 00:24:16,740 --> 00:24:32,740 Our Heavenly Father has assured us that anything we ask in his name will be done.   227 00:24:32,740 --> 00:24:38,740 With confidence in this promise, let us pray.   228 00:24:38,740 --> 00:24:44,740 That Jesus, our Eucharistic Lord, will continue to be the inspiration   229 00:24:44,740 --> 00:24:50,740 and guidance of Pope Paul and our bishops in making him known to all men.   230 00:24:50,740 --> 00:24:53,740 We pray to you, Lord.   231 00:24:53,740 --> 00:24:56,740 Lord, hear our prayer.   232 00:24:56,740 --> 00:25:01,740 That the people of God may recognize that the common work of ministry   233 00:25:01,740 --> 00:25:06,740 through the word, the Eucharist, and the love of one another   234 00:25:06,740 --> 00:25:11,740 is a participation in the unity between Jesus and his Father.   235 00:25:11,740 --> 00:25:13,740 We pray to you, Lord.   236 00:25:13,740 --> 00:25:16,740 Lord, hear our prayer.   237 00:25:16,740 --> 00:25:21,740 That all leaders of nations, especially our own government authorities,   238 00:25:21,740 --> 00:25:27,740 may respond to the needs of their people with service, justice, and honesty.   239 00:25:27,740 --> 00:25:29,740 We pray to you, Lord.   240 00:25:29,740 --> 00:25:32,740 Lord, hear our prayer.   241 00:25:32,740 --> 00:25:35,740 That through the intercession of blessed John Newman,   242 00:25:35,740 --> 00:25:39,740 we may be kept strong in faith and love   243 00:25:39,740 --> 00:25:42,740 and come to share in his glory.   244 00:25:42,740 --> 00:25:44,740 We pray to you, Lord.   245 00:25:44,740 --> 00:25:46,740 Lord, hear our prayer.   246 00:25:46,740 --> 00:25:49,740 That the poor, the sick, and the suffering   247 00:25:49,740 --> 00:25:52,740 who share in the paschal mystery of Jesus   248 00:25:52,740 --> 00:25:56,740 may be strengthened through his promise of resurrection.   249 00:25:56,740 --> 00:25:58,740 We pray to you, Lord.   250 00:25:58,740 --> 00:26:01,740 Lord, hear our prayer.   251 00:26:01,740 --> 00:26:04,740 For our own special intentions,   252 00:26:10,740 --> 00:26:12,740 we pray to you, Lord.   253 00:26:12,740 --> 00:26:14,740 Lord, hear our prayer.   254 00:26:14,740 --> 00:26:19,740 That all those who have died will enjoy the peace of everlasting life.   255 00:26:19,740 --> 00:26:21,740 We pray to you, Lord.   256 00:26:21,740 --> 00:26:24,740 Lord, hear our prayer.   257 00:26:24,740 --> 00:26:30,740 We thank you, Father, for the life of service   258 00:26:30,740 --> 00:26:35,740 which your son Jesus undertook for us.   259 00:26:35,740 --> 00:26:40,740 We pray that his coming to us in the banquet of the Eucharist   260 00:26:40,740 --> 00:26:44,740 may lead us to a deeper desire   261 00:26:44,740 --> 00:26:48,740 to be generous servants to one another.   262 00:26:48,740 --> 00:26:53,740 We ask this through Jesus Christ, your Son, our Lord.   263 00:26:53,740 --> 00:26:55,740 Amen.   264 00:26:55,740 --> 00:26:59,740 The Lord be with you.   265 00:26:59,740 --> 00:27:02,740 And also with you.   266 00:27:02,740 --> 00:27:07,740 Blessed be the name of the Lord.   267 00:27:07,740 --> 00:27:11,740 God forever.   268 00:27:11,740 --> 00:27:17,740 Our help is in the name of the Lord.   269 00:27:17,740 --> 00:27:21,740 Amen.   270 00:27:21,740 --> 00:27:31,740 May Almighty God bless you, the Father and the Son.   271 00:27:31,740 --> 00:27:36,740 And the Holy Spirit.   272 00:27:36,740 --> 00:27:40,740 Amen.   273 00:27:40,740 --> 00:27:45,740 No man can stand there, let us go in peace.   274 00:27:45,740 --> 00:27:48,740 Amen.</div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mass in Honor of Blessed John Neumann Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Very Rev. Joseph Kerins Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-04 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_12 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.pahrc.net/files/original/690c42a00d41f58da74c556dfbfff91e.mp3 9b4cffc082ed7cc26c6f25468de4d658 https://omeka.pahrc.net/files/original/d5916defae0b00a317409c23245b328a.mp3 64af88329c1b1b25578726daa4951e93 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Transcription Any written text transcribed from a sound <div style="width: 750px; height: 300px; overflow: scroll;" 1="" br="">Side 1 00:00:00,000 --> 00:00:20,440 Let us pray. God our Father, you inspired the Church with the example and teaching of the Aurora Saint   2 00:00:20,440 --> 00:00:30,880 Elizabeth. As wife and a mother, as educator and foundress, so that as she   3 00:00:30,880 --> 00:00:37,040 might spend her life in service to your people, through her example and prayers   4 00:00:37,040 --> 00:00:44,240 may we learn to express our love for you in love for our fellow men and women. We   5 00:00:44,240 --> 00:00:50,240 ask this through our Lord Jesus Christ your Son who lives and reigns with you   6 00:00:50,240 --> 00:00:54,240 in the Holy Spirit, one God, forever and ever.   7 00:00:54,240 --> 00:00:55,240 Amen.   8 00:01:03,240 --> 00:01:08,240 The first reading is taken from the book of the prophet Isaiah.   9 00:01:10,240 --> 00:01:14,240 All you who are thirsty, come to the water.   10 00:01:14,240 --> 00:01:23,240 You who have no money, come, receive grain and eat.   11 00:01:23,240 --> 00:01:31,240 Come without paying and without cost, drink wine and milk.   12 00:01:31,240 --> 00:01:41,240 Why spend your money for what is not bread, your wages for what fails to satisfy?   13 00:01:41,240 --> 00:01:47,480 Heed me, and you shall eat well.   14 00:01:47,480 --> 00:01:51,540 You shall delight in rich fare.   15 00:01:51,540 --> 00:01:56,380 Come to me heedfully.   16 00:01:56,380 --> 00:02:00,260 Listen that you may have life.   17 00:02:00,260 --> 00:02:09,960 I will renew with you the everlasting covenant, the benefits assured to David.   18 00:02:09,960 --> 00:02:11,960 This is the word of the Lord.   19 00:02:11,960 --> 00:02:13,960 Thanks be to God.   20 00:02:21,960 --> 00:02:27,960 The second reading is from the first letter of Paul to the Corinthians.   21 00:02:27,960 --> 00:02:31,960 Is not the cup of blessing we bless,   22 00:02:31,960 --> 00:02:34,960 a sharing in the blood of Christ?   23 00:02:34,960 --> 00:02:37,960 And is not the bread we break,   24 00:02:37,960 --> 00:02:40,240 sharing in the body of Christ.   25 00:02:41,400 --> 00:02:44,400 Because the loaf of bread is one,   26 00:02:44,400 --> 00:02:48,760 we, many though we are, are one body,   27 00:02:48,760 --> 00:02:52,240 for we all partake of the one loaf.   28 00:02:52,240 --> 00:02:54,120 This is the word of the Lord.   29 00:02:54,120 --> 00:02:54,960 Thanks be to God.   30 00:03:03,040 --> 00:03:05,840 A reading from the Holy Gospel according to Saint John.   31 00:03:07,960 --> 00:03:16,800 Jesus said to his disciples, I have food to eat of which you do not know.   32 00:03:16,800 --> 00:03:23,040 Doing the will of him who sent me and bringing his work to completion is my food.   33 00:03:23,040 --> 00:03:28,200 Do you not have a saying, four months more and it will be the harvest?   34 00:03:28,200 --> 00:03:33,480 Open your eyes and see, the fields are shining for the harvest.   35 00:03:33,480 --> 00:03:39,820 The reaper already collects his wages and gathers a yield for eternal life.   36 00:03:39,820 --> 00:03:46,200 That sower and reaper may rejoice together. Here we have the saying   37 00:03:46,200 --> 00:03:54,640 verified, one man sows another reaps. I sent you to reap what you had not worked   38 00:03:54,640 --> 00:04:01,400 for. Others have done the labor and you have come in to their gain. This is the   39 00:04:01,400 --> 00:04:04,400 gospel of the Lord.   40 00:04:09,720 --> 00:04:17,080 Your Eminence the Archbishop Celebrant, your eminences, my brothers bishops,   41 00:04:17,080 --> 00:04:27,320 priests, and deacons, devoted religious, dear faithful people, sisters and   42 00:04:27,320 --> 00:04:41,600 brothers all in Christ. On Christmas Day 1803 a man was dying in the quarantine   43 00:04:41,600 --> 00:04:48,340 hospital in Livorno, Italy. His name was William Seton. He was a merchant from New   44 00:04:48,340 --> 00:04:59,060 York. His wife, Elizabeth, was by his bedside. They were both very devout, pious,   45 00:04:59,060 --> 00:05:05,780 Anglican Episcopalians. They talked to one another about Christmas and the   46 00:05:05,780 --> 00:05:12,980 mystery of God's saving power made present in Jesus. Elizabeth records that   47 00:05:12,980 --> 00:05:18,860 William expressed a great desire to receive the sacrament on the great feast   48 00:05:18,860 --> 00:05:26,660 day, but there was no priest of their church present to celebrate the Eucharist.   49 00:05:26,660 --> 00:05:35,820 So Elizabeth poured a little wine in a glass, recited some Psalms and some of   50 00:05:35,820 --> 00:05:42,820 her favorite prayers over it, and both drank. It was for them an expression of faith in   51 00:05:45,660 --> 00:05:52,660 the Eucharist, and an earnest of the cup of blessing that brings unity and peace between   52 00:05:53,220 --> 00:06:00,020 God and his people, and builds up his family in joyful hope.   53 00:06:00,020 --> 00:06:07,900 This touching scene tells us a lot about St. Elizabeth Seton.   54 00:06:07,900 --> 00:06:15,720 It speaks of faith, of appreciation for sacrament, of understanding of ministry as service to   55 00:06:15,720 --> 00:06:23,140 others shaped by the circumstances of time and place.   56 00:06:23,140 --> 00:06:27,460 Above all, it speaks of Elizabeth's ingenuity   57 00:06:27,460 --> 00:06:32,460 and religious determination to do everything in her power   58 00:06:32,540 --> 00:06:37,540 to respond to the deepest needs of other persons.   59 00:06:39,240 --> 00:06:43,900 Elizabeth's action says something especially significant   60 00:06:43,900 --> 00:06:46,540 to people who are trying to preserve   61 00:06:46,540 --> 00:06:49,940 what is essential to Christian well-being   62 00:06:49,940 --> 00:06:57,760 by adapting rites and ministries to cultural and intellectual patterns and to the urgent   63 00:06:57,760 --> 00:07:02,620 demands of the present time.   64 00:07:02,620 --> 00:07:09,620 The hunger for Jesus in the sacrament of the Eucharist was not a new experience for Elizabeth   65 00:07:09,620 --> 00:07:11,540 Seton.   66 00:07:11,540 --> 00:07:17,180 In a letter to her sister-in-law, Rebecca, she recalled her attitude to receiving Holy   67 00:07:17,180 --> 00:07:21,140 communion when she was a young girl.   68 00:07:21,140 --> 00:07:24,900 Remember how we were laughed at, she said,   69 00:07:24,900 --> 00:07:27,100 for running from one church to another,   70 00:07:27,100 --> 00:07:33,660 sacrament Sundays, that we might receive as often as we could.   71 00:07:33,660 --> 00:07:37,020 It was while she was in Italy, in a futile effort   72 00:07:37,020 --> 00:07:40,180 to restore the health of her dying husband,   73 00:07:40,180 --> 00:07:43,500 that Elizabeth had firsthand experience   74 00:07:43,500 --> 00:07:46,940 of the Roman Catholic Church and its devotion   75 00:07:46,940 --> 00:07:49,860 to Jesus in the Eucharist.   76 00:07:49,860 --> 00:07:53,540 Some references in her letters from there are striking.   77 00:07:56,340 --> 00:07:59,500 How happy would we be, she wrote,   78 00:07:59,500 --> 00:08:03,620 if we believed what these dear souls believe,   79 00:08:03,620 --> 00:08:06,780 that they possess God in the sacrament,   80 00:08:06,780 --> 00:08:09,460 and that he remains in their churches   81 00:08:09,460 --> 00:08:13,140 and is carried to them when they were sick.   82 00:08:13,140 --> 00:08:17,440 The other day, in a moment of excessive distress,   83 00:08:17,440 --> 00:08:20,340 I fell on my knees without thinking   84 00:08:20,340 --> 00:08:23,500 when the blessed sacrament passed by,   85 00:08:23,500 --> 00:08:27,380 and I cried in an agony to God to bless me.   86 00:08:29,380 --> 00:08:31,580 It was this hunger for a deeper   87 00:08:31,580 --> 00:08:34,260 and fuller Eucharistic sharing   88 00:08:34,260 --> 00:08:38,060 that led Elizabeth in 1805   89 00:08:38,060 --> 00:08:41,860 to become a member of the Roman Catholic Church.   90 00:08:41,860 --> 00:08:45,820 On her first communion day, she wrote in her diary,   91 00:08:45,820 --> 00:08:48,540 now let all go its round.   92 00:08:48,540 --> 00:08:51,300 I have received him.   93 00:08:51,300 --> 00:08:55,700 At last, God is mine, and I am his.   94 00:08:58,380 --> 00:09:01,260 The painful misunderstandings and opposition   95 00:09:01,260 --> 00:09:04,180 occasioned by her joining the Roman Catholic Church   96 00:09:04,180 --> 00:09:09,020 community in New York meant for her separation   97 00:09:09,020 --> 00:09:11,660 from family and friends.   98 00:09:11,660 --> 00:09:14,460 When the situation became intolerable,   99 00:09:14,460 --> 00:09:17,340 she welcomed an invitation from Father de Bourgh   100 00:09:17,340 --> 00:09:20,300 to go to Baltimore to work there   101 00:09:20,300 --> 00:09:22,040 with the Salpician fathers.   102 00:09:23,220 --> 00:09:26,380 The hunger for total dedication to Jesus   103 00:09:26,380 --> 00:09:30,780 in the service of others led to the opening of a school   104 00:09:30,780 --> 00:09:33,080 and the formation of a religious community.   105 00:09:34,100 --> 00:09:37,100 A newborn nation witnessed the birth   106 00:09:37,100 --> 00:09:39,520 of a system of Catholic education   107 00:09:39,520 --> 00:09:45,720 that has been the glory and the mainstay of the Catholic Church in that country   108 00:09:45,720 --> 00:09:53,520 for two centuries. When we place the words of today's gospel in their   109 00:09:53,520 --> 00:10:01,760 context, we find that the disciples returning to Jesus are surprised. They   110 00:10:01,760 --> 00:10:05,760 find him in an unusual situation.   111 00:10:05,760 --> 00:10:12,160 He is talking to a woman, a Samaritan, the kind of person   112 00:10:12,160 --> 00:10:16,000 with whom nice people don't associate.   113 00:10:16,000 --> 00:10:19,640 And what's more, he won't eat the lovely supper   114 00:10:19,640 --> 00:10:22,380 that they've brought him.   115 00:10:22,380 --> 00:10:25,640 That's not the way they planned it at all.   116 00:10:25,640 --> 00:10:30,040 And his only explanation is, I have food   117 00:10:30,040 --> 00:10:33,720 that you do not know about.   118 00:10:33,720 --> 00:10:41,900 We, the disciples of 1976, come to meet St. Elizabeth Seton,   119 00:10:41,900 --> 00:10:44,840 this American woman who identified so closely   120 00:10:44,840 --> 00:10:48,600 with the Lord in the Catholic Church.   121 00:10:48,600 --> 00:10:54,560 But she's not quite the way we would have planned it either.   122 00:10:54,560 --> 00:10:59,080 Here she is, a person who was baptized Protestant   123 00:10:59,080 --> 00:11:03,280 and educated in an atmosphere not at all sympathetic   124 00:11:03,280 --> 00:11:05,760 to the Church of Rome, as they called it.   125 00:11:06,840 --> 00:11:09,840 She is a widow in poor health herself   126 00:11:09,840 --> 00:11:12,400 with several small children to care for.   127 00:11:13,320 --> 00:11:17,500 She has no money and lacks even the moral support   128 00:11:17,500 --> 00:11:19,580 of close family and friends.   129 00:11:21,080 --> 00:11:25,960 You would hardly say that she is the typical candidate   130 00:11:25,960 --> 00:11:27,320 for our novitiates.   131 00:11:27,320 --> 00:11:42,320 Yet, she is destined to become the model, the leader, the inspiration, and the finest example of religious life in English-speaking North America.   132 00:11:42,320 --> 00:11:52,320 How can it be? That's the question asked by all who are specially chosen by God.   133 00:11:52,320 --> 00:11:57,320 That's the question our lady herself asked the angel.   134 00:11:58,200 --> 00:12:00,240 How shall this be done?   135 00:12:01,800 --> 00:12:06,100 And the answer to the question is given to us by Jesus   136 00:12:06,100 --> 00:12:07,540 in the sacred gospel.   137 00:12:08,700 --> 00:12:12,200 I have food that you do not know about.   138 00:12:14,020 --> 00:12:16,900 Doing the will of him who sent me   139 00:12:16,900 --> 00:12:20,520 and bringing it to completion is my food.   140 00:12:20,520 --> 00:12:30,520 If devotion to the Eucharist was the powerful force that brought Elizabeth Seton closer to God in the Catholic Church,   141 00:12:30,520 --> 00:12:40,520 the consuming passion of her life was to accomplish the will of God as perfectly as possible in all things.   142 00:12:40,520 --> 00:12:43,520 She had once written,   143 00:12:43,520 --> 00:12:49,520 never by a free act of the mind would I regret his will."   144 00:12:49,520 --> 00:12:53,520 She considered that total submission to God's providence,   145 00:12:53,520 --> 00:12:57,520 even in times of great difficulty and suffering,   146 00:12:57,520 --> 00:13:01,520 was to be her daily food.   147 00:13:01,520 --> 00:13:05,520 Writing to Archbishop Carroll, her friend and director,   148 00:13:05,520 --> 00:13:07,520 she said,   149 00:13:07,520 --> 00:13:12,520 I determine, dry and hard as my daily bread is,   150 00:13:13,120 --> 00:13:16,720 to take it with as good a grace as possible.   151 00:13:18,120 --> 00:13:21,560 When I carry it before the Lord sometimes,   152 00:13:21,560 --> 00:13:24,080 he makes me laugh at myself   153 00:13:24,080 --> 00:13:27,800 and asks me what other kind I would choose   154 00:13:27,800 --> 00:13:30,140 than that which he himself   155 00:13:30,140 --> 00:13:33,040 and all his followers made use of.   156 00:13:33,040 --> 00:13:45,040 I have food that you do not know of to accomplish the will of him who sent me.   157 00:13:45,040 --> 00:13:55,040 But we ask, how can we know his will? What does he want us to do?   158 00:13:55,040 --> 00:14:01,040 Elizabeth's answer to this question came from two sources.   159 00:14:01,040 --> 00:14:05,040 First of all, from the pages of the Gospels.   160 00:14:05,040 --> 00:14:07,040 She knew them well.   161 00:14:07,040 --> 00:14:11,040 It was an important part of her heritage   162 00:14:11,040 --> 00:14:14,040 from her Protestant background.   163 00:14:14,040 --> 00:14:18,040 The other clear expression of God's will for her   164 00:14:18,040 --> 00:14:23,040 was simply the deepest and most urgent needs   165 00:14:23,040 --> 00:14:26,040 of the people around her.   166 00:14:26,040 --> 00:14:28,040 She expressed her apostolate   167 00:14:28,040 --> 00:14:37,040 and the apostolate of her sisters in the rule that she gave them, simply in these words,   168 00:14:37,040 --> 00:14:43,040 to render to our Lord Jesus Christ as a source and model of all charity,   169 00:14:43,040 --> 00:14:52,040 every temporal and spiritual service in the person of the poor, the sick, prisoners, and others.   170 00:14:52,040 --> 00:14:59,160 They were also, she told them, to honor the infancy of Jesus Christ in the young persons   171 00:14:59,160 --> 00:15:05,760 whom they may be called upon to form in virtue, while they sow in their minds the seed of   172 00:15:05,760 --> 00:15:08,160 useful knowledge.   173 00:15:08,160 --> 00:15:15,280 Her inspiring message to the Church of North America and to the whole world was a call   174 00:15:15,280 --> 00:15:20,840 to deep Eucharistic piety and unquestioning acceptance   175 00:15:20,840 --> 00:15:26,160 of God's will, and an unremitting dedication   176 00:15:26,160 --> 00:15:31,800 to the poor of all descriptions, to the sick, invalids,   177 00:15:31,800 --> 00:15:36,140 foundlings, orphans, and all others who were in need   178 00:15:36,140 --> 00:15:37,800 of solicitude and care.   179 00:15:37,800 --> 00:15:48,800 Elizabeth Seton summed up her legacy to us in the last words that she addressed to her sisters.   180 00:15:48,800 --> 00:15:55,800 Be children of the Church. Be children of the Church, she said to them.   181 00:15:55,800 --> 00:15:59,800 What a beautiful expression.   182 00:15:59,800 --> 00:16:06,800 Could we hear a clearer call to the Eucharist, which is the summit of the Church's activity   183 00:16:06,800 --> 00:16:11,800 and the source from which all her power flows?   184 00:16:11,800 --> 00:16:15,800 Do we need a further appeal to the apostolate of charity   185 00:16:15,800 --> 00:16:22,800 when the joys and hopes, the griefs and the anxiety of the people of this age,   186 00:16:22,800 --> 00:16:27,800 especially those who are poor or in any way afflicted,   187 00:16:27,800 --> 00:16:34,800 are to find an echo among the children of the Church?   188 00:16:34,800 --> 00:16:43,680 It's consoling for us to say we love the Church, that we love our diocese, our parish,   189 00:16:43,680 --> 00:16:48,380 our religious community, that we love the Holy Father.   190 00:16:48,380 --> 00:16:52,980 Some may even say they love their bishop.   191 00:16:52,980 --> 00:16:59,140 But we have to bring it to a very personal and practical level.   192 00:16:59,140 --> 00:17:04,140 Isaiah is speaking to each one of us in the first reading.   193 00:17:05,260 --> 00:17:10,260 All you who are thirsty, come to the water.   194 00:17:10,420 --> 00:17:13,900 Come receive grain and eat.   195 00:17:13,900 --> 00:17:16,540 Come without money and buy.   196 00:17:17,580 --> 00:17:22,580 Come to me poor and yet secure, the prophet says.   197 00:17:23,460 --> 00:17:26,500 Having nothing and possessing all things.   198 00:17:26,500 --> 00:17:33,500 Why spend your lives for what is not bread, for what fails to satisfy?   199 00:17:33,500 --> 00:17:37,500 Heed me and you will eat well.   200 00:17:37,500 --> 00:17:43,500 And how shall we hear him and heed him if not in the cries of the needy?   201 00:17:43,500 --> 00:17:53,500 The children of the Church are gathered round the table of the Lord, we pray, in the office of Corpus Christi.   202 00:17:53,500 --> 00:17:58,620 But we cannot expect to eat only with the pleasant and the peaceful.   203 00:17:58,620 --> 00:18:05,260 We must hear the insistent and disturbing voices of the lonely and the hungry and the   204 00:18:05,260 --> 00:18:07,100 abandoned.   205 00:18:07,100 --> 00:18:14,100 We cannot eat the bread of unity and drink the cup of covenant in peace while the family   206 00:18:14,100 --> 00:18:23,420 is divided, or the persons of another language or race are excluded, or the red man is reserved.   207 00:18:23,420 --> 00:18:37,420 or the migrant is locked out, or the alcoholic is shunned, or the aged are ignored, or the mental patient is forgotten.   208 00:18:37,420 --> 00:18:47,420 We cannot eat the bread and share the cup in peace when our sisters and brothers are abandoning our communities,   209 00:18:47,420 --> 00:18:54,920 whether they be religious communities or parishes, because they cannot find among   210 00:18:54,920 --> 00:19:01,460 the children of the Church the warmth and understanding that ought to support   211 00:19:01,460 --> 00:19:09,600 and sustain their lives. We must hear them say, in the streets and crossings I   212 00:19:09,600 --> 00:19:17,080 sought him whom my heart loves. I sought him but did not find him. Where were we?   213 00:19:17,080 --> 00:19:25,800 when the lonely, the frustrated, the disillusioned were seeking and looking.   214 00:19:25,800 --> 00:19:33,120 To be children of the Church means more than a vague sense of loyalty, more than   215 00:19:33,120 --> 00:19:39,760 a satisfying meal at the table of the Lord. It means being sister and brother   216 00:19:39,760 --> 00:19:50,400 to all whom the Lord loves. Elizabeth Seton sought Jesus in the cup she blessed   217 00:19:50,400 --> 00:19:59,840 and shared with her husband. She found him and received him and adored him in   218 00:19:59,840 --> 00:20:07,760 the Blessed Sacrament and she served him and called her sisters to serve him in   219 00:20:07,760 --> 00:20:12,760 in the poor, the sick, the young, and the ignorant.   220 00:20:14,000 --> 00:20:19,000 Mother that she was, she shared the bread of love with them   221 00:20:19,840 --> 00:20:23,380 and is revered by us today   222 00:20:23,380 --> 00:20:28,380 as the contemplative social activist   223 00:20:28,840 --> 00:20:32,420 and the joyful mother of many daughters.   224 00:20:34,540 --> 00:20:37,700 The call and the challenge of St. Elizabeth Seton   225 00:20:37,700 --> 00:20:40,020 is the call of the prophet.   226 00:20:40,020 --> 00:20:44,820 Come to me heedfully, that you may love life.   227 00:20:44,820 --> 00:20:50,220 I will renew with you the everlasting covenant.   228 00:20:50,220 --> 00:20:52,380 Come heedfully.   229 00:20:52,380 --> 00:20:57,500 Listen to his call, the call he made to St. Elizabeth Seton,   230 00:20:57,500 --> 00:20:59,340 the call he made to each one of us   231 00:20:59,340 --> 00:21:04,940 in baptism, religious profession, ordination.   232 00:21:04,940 --> 00:21:10,340 Love the life to which he has called you.   233 00:21:10,340 --> 00:21:11,820 Appreciate it.   234 00:21:11,820 --> 00:21:13,140 Restore it.   235 00:21:13,140 --> 00:21:15,060 Live it to the full.   236 00:21:15,060 --> 00:21:20,340 Make it once more the attraction to generous youth   237 00:21:20,340 --> 00:21:27,620 and a solace and support to the aged, the sick, the searching.   238 00:21:27,620 --> 00:21:33,580 He wants to renew his covenant with each one of us.   239 00:21:33,580 --> 00:21:37,980 and the bread that is broken and the cup that is shared   240 00:21:37,980 --> 00:21:41,780 are the enduring signs of the covenant.   241 00:21:41,780 --> 00:21:48,500 And in them, he is saying to all of us, you are my people.   242 00:21:48,500 --> 00:21:50,940 You are my church.   243 00:21:50,940 --> 00:21:54,900 Minister to one another in love.   244 00:21:59,920 --> 00:22:01,980 This is the end of side one.   245 00:22:01,980 --> 00:22:04,540 to hear side two, turn the cassette over now.</div> <div style="width: 750px; height: 300px; overflow: scroll;" 00:00:00="" 000="" --="" gt="" 00:00:14="" 240="" br=""> Side 2 [AI was unable to transcribe parts of the musical content later in the tape.] Let us pray. 2 00:00:14,240 --> 00:00:22,880 As we gather together to celebrate and share the bread of life, let us also join our hearts 3 00:00:22,880 --> 00:00:27,880 in presenting these petitions to our Heavenly Father, 4 00:00:27,880 --> 00:00:31,880 recalling the hungers and needs of all mankind. 5 00:00:31,880 --> 00:01:00,120 The response is, Father, listen to our prayer, that the Holy Father, all bishops, priests, 6 00:01:00,120 --> 00:01:06,840 religious may be effective as Christian witnesses in spreading the gospel of 7 00:01:06,840 --> 00:01:16,840 Christ. Let us pray to the Lord that a deep love and hunger for the Eucharist 8 00:01:16,840 --> 00:01:27,360 may grow throughout the church. Let us pray to the Lord that inspired by St. 9 00:01:27,360 --> 00:01:34,480 Elizabeth, we may continually grow in our love of God by praying the Holy 10 00:01:34,480 --> 00:01:44,040 Scriptures. Let us pray to the Lord that the deep faith in God, which 11 00:01:44,040 --> 00:01:51,360 characterized Saint Elizabeth Seton, may be a bond of unity among all believers. 12 00:01:51,360 --> 00:02:02,580 let us pray to the Lord. That all people throughout the world may respond to the 13 00:02:02,580 --> 00:02:10,120 starving as Saint Elizabeth responded to the hungry in early America. Let us pray 14 00:02:10,120 --> 00:02:20,760 to the Lord. That the compassion of Saint Elizabeth inspire us to reach out to 15 00:02:20,760 --> 00:02:31,000 those less fortunate than ourselves, let us pray to the Lord that the sick may 16 00:02:31,000 --> 00:02:37,240 find strength and consolation in the Holy Eucharist as Saint Elizabeth did. 17 00:02:37,240 --> 00:02:41,440 Let us pray to the Lord. 18 00:02:41,440 --> 00:02:51,000 Heavenly Father, we have placed our prayers before you in complete trust. 19 00:02:51,000 --> 00:02:57,920 Inspired by St. Elizabeth's openness to your will, we ask you to grant our 20 00:02:57,920 --> 00:03:02,840 petitions through Jesus Christ our Lord. 21 00:03:11,440 --> 00:03:29,040 We who hunger daily for the Spirit have just been nourished with the liberating Word of 22 00:03:29,040 --> 00:03:31,360 God. 23 00:03:31,360 --> 00:03:38,840 As we now prepare for our encounter with God in the Eucharist, we bring Him our gifts. 24 00:03:38,840 --> 00:03:43,560 Rather, we return his gifts to us. 25 00:03:43,560 --> 00:03:50,440 Gifts which symbolize our desire to become one with him. 26 00:03:50,440 --> 00:03:55,240 Elizabeth Seton experienced the depth of hunger for the Spirit 27 00:03:55,240 --> 00:03:58,840 as she broke through the darkness of doubt and confusion 28 00:03:58,840 --> 00:04:03,400 into the light of faith. Christ became her light, 29 00:04:03,400 --> 00:04:08,600 her strength, her liberator. Two of her followers 30 00:04:08,600 --> 00:04:13,000 Sister Marjorie Walsh and Sister Victoria Nolan 31 00:04:13,000 --> 00:04:16,320 carry the candle symbolizing Christ, 32 00:04:16,320 --> 00:04:20,560 the light of faith, the light of the world. 33 00:04:20,560 --> 00:04:25,080 We, his pilgrim people on earth, like Elizabeth, 34 00:04:25,080 --> 00:04:29,240 desire to radiate his light and his love 35 00:04:29,240 --> 00:04:31,600 to our fellow men and women. 36 00:04:33,640 --> 00:04:36,360 Through the work of human hands, 37 00:04:36,360 --> 00:04:43,360 God's gifts to man of wheat and grapes are changed into bread and wine. 38 00:04:43,360 --> 00:04:50,480 Through the divine plan and the Eucharistic sacrifice, the bread and wine in turn are 39 00:04:50,480 --> 00:04:56,320 transformed into the body and blood of Jesus, our Redeemer. 40 00:04:56,320 --> 00:05:03,520 Because Elizabeth Seton lived the life-giving role of wife and mother, she grasped well 41 00:05:03,520 --> 00:05:10,080 God's plan decreed in Christ, and could say with burning conviction, 42 00:05:10,080 --> 00:05:17,120 O food of heaven, how my soul longs for you with desire. 43 00:05:17,120 --> 00:05:24,240 Alice McLaughlin Goetz, wife and mother, her husband Tom and children, 44 00:05:24,240 --> 00:05:31,600 Anne Louise, Michael, and Elizabeth Anne, present the wheat and bread, 45 00:05:31,600 --> 00:05:34,260 the grapes, and wine, and water. 46 00:05:35,800 --> 00:05:38,740 As these elements are transformed 47 00:05:38,740 --> 00:05:41,440 during the Eucharistic liturgy, 48 00:05:41,440 --> 00:05:45,280 we pray that we too may become a new creation, 49 00:05:46,280 --> 00:05:48,780 ready to respond to the hungry 50 00:05:48,780 --> 00:05:51,620 and thirsty peoples of this earth. 51 00:05:53,520 --> 00:05:58,360 The salvific word of God, recorded in sacred scripture, 52 00:05:58,360 --> 00:06:02,480 and incarnated in Jesus, liberates us 53 00:06:02,480 --> 00:06:08,280 from the human condition and for the human condition. 54 00:06:08,280 --> 00:06:13,800 Hunger and thirst, sickness and pain, suffering and death 55 00:06:13,800 --> 00:06:17,960 reflected through scripture become intelligible, 56 00:06:17,960 --> 00:06:20,840 meaningful, and loved. 57 00:06:20,840 --> 00:06:24,960 Death, which separated her from her loved husband, 58 00:06:24,960 --> 00:06:29,720 opened a new path of service for Elizabeth Seton. 59 00:06:29,720 --> 00:06:33,400 Mrs. Makaria Brown, widow, presented 60 00:06:33,400 --> 00:06:37,640 the Book of the Gospels, affirming our commitment 61 00:06:37,640 --> 00:06:41,320 to live and share the life-giving words of Jesus. 62 00:06:44,000 --> 00:06:48,200 The globe, carried by Sister Mary Angelica, 63 00:06:48,200 --> 00:06:51,320 represents all the people of the world 64 00:06:51,320 --> 00:06:54,560 who hunger for the Spirit. 65 00:06:54,560 --> 00:06:59,560 Over 7,500 Sisters of Charity in six communities, 66 00:06:59,800 --> 00:07:02,320 founded by Elizabeth Seton, 67 00:07:02,320 --> 00:07:07,320 reach out to fill the needs of mankind on six continents. 68 00:07:08,240 --> 00:07:13,240 In health, educational, social, and pastoral ministries, 69 00:07:14,000 --> 00:07:17,480 the Sisters of Charity walk among the poor 70 00:07:17,480 --> 00:07:20,800 to spread the good news of Christ, 71 00:07:20,800 --> 00:07:23,760 thereby seeking to nourish the souls 72 00:07:23,760 --> 00:07:27,960 of the human family throughout the world. 73 00:07:27,960 --> 00:07:32,000 Now, in the words of Elizabeth Seton, 74 00:07:32,000 --> 00:07:37,680 let us participate in and receive more fully 75 00:07:37,680 --> 00:07:42,840 the best of all gifts, the divine sacrifice, 76 00:07:42,840 --> 00:07:44,760 and the Holy Eucharist. 77 00:07:53,760 --> 00:08:03,800 ♪♪ 78 00:08:03,800 --> 00:08:13,820 ♪♪ 79 00:08:23,760 --> 00:08:33,760 In the name of the Father, and of the Son, and of the Holy Spirit. Amen. 80 00:09:33,800 --> 00:09:38,800 ♪ We thank you, God, for giving us this day ♪ 81 00:09:46,820 --> 00:09:51,820 ♪ May all who hear our praises excel in heaven ♪ 82 00:09:54,560 --> 00:09:59,560 ♪ May all who hear our praises excel in heaven ♪ 83 00:10:15,820 --> 00:10:22,820 ♪ Amen 84 00:10:24,820 --> 00:10:31,820 ♪ And he made it for me 85 00:10:31,820 --> 00:10:36,820 ♪ When you're lost in the wilderness, Lord ♪ 86 00:10:39,660 --> 00:10:44,660 ♪ Keep us with a heart that's strong and strong ♪ 87 00:10:50,120 --> 00:10:55,120 ♪ God, I pray, you keep us with a heart that's strong and strong ♪ 88 00:11:46,540 --> 00:11:56,020 Let us pray. Father, our comfort and peace, we have gathered as your family to praise 89 00:11:56,020 --> 00:12:02,860 your name and honor your Saints. Let the sacrament we have received to be the 90 00:12:02,860 --> 00:12:10,380 sign and pledge of our salvation. We ask this through Christ our Lord. 91 00:12:10,380 --> 00:12:17,380 The Lord be with you. 92 00:12:17,380 --> 00:12:21,380 Bow your heads and pray for God's blessings. 93 00:12:24,380 --> 00:12:29,380 May God bless you with every good gift from on high. 94 00:12:29,380 --> 00:12:35,380 May he keep you pure and holy in his sight at all times. 95 00:12:35,380 --> 00:12:45,300 May he bestow the riches of his grace upon you, bring you to the good news of salvation, 96 00:12:45,300 --> 00:12:49,420 and always fill you with love for all men. 97 00:12:49,420 --> 00:13:02,980 We ask this through Christ our Lord. 98 00:13:02,980 --> 00:13:10,580 May the blessing of Almighty God, the Father, the Son, and the Holy Spirit descend upon 99 00:13:10,580 --> 00:13:15,500 you and remain with you always. 100 00:13:15,500 --> 00:13:16,500 This Mass has ended. 101 00:13:16,500 --> 00:13:19,580 Let us go forth in Christ's peace. Thanks be to God.</div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mass in Honor of St. Elizabeth Seton Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Archbishop James Hayes Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-04 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_9 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.pahrc.net/files/original/3a949e79337ee37760659acf2c44ee16.JPG de1942e4817ed4a49a9510a064813a08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 14" x 11" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Photographs-Miscellaneous Description An account of the resource Archdiocese of Philadelphia Mass Protest against Persecution of the Catholic Church in Mexico. Philadelphia Civic Center, February 24, 1935. Title devised by cataloger. Identifier An unambiguous reference to the resource within a given context 2010.085.23 Subject The topic of the resource Catholic Church--Mexico. Catholic Church. Archdiocese of Philadelphia (Pa.)--Congresses and conventions. Catholics--Political activity--United States--Congresses and conventions. Persecution--Mexico. Title A name given to the resource Mass protest against Catholic Church in Mexico. 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Date A point or period of time associated with an event in the lifecycle of the resource 1935-02-24 Format The file format, physical medium, or dimensions of the resource image/jpeg https://omeka.pahrc.net/files/original/2995b331f0039348ac3e2959bd5d6c00.jpg cc2ac44b7b0d719f101aada71adfc915 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 15.5" x 10" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Description An account of the resource Aerial photograph of Mauch Chunk (later Jim Thorpe), Pa. and the railroad switchback. Title taken from verso. Photographer unknown. Identifier An unambiguous reference to the resource within a given context 100.3.Mauch Chunk (2) Subject The topic of the resource Jim Thorpe (Pa.) Mauch Chunk (Pa.) Jim Thorpe (Pa.)--Aerial photographs. Mauch Chunk (Pa.)--Aerial photographs. 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For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.pahrc.net/files/original/dd8988659865814f5ff2d498d0d72fa4.jpg 9daeaa6a7a13a5cdef9cc0e050dcb773 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource C.H. Vogt (Firm). Description An account of the resource Lithograph of a painting of Maurice D'Aussac de St. Palais, Bishop of Vincennes (later Indianapolis), Indiana. Printed below portrait: "CH Vogt Lith. 1852."; "Peint par Darjou, Paris, 1851." Original painting by Alfred-Henri Darjou (1851); lithograph by C.H. Vogt (1852). Identifier An unambiguous reference to the resource within a given context 2016.009.18 Subject The topic of the resource de Saint Palais, Jacques-Maurice des Landes. Bishops--United States--19th century. Catholic Church--United States--Clergy--19th century. Catholic Church. Diocese of Indianapolis (Ind.) Catholic Church--Diocese of Vincennes (Ind.) Lithographs--1850-1860. Portraits--1850-1860. Title A name given to the resource Maurice D'Aussac de St. Palais. Bishop of Vincennes (United States of America) Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mayor of City Deeply Grateful to Archbishop and the Sisters, 10/19/1918 Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. The 1918 Influenza Pandemic. Description An account of the resource Letter from Mayor Of Philadelphia to the Archdiocese for help in the fight against the flu. Creator An entity primarily responsible for making the resource Smith, Thomas B. 1869-1949. 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Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.pahrc.net/files/original/cb93058b6d070b358bb93c9faeb84ce6.pdf 55963d6792ce8366beecd948a1044bdc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Catholic Church--Foreign relations. Catholic hospitals. India. Pakistan. Indonesia Sisters (Religious) Society of Catholic Medical Missionaries (U.S.) Photographs. Description An account of the resource Photograph album containing photographs of Medical Mission Sisters and their institutions and patients in Asia, Africa, Europe, and the United States. Undated. Source A related resource from which the described resource is derived Graphics Identifier An unambiguous reference to the resource within a given context 2015.013.001- 2015.013.026 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/" target="_blank">http://rightsstatements.org/vocab/UND/1.0/</a> Title A name given to the resource Medical Mission Sisters album Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. 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Format The file format, physical medium, or dimensions of the resource pdf https://omeka.pahrc.net/files/original/cb647eb5c4a2010140a915790012d4c0.jpg a5686ceca2956004a3140ae53c236398 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 20" x 12" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Photograph of group in front of stone building for the Meeting of the American Catholic Hierarchy on September 27-28, 1922. Identifier An unambiguous reference to the resource within a given context 1993.018.EOS029 Subject The topic of the resource Catholic Church--United States--Clergy--20th century. Catholic Church. Archdiocese of Washington (D.C.) Group portraits--1920-1930. Title A name given to the resource Meeting of the American [Catholic] Hierarchy, Washington, D.C., Sept. 27-28, 1922 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/">http://rightsstatements.org/vocab/NKC/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Date A point or period of time associated with an event in the lifecycle of the resource 1922-09 Format The file format, physical medium, or dimensions of the resource image/jpeg https://omeka.pahrc.net/files/original/356cc81fa03e4548c1c6cf413c8c560c.jpg 8195f78dae22ad34988d4381f2e6ec31 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Physical Dimensions The actual physical size of the original image 34 x 8 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Members of the Epiphany Naval Battalion of Epiphany Parish, Philadelphia, Pa. Subject The topic of the resource Panoramic photographs--1900-1910. Military bands--Pennsylvania--Philadelphia--1900-1910. Epiphany of Our Lord Church (Philadelphia, Pa.) Drum. Children--Pennsylvania--Philadelphia--1900-1910. Description An account of the resource Title devised by cataloger. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/" target="_blank">http://rightsstatements.org/vocab/UND/1.0/</a> Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 2016.008.21 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia (Pa.) Extent The size or duration of the resource. 1 photographic print Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.pahrc.net/files/original/fa876d39308db77f0b1b6a33016e83f3.pdf 66ff6b59b36cb62cc2273e60e28387ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Memo to Cardinal Dougherty, 01/09/1933 Subject The topic of the resource Dougherty Correspondence. Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Memo to Cardinal Dougherty on the suppression of St. Brendan’s Parish, Philadelphia. Source A related resource from which the described resource is derived Dougherty, Cardinal Dennis Joseph -MC 78 Date A point or period of time associated with an event in the lifecycle of the resource 1933_01_09 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/" target="_blank">http://rightsstatements.org/vocab/UND/1.0/</a> Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC78-80.1670 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.pahrc.net/files/original/92748a44657a770d1a3b6af0162445dd.pdf 7dd488232cd8281d016c3a52744a46f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Memoire on D'Orlic's properties on St. Domingue. Description An account of the resource Succinct and instructive memoire on D'Orlic's properties on St. Domingue, including diagram of the Ouanaminthe plantation, plus diagram of the plantation of Outapana, bought from D'Osmon. Creator An entity primarily responsible for making the resource D’Orlic, Marie Dominique Jacques, 1748-1825. Source A related resource from which the described resource is derived Rodrigue Family Papers -MC46 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource fre Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC46.B1.F1-D'Orlic.06 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Subject The topic of the resource Colonists. Catholic Church--History--18th century. https://omeka.pahrc.net/files/original/febf14790bc26f6ae678054dca499ae0.pdf 10f210cc248599c5bc4ac3c7a9809b05 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pamphlets Description An account of the resource The Pamphlet Collection contains pamphlets and other printed materials relating to subjects of Catholic interest. There is also ephemeral material such as brochures, event programs, leaflets, and newspaper clippings. The material covers a wide range of topics relating to the history of the Catholic Church in the United States including Catholic individuals, doctrinal and theological matters, events effecting the Catholic Church and Catholic population, Catholic history in the United States, and Catholic opinions on political, social, and cultural affairs. Majority of the Pamphlet Collection has not be digitized. Please visit our <a href="http://chrcphila.pastperfectonline.com/" target="_blank">online catalog</a> for more information. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Memoranda of the history of the Catholic Church in Richmond, Va., since the revolution: reported to the fourth annual convention of the Catholic Benevolent Union of Virginia Description An account of the resource Memoranda of the history of the Catholic Church in Richmond, Va., since the revolution: reported to the fourth annual convention of the Catholic Benevolent Union of Virginia. Creator An entity primarily responsible for making the resource Keiley, A. M. (Anthony M.), 1835-1905 Publisher An entity responsible for making the resource available Virginian Book and Job Print Date A point or period of time associated with an event in the lifecycle of the resource 1874 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context P001.1443 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Subject The topic of the resource Catholic Church--Virginia--Richmond. Richmond (Va.)--Church history. https://omeka.pahrc.net/files/original/5d10bac3e0e4fbfd98d9394080b47776.pdf 4e1e0a6f04d93ecb29e5192256d0b4ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Memorandum of Settlement of Sale of Premises, 05/28/1886 Subject The topic of the resource Catholics--Pennsylvania--Philadelphia. Catholic women. Description An account of the resource Memorandum of Settlement between Mary and Jane Campbell Sellers of Premises 2016 Green Street and Edward Godshalk purchaser thereof. Creator An entity primarily responsible for making the resource Campbell, Sarah Jane, 1844-1928. Source A related resource from which the described resource is derived Martin-Campbell-Furlong Family Papers -MC 90 Date A point or period of time associated with an event in the lifecycle of the resource 1886-05-28 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Relation A related resource In Her Own Right Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC90_B11_F12_1886_05_28 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Extent The size or duration of the resource. 1 page Spatial Coverage Spatial characteristics of the resource. Philadelphia, (PA) https://omeka.pahrc.net/files/original/95c24b6b36126d3f05b34be1b008c15f.jpg 4b6cb721e82406aeb92cd31b7c3c58dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 17" x 11" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Description An account of the resource Hand-colored photograph. Latter part of caption reads "Baldacchino and Altar made by A. D. Nardini, Boston, Mass." Photographer unknown. Identifier An unambiguous reference to the resource within a given context 100.5.1916, May 21 Subject The topic of the resource Nardini, A. P. Army & Navy Union, U.S.A. Boston Navy Yard (Boston, Mass.) Catholic Church--Massachusetts--Boston. Catholic Church--United States--Clergy. Catholic Church. Archdiocese of Boston (Mass.) Charlestown Navy Yard (Mass.) Mass--Celebration. Photographs--1910-1920. Title A name given to the resource Memorial Mass under the auspices of the Army and Navy Union, celebrated at the Navy Yard, Charlestown, May 21st, 1916 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/" target="_blank">http://rightsstatements.org/vocab/UND/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Date A point or period of time associated with an event in the lifecycle of the resource 1916-05-21 https://omeka.pahrc.net/files/original/a5dfb82310adbf6116a19b81198f51ba.jpg 7b4263a179dd66a2a59ab98d6ab6bcf7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Description An account of the resource Lithograph portrait of Michael M. McAleer of St. Columba's Church, New York, NY. Artist unknown. Identifier An unambiguous reference to the resource within a given context 100.2.1.McAleer, M. (2) Subject The topic of the resource McAleer, Michael M., Reverend. Catholic Church--United States--Clergy--19th century. Catholic Church. Archdiocese of New York (N.Y.) Lithographs. Portraits. St. Columba Church (New York, N.Y.) Title A name given to the resource Mich[ael] M. McAleer. Pastor of St. Columba's, New York Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.pahrc.net/files/original/ade00496c35b58207ab1c616a12b3723.jpg 8ebeeb101e02c762a808831ea578b9d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Mayer, Merkel & Ottman. Description An account of the resource Lithograph of St. Patrick's Cathedral. Printed below lithograph: "J. W. Sheehy & Co., Publishers, 33 Barclay St., N.Y. Copyright by J. W. Sheehy & Co. 1881. Meyer, Merkel & Ottmann, Lith., 23-25 Warren St., N.Y." Identifier An unambiguous reference to the resource within a given context 1993.018.OS069 Subject The topic of the resource Catholic Church--New York (State)--New York--History. Catholic Church. Archdiocese of New York (N.Y.) Church buildings--New York (State)--New York--Pictorial works. Lithographs--1880-1890. New York (N.Y.)--Buildings, structures, etc.--Pictorial works. St. Patrick's Cathedral (New York, N.Y.) Title A name given to the resource Midnight Mass scene on Christmas morning at the New Cathedral. Fifth Avenue, New York Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Publisher An entity responsible for making the resource available J. W. Sheehy & Co. Date A point or period of time associated with an event in the lifecycle of the resource 1881 https://omeka.pahrc.net/files/original/a4ca6f4b43d13111bebc9696bc0296ed.mp3 f41e08359e6e4198ed277d1a5e0ef777 https://omeka.pahrc.net/files/original/38406e94c51aeed3db193171d8545b96.mp3 9ff57dd5d28ef8601013b86d77b928e3 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Transcription Any written text transcribed from a sound <div style="width: 750px; height: 300px; overflow: scroll;" 1="" br="">Side 1 00:01:30,000 --> 00:01:55,120 In the name of the Father, and of the Son, and of the Holy Spirit, peace be with you. 2 00:01:55,120 --> 00:01:58,960 my brothers and sisters in Christ. 3 00:01:58,960 --> 00:02:04,600 Today on this feast of the transfiguration of our Lord, 4 00:02:04,600 --> 00:02:09,280 we gather together to thank God for his many blessings 5 00:02:09,280 --> 00:02:13,640 on the men and women of the military family of the United 6 00:02:13,640 --> 00:02:15,400 States. 7 00:02:15,400 --> 00:02:21,920 In this mass, we entrust once again to his fatherly care 8 00:02:21,920 --> 00:02:25,360 the many thousands of our brothers and sisters 9 00:02:25,360 --> 00:02:28,680 who have given their lives for their country 10 00:02:28,680 --> 00:02:33,680 across the span of 200 years of America's history. 11 00:02:34,560 --> 00:02:39,560 We pray for the men and women who today serve in the Army, 12 00:02:40,400 --> 00:02:44,980 the Navy, the Air Force, and the Veterans Administration, 13 00:02:44,980 --> 00:02:48,580 that they may be strong and courageous 14 00:02:48,580 --> 00:02:52,080 in the defense of peace in the world, 15 00:02:52,080 --> 00:02:55,360 and that they may see their true role 16 00:02:55,360 --> 00:02:58,640 in the service of their neighbors. 17 00:02:58,640 --> 00:03:02,840 We pray for the future of our beloved nation, 18 00:03:02,840 --> 00:03:06,680 that it may be blessed with peace and tranquility, 19 00:03:06,680 --> 00:03:09,320 and never cease its commitment 20 00:03:09,320 --> 00:03:14,240 to the cause of liberty and justice for all. 21 00:03:14,240 --> 00:03:16,780 As we celebrate the feast 22 00:03:16,780 --> 00:03:19,620 of this miraculous manifestation 23 00:03:19,620 --> 00:03:23,540 of the divine sonship of Jesus our Lord 24 00:03:23,540 --> 00:03:26,620 on this first Friday of August, 25 00:03:26,620 --> 00:03:29,540 we come in a special way 26 00:03:29,540 --> 00:03:33,060 to give honor and worship to his sacred heart. 27 00:03:34,000 --> 00:03:36,800 At the conclusion of this Mass, 28 00:03:36,800 --> 00:03:41,220 we shall consecrate all the military family 29 00:03:41,220 --> 00:03:43,660 to the heart of Jesus. 30 00:03:43,660 --> 00:03:46,200 During this liturgy therefore, 31 00:03:46,200 --> 00:03:49,440 Let us pray to our Heavenly Father 32 00:03:49,440 --> 00:03:52,780 that through the loving heart of his Son, 33 00:03:52,780 --> 00:03:56,900 we may be united to him and to each other 34 00:03:56,900 --> 00:04:00,480 in love and harmony and peace. 35 00:04:01,420 --> 00:04:04,620 And now, as we prepare to celebrate 36 00:04:04,620 --> 00:04:07,580 the mystery of Christ's love, 37 00:04:07,580 --> 00:04:12,580 let us recall our sins with sincerity and sorrow. 38 00:04:16,200 --> 00:04:25,200 Lord Jesus, you feed us with your most holy body and blood. Lord, have mercy. 39 00:04:25,200 --> 00:04:35,200 Lord Jesus, you nourish your faithful who hunger for your gift of love. Christ, have mercy. 40 00:04:35,200 --> 00:04:43,200 Lord Jesus, you strengthen our faith in the mystery of your Eucharistic presence. 41 00:04:43,200 --> 00:04:51,800 presence. Lord have mercy. May Almighty God have mercy on us, forgive us our sins, 42 00:04:51,800 --> 00:05:01,480 and bring us to everlasting life. A reading from the book of the Prophet 43 00:05:01,480 --> 00:05:08,320 Daniel. As Daniel watched, thrones were set up and the Ancient One took his 44 00:05:08,320 --> 00:05:15,040 throne. His clothing was snow bright and the hair on his head as white as wool. 45 00:05:15,040 --> 00:05:22,200 His throne was flames of fire with wheels of burning fire. A surging stream 46 00:05:22,200 --> 00:05:28,240 of fire flowed out from where he sat. Thousands upon thousands were ministering 47 00:05:28,240 --> 00:05:35,400 to him and myriads upon myriads attended him. The court was convened and the books 48 00:05:35,400 --> 00:05:41,560 were opened. As the visions during the night continued, I saw one like a son of 49 00:05:41,560 --> 00:05:47,600 man coming on the clouds of heaven. When he reached the ancient one and was 50 00:05:47,600 --> 00:05:55,120 presented before him, he received dominion, glory, and kingship. Nations and 51 00:05:55,120 --> 00:06:01,800 peoples of every language serve him. His dominion is an everlasting dominion that 52 00:06:01,800 --> 00:06:04,400 It shall not be taken away. 53 00:06:04,400 --> 00:06:07,240 His kingdom shall not be destroyed. 54 00:06:07,240 --> 00:06:09,080 This is the word of the Lord. 55 00:06:09,080 --> 00:06:09,580 Praise be to God. 56 00:06:17,440 --> 00:06:25,080 The Lord is king, the most high over all the earth. 57 00:06:25,080 --> 00:06:34,840 The Lord is King, the Most High, over all the earth. 58 00:06:34,840 --> 00:06:39,480 The Lord is King, let the earth rejoice. 59 00:06:39,480 --> 00:06:42,760 Let the many hearts be glad. 60 00:06:42,760 --> 00:06:46,840 Clouds and darkness are round about him. 61 00:06:46,840 --> 00:06:53,600 Justice and judgment are the foundation of his throne. 62 00:06:53,600 --> 00:07:04,480 The Lord is King, the Most High, over all the earth. 63 00:07:04,480 --> 00:07:09,120 The mountains melt like wax before the Lord, 64 00:07:09,120 --> 00:07:12,520 before the Lord of all the earth. 65 00:07:12,520 --> 00:07:16,280 The heavens proclaim His justice, 66 00:07:16,280 --> 00:07:21,320 and all people see His glory. 67 00:07:21,320 --> 00:07:31,640 The Lord is King, the Most High, over all the earth. 68 00:07:31,640 --> 00:07:38,800 Because you, O Lord, are the Most High over all the earth, 69 00:07:38,800 --> 00:07:44,480 exalted far above all gods. 70 00:07:44,480 --> 00:07:55,480 The Lord is King, the Most High, over all the earth. 71 00:08:00,480 --> 00:08:03,480 A reading from the second word of Peter. 72 00:08:03,480 --> 00:08:07,480 It was not by way of cleverly concocted myths 73 00:08:07,480 --> 00:08:11,480 that we taught you about the coming in power of our Lord Jesus Christ, 74 00:08:11,480 --> 00:08:15,480 for we were eyewitnesses of His sovereign majesty. 75 00:08:15,480 --> 00:08:18,480 He received glory and praise from God the Father 76 00:08:18,480 --> 00:08:21,480 when the unique declaration came to Him 77 00:08:21,480 --> 00:08:24,480 out of the majestic splendor, 78 00:08:24,480 --> 00:08:28,480 This is my beloved Son, on whom my favor rests. 79 00:08:28,480 --> 00:08:31,480 We ourselves heard this said from Heaven 80 00:08:31,480 --> 00:08:35,480 while we were in His company on the holy mountain. 81 00:08:35,480 --> 00:08:39,480 Besides, we possess the same prophetic message 82 00:08:39,480 --> 00:08:42,280 as something altogether reliable. 83 00:08:42,280 --> 00:08:45,180 Keep your attention closely fixed on it, 84 00:08:45,180 --> 00:08:48,720 as you would on a lamp shining in a dark place, 85 00:08:48,720 --> 00:08:51,620 until the first streaks of dawn appear 86 00:08:51,620 --> 00:08:54,860 and the morning star rises in your hearts. 87 00:08:54,860 --> 00:08:56,560 This is the word of the Lord. 88 00:08:56,560 --> 00:08:58,560 Thanks be to God. 89 00:08:58,560 --> 00:09:27,020 Alleluia, Alleluia, Alleluia, Alleluia, Alleluia. 90 00:09:27,020 --> 00:09:38,980 my son, my beloved, in whom is all my delight, listen to him. 91 00:09:38,980 --> 00:09:47,460 Alleluia, alleluia, alleluia. 92 00:09:54,420 --> 00:09:55,780 The Lord be with you. 93 00:09:55,780 --> 00:10:02,780 A reading from the Holy Gospel according to Matthew. 94 00:10:02,780 --> 00:10:07,780 Jesus took Peter, James, and his brother John, 95 00:10:07,780 --> 00:10:12,780 and led them up on a high mountain by themselves. 96 00:10:12,780 --> 00:10:16,780 He was transfigured before their eyes. 97 00:10:16,780 --> 00:10:19,780 His face became as dazzling as the sun, 98 00:10:19,780 --> 00:10:23,780 his clothes as radiant as light. 99 00:10:23,780 --> 00:10:27,380 Suddenly, Moses and Elijah appeared to them, 100 00:10:27,380 --> 00:10:29,180 conversing with him. 101 00:10:29,180 --> 00:10:31,120 Upon this, Peter said to Jesus, 102 00:10:31,120 --> 00:10:35,480 Lord, how good it is for us to be here. 103 00:10:35,480 --> 00:10:39,100 With your permission, I will erect three booths here, 104 00:10:39,100 --> 00:10:43,160 one for you, one for Moses, and one for Elijah. 105 00:10:44,600 --> 00:10:47,040 He was still speaking when suddenly 106 00:10:47,040 --> 00:10:48,900 a bright cloud overshadowed them. 107 00:10:50,040 --> 00:10:52,340 Out of the cloud came a voice which said, 108 00:10:52,340 --> 00:11:02,260 this is my beloved son on whom my favor rests. Listen to him. When they heard this 109 00:11:02,260 --> 00:11:07,300 the disciples fell forward on the ground overcome with fear. Jesus came forward, 110 00:11:07,300 --> 00:11:14,340 came toward them and laying his hand on them said, get up, do not be afraid. When 111 00:11:14,340 --> 00:11:19,580 they looked up they did not see anyone but Jesus. As they were coming down the 112 00:11:19,580 --> 00:11:25,900 mountainside Jesus commanded them do not tell anyone of the vision until the Son 113 00:11:25,900 --> 00:11:32,980 of Man rises from the dead. This is the gospel of the Lord. 114 00:11:32,980 --> 00:11:53,580 In the name of the Father, and of the Son, and of the Holy Spirit, amen. 115 00:11:53,580 --> 00:12:03,260 Your Eminence Cardinal Cook, Your Eminence Cardinal Aponte, my brother bishops, my brother 116 00:12:03,260 --> 00:12:16,260 priests, devoted religious, and dearly beloved in Christ, St. Thomas Aquinas, the angelic 117 00:12:16,260 --> 00:12:29,780 Doctor, concisely expresses the striking thought that the Holy Eucharist produces in each one 118 00:12:29,780 --> 00:12:41,380 of us the same effect as the Incarnation produced with respect to mankind in general. 119 00:12:41,380 --> 00:12:48,700 as by coming visibly into the world Jesus conferred upon the world the life 120 00:12:48,700 --> 00:12:58,340 of grace, so also coming sacramentally into man he causes the life of grace. As 121 00:12:58,340 --> 00:13:09,940 St. John says, he who eats me will live because of me. It is a striking thought. 122 00:13:09,940 --> 00:13:17,580 for immediately it reduces the whole vast work of the redemption of the human 123 00:13:17,580 --> 00:13:26,620 race to the terms of your redemption and my redemption. It underscores the 124 00:13:26,620 --> 00:13:35,700 abiding personal concern of Jesus Christ for you and for me. It brings to a focus 125 00:13:35,700 --> 00:13:46,500 his understanding of each one of us. The gift of Jesus Christ in the whole 126 00:13:46,500 --> 00:13:53,460 Eucharist is the gift of himself, the second person of the most blessed 127 00:13:53,460 --> 00:14:02,220 Trinity made man, body and blood, soul and divinity. What this total giving of 128 00:14:02,220 --> 00:14:14,380 self really means is so difficult for us to comprehend, for his is a divine action comparable 129 00:14:14,380 --> 00:14:21,940 in profundity to the innermost relations of the Blessed Trinity. 130 00:14:21,940 --> 00:14:31,180 In the thought-provoking words of one distinguished modern theologian, as God gives his entire 131 00:14:31,180 --> 00:14:39,340 nature in the eternal generation of the Word and the aspiration of the Holy Spirit, as 132 00:14:39,340 --> 00:14:48,180 God willed to give himself in person in the incarnation of the Word, so Jesus has wished 133 00:14:48,180 --> 00:14:53,540 to give himself in person in the Eucharist. 134 00:14:53,540 --> 00:15:01,720 When our Lord was about to deprive us of his sensible presence, he wished to leave himself 135 00:15:01,720 --> 00:15:06,720 to us in person under the Eucharistic veils. 136 00:15:06,720 --> 00:15:14,560 Loving us as he did, he could not bend down any lower towards us, toward the lowliest, 137 00:15:14,560 --> 00:15:18,420 the poorest, and the most wretched. 138 00:15:18,420 --> 00:15:25,780 There was no way by which he could unite himself or give himself more completely to each one 139 00:15:25,780 --> 00:15:29,020 of us. 140 00:15:29,020 --> 00:15:35,980 Should it surprise us, therefore, that in the Holy Eucharist, each one of us, in the 141 00:15:35,980 --> 00:15:44,100 particular circumstances in which we find ourselves, in joy or in sorrow, in success 142 00:15:44,100 --> 00:15:55,900 or in failure, each one of us will find the answer to our hunger for understanding, yours 143 00:15:55,900 --> 00:16:00,180 and mine. 144 00:16:00,180 --> 00:16:07,820 For is not the Holy Eucharist, as Pope Paul VI says, the sacrament of the permanency of 145 00:16:07,820 --> 00:16:14,100 Christ, who now lives in the eternal glory of the Father, in our time, in our 146 00:16:14,100 --> 00:16:22,760 history, and in our earthly pilgrimage. And is not the Holy Eucharist, as the 147 00:16:22,760 --> 00:16:31,280 same pontiff says, Christ for each of us, clothed precisely by the species of bread, 148 00:16:31,280 --> 00:16:40,660 to let himself be known as accommodating and ready to satisfy our hunger, to make 149 00:16:40,660 --> 00:16:50,700 himself wanted, and to be approached, received, and to be assimilated with 150 00:16:50,700 --> 00:16:59,980 himself. Jesus Christ our Lord, present in the Holy Eucharist, is the same person 151 00:16:59,980 --> 00:17:06,780 who once was born in the stable in Bethlehem, who worked in a carpenter's shop in Nazareth, 152 00:17:07,500 --> 00:17:14,220 who trudged through country fields and city streets in Palestine, who preached on the slope 153 00:17:14,220 --> 00:17:21,420 of a hill in Galilee and from the prow of a boat on the lake of Genezareth, who sweated blood amid 154 00:17:21,420 --> 00:17:28,940 the agony of Gethsemane and died the death of crucifixion on Golgotha. He is the incarnate 155 00:17:28,940 --> 00:17:38,180 Son of God, truly human in nature as He is divine in nature. It is precisely 156 00:17:38,180 --> 00:17:53,180 because He is like unto us in all things save sin that He knows and cares and 157 00:17:53,180 --> 00:18:03,140 understands. Read the gospel pages, my brothers and sisters. Study the life of 158 00:18:03,140 --> 00:18:10,820 Jesus Christ upon earth. Did he ever show unconcern for the troubled and the 159 00:18:10,820 --> 00:18:22,180 suffering? Did he ever refuse to listen? Did he ever answer brusquely or 160 00:18:22,180 --> 00:18:35,580 impatiently or offensively? Did he ever deny the plea of someone in need? Did he ever berate 161 00:18:35,580 --> 00:18:51,300 a timid soul? Was he ever harsh or unkind? Did he ever bear a grudge? Was there ever 162 00:18:51,300 --> 00:18:54,980 for any bitterness in his speech, 163 00:18:54,980 --> 00:18:58,100 or vindictiveness in his acts? 164 00:19:00,300 --> 00:19:03,940 Did he ever show by what he said or what he did 165 00:19:03,940 --> 00:19:07,580 that he lacked sympathy and compassion 166 00:19:07,580 --> 00:19:12,100 and kindness and considerateness and understanding? 167 00:19:14,500 --> 00:19:18,820 Though hard on himself, remember the cold of Bethlehem, 168 00:19:18,820 --> 00:19:22,100 the hunger of the desert, the agony of Gethsemane, 169 00:19:22,100 --> 00:19:26,300 the ignominy of Golgotha, though hardened himself, 170 00:19:26,300 --> 00:19:31,300 was he not always mild and gentle towards others? 171 00:19:33,500 --> 00:19:38,500 Was there ever any penitent sinner whom he refused to pardon? 172 00:19:40,660 --> 00:19:44,940 When some ridiculed his teaching and termed him an imposter 173 00:19:44,940 --> 00:19:48,460 and called him a blasphemer and shouted for his death 174 00:19:48,460 --> 00:20:05,180 nailed him to a cross, did he ever answer in anger? Did he ever harbor revenge? Father, 175 00:20:05,180 --> 00:20:17,660 forgive them for they know not what they do. He taught his followers to love their enemies 176 00:20:17,660 --> 00:20:22,060 and to do good to those who hated them. 177 00:20:22,060 --> 00:20:29,800 He told them not to judge or condemn, but always to forgive. 178 00:20:29,800 --> 00:20:35,520 He bade them feed the hungry, and give drink to the thirsty, 179 00:20:35,520 --> 00:20:38,480 and to welcome the stranger, and to clothe the naked, 180 00:20:38,480 --> 00:20:43,920 and to come to the sick, and to visit the imprisoned. 181 00:20:43,920 --> 00:20:48,560 Could he not command these things because he himself, 182 00:20:48,560 --> 00:20:51,260 by what he thought and said and did, 183 00:20:51,260 --> 00:20:55,380 was a model whom they could follow? 184 00:20:59,120 --> 00:21:04,120 Understanding, did you ever reflect upon the parable 185 00:21:05,080 --> 00:21:09,280 of the prodigal son and upon the parable of the shepherd 186 00:21:09,280 --> 00:21:13,400 who left the 99 sheep to go out in search of the one 187 00:21:13,400 --> 00:21:24,360 had strayed away. Understanding, the centurion came to Jesus with the plea, 188 00:21:24,360 --> 00:21:32,400 my servant is ill. The lepers stood afar off and begged that they be made clean. 189 00:21:32,400 --> 00:21:39,080 The poor blind beggar of Jericho kept crying out, Jesus son of David have pity 190 00:21:39,080 --> 00:21:46,000 on me, and because in the goodness and generosity and tenderness of his heart 191 00:21:46,000 --> 00:21:53,240 he understood. Jesus healed them all. 192 00:21:56,080 --> 00:22:03,240 Understanding, do you remember how one of the rulers of the synagogue named Jairus 193 00:22:03,240 --> 00:22:09,180 fell down at the feet of Jesus and besought him much, my daughter is at the 194 00:22:09,180 --> 00:22:19,800 point of death. And because Jesus Christ understood a father's grief, he went down 195 00:22:19,800 --> 00:22:29,480 to his home and took his daughter by the hand and raised her from the dead. 196 00:22:29,480 --> 00:22:41,480 Understanding, do you remember how sympathetically Jesus Christ listened to Mary of Bethany? 197 00:22:41,480 --> 00:22:46,980 Lord, if you had been here, my brother would not have died. 198 00:22:46,980 --> 00:22:53,760 He himself wept at the tomb of his friend Lazarus, and because Jesus understood the 199 00:22:53,760 --> 00:23:05,600 sorrow of Martha and Mary he brought their brother back to life. Understanding. 200 00:23:05,600 --> 00:23:13,440 Do you remember how pitifully the widow of Nahum was weeping as her only son was 201 00:23:13,440 --> 00:23:21,280 being carried to the grave? And because Jesus Christ understood the heart 202 00:23:21,280 --> 00:23:27,800 sickness of that poor mother, he not only commanded the boy, young man I say to 203 00:23:27,800 --> 00:23:36,760 thee arise, but with delicate gentleness and infinite thoughtfulness he took the 204 00:23:36,760 --> 00:23:48,840 boy by the hand and he gave him to his mother. The sick and the diseased, the 205 00:23:48,840 --> 00:23:52,360 the crippled, and the maimed, and the troubled, 206 00:23:52,360 --> 00:23:54,700 and the whole flock to him, 207 00:23:55,680 --> 00:24:00,680 because they knew he understood. 208 00:24:04,320 --> 00:24:07,820 Little children ran after him, 209 00:24:07,820 --> 00:24:11,860 so that he might throw his arms about them and bless them, 210 00:24:11,860 --> 00:24:16,860 because they knew that he understood. 211 00:24:18,840 --> 00:24:33,840 His mother Mary pointed out to him the embarrassment at the wedding feast when the wine supply had failed because she knew that he understood. 212 00:24:33,840 --> 00:24:53,840 The woman troubled for twelve years with an issue of blood pushed her way through the jostling crowd that she might touch the hem of his garment because she knew that he understood. 213 00:24:53,840 --> 00:25:06,540 He always understood, but it was not only the sorrows and burdens of men and women and children that Jesus Christ understood, 214 00:25:06,540 --> 00:25:16,640 he understood their joys as well. That is why he loved to visit with Martha and Mary and Lazarus and Bethany. 215 00:25:16,640 --> 00:25:23,640 That is why he shared their moments of happiness with the newly married couple at Cana. 216 00:25:23,640 --> 00:25:33,640 That is why he honored the publicans Zacchaeus and Jericho by entering into his house in order to dine with him. 217 00:25:33,640 --> 00:25:37,640 Jesus loved people. 218 00:25:37,640 --> 00:25:42,640 He had a reverent sense of the dignity of all persons 219 00:25:42,640 --> 00:25:52,000 because he understood that every human being is an image of God and so valuable in his sight 220 00:25:52,000 --> 00:25:57,760 that he would shed the last drop of his precious blood on Calvary to redeem him. 221 00:25:59,760 --> 00:26:06,000 He appreciated the strengths and the weaknesses of every individual, 222 00:26:06,000 --> 00:26:16,640 and so he dealt with every individual on a personal basis. He drew to the faith 223 00:26:16,640 --> 00:26:22,640 the Samaritan woman at the well of Sikar, promising her, the water that I will 224 00:26:22,640 --> 00:26:29,760 give shall become a fountain of water springing up into life everlasting. He 225 00:26:29,760 --> 00:26:35,000 rescued the woman taken in adultery, granted her forgiveness because of a 226 00:26:35,000 --> 00:26:47,680 repentant love and then set her free. Go and sin no more. He looked with such compassion 227 00:26:47,680 --> 00:26:57,400 upon Peter after his denial that the apostle went out and wept bitterly. The strong, manly, 228 00:26:57,400 --> 00:27:09,960 rough, impetuous fisherman. He called to Judas, friend, and taught the whole world the lesson 229 00:27:09,960 --> 00:27:22,880 that it is never too late to try to save a human soul. It is this same Jesus, dearly 230 00:27:22,880 --> 00:27:32,840 beloved brothers and sisters who is present in the Holy Eucharist. Jesus 231 00:27:32,840 --> 00:27:44,920 Christ is the same yesterday and today and forever. True, he is present in his 232 00:27:44,920 --> 00:27:51,720 glorified body, but it is still the second person of the Blessed Trinity 233 00:27:51,720 --> 00:27:58,640 made man, body and blood, soul and divinity, who remains with us under the 234 00:27:58,640 --> 00:28:10,660 appearance of bread and wine, there is only one Jesus Christ. Today men and 235 00:28:10,660 --> 00:28:21,460 women and children all over the world hunger for understanding. I hear them 236 00:28:21,460 --> 00:28:31,220 plead. I want to be appreciated as a human person. I want to be treated as the 237 00:28:31,220 --> 00:28:40,780 work of God's creative hand. I want to be esteemed as a child of God. I need to be 238 00:28:40,780 --> 00:28:48,900 wanted, to be loved. I need someone who will defend me from injustice and 239 00:28:48,900 --> 00:28:52,900 and protect me from hatred. 240 00:28:52,900 --> 00:28:56,780 I need someone who will not become angry at me. 241 00:28:56,780 --> 00:29:02,740 My failure is no vindictive because of my sins. 242 00:29:02,740 --> 00:29:04,540 This is the end of side one. 243 00:29:04,540 --> 00:29:06,660 To hear the remainder of the tape, stop the cassette 244 00:29:06,660 --> 00:29:08,980 and turn it over now.</div> <div style="width: 750px; height: 300px; overflow: scroll;" 1="" br="">Side 2 00:00:00,000 --> 00:00:08,440 I need someone who is concerned with me as an individual.   2 00:00:08,440 --> 00:00:20,560 I need someone to whom I can speak and in whom I can trust.   3 00:00:20,560 --> 00:00:31,100 The starving millions, the indigent, the destitute, the beggared, cry out to Jesus Christ in the   4 00:00:31,100 --> 00:00:40,040 Holy Eucharist, do you understand my poverty?   5 00:00:40,040 --> 00:00:45,040 Jesus points to a manger and a stable.   6 00:00:48,440 --> 00:00:49,880 And he reminds them,   7 00:00:51,680 --> 00:00:56,680 foxes have holes and birds of the air have nests.   8 00:00:59,760 --> 00:01:04,760 But the Son of Man has nowhere to lay his head.   9 00:01:04,760 --> 00:01:18,200 The forgotten and the abandoned, the shirins in apartments whom no one ever visits, the   10 00:01:18,200 --> 00:01:23,840 men and women on the fringe of society in chronic hospitals and public institutions,   11 00:01:23,840 --> 00:01:30,880 the elderly who live only on memories, all these cry out to Jesus Christ in the Holy   12 00:01:30,880 --> 00:01:43,520 Christ, do you understand my loneliness?" Jesus points to an olive garden where no   13 00:01:43,520 --> 00:01:52,640 one could watch even one hour with him, where his desolation was so overpowering   14 00:01:52,640 --> 00:01:58,040 that he pleaded with his father to let the chalice be taken away from him, and   15 00:01:58,040 --> 00:02:04,040 and where moments later his closest followers fled from him in terror,   16 00:02:04,040 --> 00:02:11,040 while one of his chosen friends planted upon his lips a kiss of betrayal.   17 00:02:14,040 --> 00:02:22,040 The harassed and the deprived and the disadvantaged and the cheated   18 00:02:22,040 --> 00:02:29,500 and the victimized and the persecuted, cry out to Jesus in the Holy Eucharist,   19 00:02:29,500 --> 00:02:37,020 do you understand the injustice that I must bear and the hatred that I must   20 00:02:37,020 --> 00:02:43,820 face, the misinterpretations of my motives and the misconstruings of my   21 00:02:43,820 --> 00:02:53,780 words. Jesus points to the Sanhedrin where false witnesses testified against   22 00:02:53,780 --> 00:03:01,940 him, to the court of Herod where he was made a fool of, and to the judgment seat   23 00:03:01,940 --> 00:03:10,140 of Pilate where he was scourged. And he reminds them how his sublimest   24 00:03:10,140 --> 00:03:17,080 teachings were ridiculed and the miraculous works by which he alleviated   25 00:03:17,080 --> 00:03:29,280 suffering and need were ascribed to the devil. Do you understand my suffering and   26 00:03:29,280 --> 00:03:37,200 pain and anguish? Cry out the sick and the diseased and the crippled and the   27 00:03:37,200 --> 00:03:49,440 infirm. Jesus points to a hill of skulls under a blackened sky, to tattered flesh,   28 00:03:49,440 --> 00:04:01,080 thorn-wounded forehead, nail-pierced hands, blood-spattered body, and the gaping hole   29 00:04:01,080 --> 00:04:06,720 in his side, open by a soldier's spear.   30 00:04:08,240 --> 00:04:19,040 Understand, his invitation in the Holy Eucharist is as open and as pressing   31 00:04:19,040 --> 00:04:35,600 today as it was 2,000 years ago. He says again and again to you and to me, it is I. Do not   32 00:04:35,600 --> 00:04:42,600 be afraid. Come to me, all you who labor and are heavily burdened, and I will refresh you."   33 00:04:52,480 --> 00:04:59,480 Understand, why do you think that he instituted the Holy Eucharist? Why do you think that   34 00:04:59,480 --> 00:05:06,120 Why do you think that he gave us this sacrament in such a personal way?   35 00:05:06,120 --> 00:05:17,000 Was it not that he might unite himself with individuals in communion and become one body with them?   36 00:05:17,000 --> 00:05:25,640 that he might become man in each man by taking the human nature of each into union with his own?   37 00:05:29,480 --> 00:05:39,160 And is it possible for our human minds to conceive of any action more understanding than this?   38 00:05:39,160 --> 00:05:48,920 But, my brothers and sisters, there is another aspect of the subject, the Eucharist and the   39 00:05:48,920 --> 00:05:56,640 hunger for understanding, that calls for our brief reflection this afternoon.   40 00:05:56,640 --> 00:06:07,400 It is an astounding thought, and yet it is true, that when Jesus abides in us, in the   41 00:06:07,400 --> 00:06:21,200 Holy Eucharist in some mysterious and miraculous way, we are transformed into Him.   42 00:06:21,200 --> 00:06:24,640 This is no new doctrine.   43 00:06:24,640 --> 00:06:28,540 This is no exaggerated concept.   44 00:06:28,540 --> 00:06:34,160 It is to be found in the writings of many of the great fathers and doctors of the Church   45 00:06:34,160 --> 00:06:41,820 and has been taught constantly by the Magisterium of the Church over the centuries.   46 00:06:41,820 --> 00:06:49,340 With scholarly insight, an outstanding modern theologian has discussed several patristic   47 00:06:49,340 --> 00:06:52,660 passages on this point.   48 00:06:52,660 --> 00:06:59,020 Treating of St. John Chrysostom, for example, and his comments upon the words of St. Paul,   49 00:06:59,020 --> 00:07:02,900 is not the bread we break as sharing in the body of Christ.   50 00:07:02,900 --> 00:07:09,380 Taimans de Peron describes how this father of the Church   51 00:07:09,380 --> 00:07:15,500 pointed out that Saint Paul was not satisfied   52 00:07:15,500 --> 00:07:19,540 with his explanation of the union between Christ   53 00:07:19,540 --> 00:07:23,580 and the Christian until he had affirmed   54 00:07:23,580 --> 00:07:28,420 that in Holy Communion, the Christian becomes   55 00:07:28,420 --> 00:07:31,940 the body of Christ.   56 00:07:31,940 --> 00:07:40,100 Why, asks St. John Chrysostom, does St. Paul use the word communicatio and not participatio?   57 00:07:40,100 --> 00:07:48,260 The reason is that he wished to express a more intimate degree of union.   58 00:07:48,260 --> 00:07:56,420 Even when he uses the word communicatio, which supposes a distinction of persons between   59 00:07:56,420 --> 00:08:02,620 him who communicates and him who receives the communication, St. Paul is at pains to   60 00:08:02,620 --> 00:08:13,500 attenuate this distinction, adding immediately, we are all one bread, one body.   61 00:08:13,500 --> 00:08:19,380 As if he were to say, why speak of communication or communion?   62 00:08:19,380 --> 00:08:24,180 We are the same body.   63 00:08:24,180 --> 00:08:27,700 So what is the bread we eat?   64 00:08:27,700 --> 00:08:31,100 It is the body of Christ.   65 00:08:31,100 --> 00:08:36,200 And those who communicate become the body of Christ.   66 00:08:36,200 --> 00:08:41,580 Not several bodies, but one body.   67 00:08:41,580 --> 00:08:45,980 Just as bread is compounded of many grains in such a way   68 00:08:45,980 --> 00:08:51,080 that their union obliterates their individual differences,   69 00:08:51,080 --> 00:08:56,080 So too with us, we are united one with the other,   70 00:08:57,760 --> 00:09:02,480 all united in Christ because all are nourished   71 00:09:02,480 --> 00:09:04,360 by the same body.   72 00:09:06,680 --> 00:09:10,000 With even greater vigor of expression,   73 00:09:10,000 --> 00:09:12,560 Saint John Chrysostom thus describes   74 00:09:12,560 --> 00:09:15,200 our transformation in Christ.   75 00:09:15,200 --> 00:09:20,200 He says, we are the body which we receive.   76 00:09:21,080 --> 00:09:35,080 Dearly beloved, because of our union with Christ in the Holy Eucharist, we must let   77 00:09:35,080 --> 00:09:40,880 Christ live in us.   78 00:09:40,880 --> 00:09:45,920 For me to live is Christ, said Paul.   79 00:09:45,920 --> 00:09:52,760 attitudes and our actions, the things that we think and say and do must be   80 00:09:52,760 --> 00:10:04,480 conformed to him because he lives in us. It is not enough to imitate Christ.   81 00:10:04,480 --> 00:10:13,840 Rather, we must let Christ live and act in us in such ways that we can one day   82 00:10:13,840 --> 00:10:26,360 day say with St. Paul, it is no longer I who live, but Christ who lives in me.   83 00:10:26,360 --> 00:10:36,240 In concrete, practical terms of day-to-day living, this means that we must feed the hungry   84 00:10:36,240 --> 00:10:45,880 and give drink to the thirsty, and visit the lonely, and console the sorrowing, and counsel   85 00:10:45,880 --> 00:10:53,920 the doubting, because this is what he did.   86 00:10:53,920 --> 00:10:58,360 He went about doing good.   87 00:10:58,360 --> 00:11:12,160 In a word, we must love with patience and kindness, without jealousy or boastfulness,   88 00:11:12,160 --> 00:11:20,960 without arrogance or rudeness, without stubbornness or irritableness or resentfulness.   89 00:11:20,960 --> 00:11:31,720 We must never cease trying to satiate the great hunger of modern man for understanding.   90 00:11:31,720 --> 00:11:40,320 We must be alive to modern man's yearning to be appreciated as a human person, to be   91 00:11:40,320 --> 00:11:49,080 treated as a work of God's creative hand, to be esteemed as a child of God, to be wanted   92 00:11:49,080 --> 00:11:56,040 and to be loved, to be defended from injustice and protected from hatred, to be accepted   93 00:11:56,040 --> 00:12:01,080 in spite of his failures and transgressions.   94 00:12:01,080 --> 00:12:10,560 Like Jesus Christ, we must give ourselves to modern man as persons to whom he can speak   95 00:12:10,560 --> 00:12:14,520 and in whom he can trust.   96 00:12:14,520 --> 00:12:26,480 all of this precisely because in the Holy Eucharist we become one body with Jesus Christ   97 00:12:26,480 --> 00:12:31,800 who assimilates us to himself.   98 00:12:31,800 --> 00:12:42,280 Oh how desperate is the need today that we love and understand one another and ourselves   99 00:12:42,280 --> 00:12:44,040 too.   100 00:12:44,040 --> 00:12:51,040 in the context of our becoming one body with the Eucharistic Christ.   101 00:12:51,040 --> 00:12:55,800 Thomas Merton's memorable statement is no exaggeration.   102 00:12:55,800 --> 00:12:56,800 He wrote,   103 00:12:56,800 --> 00:13:02,400 The whole problem of our time is the problem of love.   104 00:13:02,400 --> 00:13:09,800 How are we going to recover the ability to love ourselves and to love one another?   105 00:13:09,800 --> 00:13:14,260 The reason why we hate one another and fear one another   106 00:13:14,260 --> 00:13:19,260 is that we secretly or openly hate and fear our own selves.   107 00:13:22,760 --> 00:13:27,760 And we hate ourselves because the depths of our being   108 00:13:28,760 --> 00:13:33,760 are a chaos of frustration and spiritual misery.   109 00:13:33,760 --> 00:13:37,560 lonely and helpless   110 00:13:37,560 --> 00:13:40,800 we cannot be at peace with others   111 00:13:40,800 --> 00:13:45,000 because we are not at peace with ourselves   112 00:13:45,000 --> 00:13:50,840 and we cannot be at peace with ourselves because we are not at   113 00:13:50,840 --> 00:13:57,840 peace with God. It is important to make   114 00:13:57,840 --> 00:14:02,440 clear however that this living of Christ in our day-to-day lives   115 00:14:02,440 --> 00:14:08,160 because we have become his body in the Holy Eucharist. This sympathetic response   116 00:14:08,160 --> 00:14:13,560 by us, united with the Eucharist to Christ, to the hunger of modern man for   117 00:14:13,560 --> 00:14:19,840 understanding, all of this implies an ecclesial dimension too. The Second   118 00:14:19,840 --> 00:14:25,800 Vatican Council urges bishops to exert themselves constantly to have the   119 00:14:25,800 --> 00:14:31,400 faithful know and live the Paschal mystery more deeply through the Eucharist   120 00:14:31,400 --> 00:14:41,400 and thus become a firmly knit body in the solidarity of Christ's love.   121 00:14:41,400 --> 00:14:47,400 It is substantially the same thought that Thomas Merton expresses in this way.   122 00:14:47,400 --> 00:14:53,400 We must always remember that we are not sanctified as isolated units,   123 00:14:53,400 --> 00:14:57,400 but as members of the living organism, the Church.   124 00:14:57,400 --> 00:15:03,440 we are sanctified as members of one of another. The growth of each individual   125 00:15:03,440 --> 00:15:10,240 person in Christ-like virtue contributes all the more the Christ-likeness of the   126 00:15:10,240 --> 00:15:18,040 whole Church. It is therefore not only a question of individual imitating the   127 00:15:18,040 --> 00:15:25,400 divine Redeemer and thus perfecting their own lives, but above all of Christ   128 00:15:25,400 --> 00:15:30,400 living more and more perfectly in his Church,   129 00:15:30,400 --> 00:15:38,900 by virtue of the fact that his Spirit takes fuller and deeper possession of all its individual members,   130 00:15:38,900 --> 00:15:44,400 uniting them all perfectly to one another and to himself.   131 00:15:46,400 --> 00:15:49,400 My dear brothers and sisters in Christ,   132 00:15:49,400 --> 00:15:53,400 to summarize and to conclude,   133 00:15:53,400 --> 00:16:01,320 The Holy Eucharist is the living answer to mankind's hunger for understanding,   134 00:16:01,320 --> 00:16:04,760 and this chiefly for two reasons.   135 00:16:04,760 --> 00:16:10,360 First, present in the Holy Eucharist is the loving, compassionate,   136 00:16:10,360 --> 00:16:16,440 consoling, sympathetic, encouraging, understanding Christ.   137 00:16:16,440 --> 00:16:22,680 And secondly, through our oneness with Jesus Christ in the Holy Eucharist,   138 00:16:22,680 --> 00:16:27,640 Through our becoming him because he assimilates us to himself,   139 00:16:27,640 --> 00:16:34,640 our brothers and sisters in our day must find in us also   140 00:16:34,640 --> 00:16:42,120 the living answer to their hunger for understanding.   141 00:16:42,120 --> 00:16:46,320 Somewhere, I once happened upon the text of an old   142 00:16:46,320 --> 00:16:51,360 and unidentified manuscript that seems especially pertinent   143 00:16:51,360 --> 00:16:55,860 to our reflections this afternoon on the Eucharist   144 00:16:55,860 --> 00:16:59,360 and the hunger for understanding.   145 00:16:59,360 --> 00:17:02,900 The title of the manuscript is this.   146 00:17:02,900 --> 00:17:07,120 This is my friend.   147 00:17:07,120 --> 00:17:10,480 Let me tell you how I made his acquaintance.   148 00:17:13,300 --> 00:17:20,160 I had heard much of him, but took no heed.   149 00:17:20,160 --> 00:17:27,720 He sent daily gifts and presents, but I never thanked him.   150 00:17:27,720 --> 00:17:38,360 He often seemed to want my friendship, but I remained cold.   151 00:17:38,360 --> 00:17:49,720 I was homeless and wretched and starving and in peril every hour, and he offered me shelter   152 00:17:49,720 --> 00:17:57,720 and comfort and food and safety, but I was ungrateful still.   153 00:17:57,720 --> 00:18:06,720 At last he crossed my path and with tears in his eyes,   154 00:18:06,720 --> 00:18:12,720 he besought me saying, come and abide with me.   155 00:18:12,720 --> 00:18:22,840 Let me tell you how he treats me now.   156 00:18:22,840 --> 00:18:28,520 He supplies all my wants.   157 00:18:28,520 --> 00:18:33,320 He gives me more than I dare ask.   158 00:18:33,320 --> 00:18:38,280 He anticipates my every need.   159 00:18:38,280 --> 00:18:42,240 He begs me to ask for more.   160 00:18:42,240 --> 00:18:47,800 He never reminds me of my past ingratitude.   161 00:18:47,800 --> 00:18:54,560 He never rebukes me for my past follies.   162 00:18:54,560 --> 00:18:59,360 Let me tell you further what I think of him.   163 00:18:59,360 --> 00:19:04,000 He is as good as he is great.   164 00:19:04,000 --> 00:19:09,880 His love is as ardent as it is true.   165 00:19:09,880 --> 00:19:16,880 He is as lavish of his promises as he is faithful in keeping them.   166 00:19:19,680 --> 00:19:26,680 He is as jealous of my love as he is deserving of it.   167 00:19:28,320 --> 00:19:35,320 I am in all things his detour, but he bids me call him friend.   168 00:19:39,880 --> 00:19:53,880 It is this friend, the Eucharistic Christ, who answers the hunger of mankind for understanding.   169 00:19:53,880 --> 00:20:01,880 Truly, he who comes to me shall not hunger.   170 00:20:01,880 --> 00:20:07,880 It is the Eucharist of Christ who has satisfied the empty soul   171 00:20:07,880 --> 00:20:14,880 and has filled the hungry soul with good things.   172 00:20:14,880 --> 00:20:17,880 God love you.   173 00:20:31,880 --> 00:20:59,540 ♪♪   174 00:21:01,880 --> 00:21:11,320 From the very first days of his pontificate, our beloved Holy Father, Pope Paul VI, has   175 00:21:11,320 --> 00:21:18,960 spoken of the devotion to the Sacred Heart of Jesus as a noble and worthy form of that   176 00:21:18,960 --> 00:21:25,880 authentic piety which today, particularly after the decrees of the Second Vatican Council,   177 00:21:25,880 --> 00:21:31,080 we should foster towards the person of Jesus Christ.   178 00:21:31,080 --> 00:21:38,800 In the sacred heart is symbolized the love of God for all mankind, and it is this love   179 00:21:38,800 --> 00:21:46,520 which saves us and which gives us the strength to work for the salvation of the whole world.   180 00:21:46,520 --> 00:21:53,980 It is most fitting that during this Eucharistic Congress, the military family should consecrate   181 00:21:53,980 --> 00:22:02,040 itself to the love of our divine Lord as it is symbolized in his sacred heart.   182 00:22:02,040 --> 00:22:09,160 It was a soldier's lance which pierced the human heart of Christ, and we are all challenged   183 00:22:09,160 --> 00:22:17,440 to put on the breastplate of salvation and take up arms against the evils of sin and   184 00:22:17,440 --> 00:22:21,980 prejudice and selfishness in our world.   185 00:22:21,980 --> 00:22:28,840 May this dedication bring us many graces from the bountiful heart of Christ, and may we   186 00:22:28,840 --> 00:22:37,440 all become more dedicated in our ministry and in our lives to the divine love of Jesus   187 00:22:37,440 --> 00:22:42,320 as it is symbolized in his sacred heart.   188 00:22:42,320 --> 00:22:50,120 And now I ask you to unite yourself with the members of the military family in this act   189 00:22:50,120 --> 00:22:53,800 of consecration.   190 00:22:53,800 --> 00:23:00,960 Our Father in Heaven, out of merciful love for the human race, you sent your only Son   191 00:23:00,960 --> 00:23:05,120 to be our brother, our Savior, and our King.   192 00:23:05,120 --> 00:23:11,560 Jesus, by the power of the Holy Spirit, you became man in the womb of the Blessed Virgin   193 00:23:11,560 --> 00:23:17,680 Mary, that you might love your brothers and sisters with a human heart.   194 00:23:17,680 --> 00:23:24,040 Out of obedience to your father and out of love for us, you made the supreme sacrifice   195 00:23:24,040 --> 00:23:30,840 of your life, teaching us by that act that there is no greater love than to lay down   196 00:23:30,840 --> 00:23:35,880 one's life for one's friends and foes alike.   197 00:23:35,880 --> 00:23:42,400 After your death on Calvary, you will that your sacred heart be opened by the lance of   198 00:23:42,400 --> 00:23:44,520 a Roman soldier.   199 00:23:44,520 --> 00:23:50,680 From your pierced heart there flowed blood and water, symbols of the outpouring of the   200 00:23:50,680 --> 00:23:56,480 Holy Spirit, of the sacraments of baptism and the Eucharist, and of the birth of the   201 00:23:56,480 --> 00:23:57,480 Church.   202 00:23:57,480 --> 00:24:06,280 Lord Jesus, men and women of the military family everywhere realize only too well the   203 00:24:06,280 --> 00:24:14,320 many times your gentle and humble heart has been pierced by the lance of war, of hatred,   204 00:24:14,320 --> 00:24:21,320 of violence. We know that the great desire of your heart is for unity, salvation, and   205 00:24:22,020 --> 00:24:29,020 peace. This is our desire as well. We want to be of one heart and one mind with your   206 00:24:30,360 --> 00:24:37,360 heart and your mind. We desire to help you expiate the sins of selfishness, disobedience,   207 00:24:37,360 --> 00:24:42,420 obedience and sensuality, which are the causes of war.   208 00:24:42,420 --> 00:24:46,640 Therefore, today, we the bishops and priests   209 00:24:46,640 --> 00:24:50,280 of the military vicariate of the United States of America,   210 00:24:50,280 --> 00:24:53,240 united with representatives of military vicariates   211 00:24:53,240 --> 00:24:55,960 from around the world, trustfully   212 00:24:55,960 --> 00:24:59,920 consecrate ourselves without reserve   213 00:24:59,920 --> 00:25:03,300 to your Eucharistic heart here present   214 00:25:03,300 --> 00:25:05,480 in the blessed sacrament.   215 00:25:05,480 --> 00:25:09,200 Likewise, we dedicate to your loving heart   216 00:25:09,200 --> 00:25:12,880 all the men and women of the military services   217 00:25:12,880 --> 00:25:18,520 you have so confidently confided to our spiritual care.   218 00:25:18,520 --> 00:25:23,440 In a special way, we consecrate to your merciful heart   219 00:25:23,440 --> 00:25:26,800 all wounded veterans and their families.   220 00:25:26,800 --> 00:25:31,040 Oh, loving master, we ask you to reward those who   221 00:25:31,040 --> 00:25:34,080 have made the supreme sacrifice.   222 00:25:34,080 --> 00:25:37,360 Aid the victims of war and violence.   223 00:25:37,360 --> 00:25:40,760 Bring about the release of prisoners of war.   224 00:25:40,760 --> 00:25:44,600 Help those suffering from militant atheism.   225 00:25:44,600 --> 00:25:47,680 Save the lives of the innocent unborn   226 00:25:47,680 --> 00:25:51,840 against whom a merciless war has been declared.   227 00:25:51,840 --> 00:25:56,140 Mary, Queen of Peace, we entrust to your sorrowful   228 00:25:56,140 --> 00:26:00,360 and immaculate heart the fulfillment of this covenant   229 00:26:00,360 --> 00:26:04,240 to which the peace of the world has been entrusted.   230 00:26:04,240 --> 00:26:09,240 To your motherly heart, we also consecrate our hearts,   231 00:26:09,500 --> 00:26:12,840 asking in return to enkindle in them   232 00:26:12,840 --> 00:26:15,400 a deeper, more personal love   233 00:26:15,400 --> 00:26:20,400 for the heart of your divine son, the Prince of Peace.   234 00:26:20,440 --> 00:26:23,160 Saint Joseph, patron of the church,   235 00:26:23,160 --> 00:26:26,900 friend of the sacred heart, intercede for us   236 00:26:26,900 --> 00:26:30,280 that like you we may carry out our duties   237 00:26:30,280 --> 00:26:34,600 in a spirit of faith, live in hope and love,   238 00:26:34,600 --> 00:26:38,520 and thus obtain the grace of a happy death.   239 00:26:38,520 --> 00:26:43,520 Sacred heart of Jesus, we put our trust in you.   240 00:26:43,520 --> 00:26:47,920 Eucharistic heart of Jesus, thy kingdom come.   241 00:26:47,920 --> 00:26:51,840 Immaculate heart of Mary, pray for us.   242 00:26:51,840 --> 00:26:56,640 Glory be to the Father, to the Son, and to the Holy Spirit,   243 00:26:56,640 --> 00:26:59,160 as it was in the beginning, is now,   244 00:26:59,160 --> 00:27:06,160 never shall be world without end. Amen.   245 00:27:29,160 --> 00:27:39,160 ♪♪   246 00:27:39,160 --> 00:27:49,180 ♪♪   247 00:27:49,180 --> 00:27:57,120 ♪♪   248 00:27:57,120 --> 00:28:01,120 ♪♪   249 00:28:01,120 --> 00:28:03,620 Thank you.   250 00:28:03,620 --> 00:28:04,620 I think it's this one here, John.   251 00:28:04,620 --> 00:28:05,620 All right.   252 00:28:05,620 --> 00:28:06,620 Thank you.   253 00:28:06,620 --> 00:28:14,640 ♪♪   254 00:28:14,640 --> 00:28:19,640 For he who lives in God's grace   255 00:28:19,640 --> 00:28:26,640 Has forever faith to praise   256 00:28:26,640 --> 00:28:33,640 For Pergamum's endless bliss   257 00:28:33,640 --> 00:28:40,640 Above the fruited plain   258 00:28:40,640 --> 00:28:55,640 America! America! God shed his grace on thee.   259 00:28:55,640 --> 00:29:07,640 And crown thy good with brotherhood from sea to shining sea.</div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Military Personnel Eucharist Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Humberto Cardinal Medeiros Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-06 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_16 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.pahrc.net/files/original/78a63d19740eeb9c25b67222bd10e13d.jpg 6fb8c7bedd52c938d2479116a600fbf0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Physical Dimensions The actual physical size of the original image 43 x 8 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Minor Seminary, St. Charles Seminary, Overbrook, Phila., Penna., 1933 Subject The topic of the resource Saint Charles Borromeo Seminary (Overbrook, Philadelphia, Pa.) Seminarians. Panoramic photographs--1930-1940. Catholic theological seminaries. Catholic theological seminaries--United States--History. Catholic Church. Archdiocese of Philadelphia (Pa.) Description An account of the resource Group photograph of the Minor Seminary students of St. Charles Borromeo Seminary, Overbrook, Pa. Inscribed in bottom right of photograph: "Photo by Luedecke Studio, Inc. Upper Darby, Penna." Creator An entity primarily responsible for making the resource Luedecke Studio, Inc. Date A point or period of time associated with an event in the lifecycle of the resource 1933 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/">http://rightsstatements.org/vocab/NKC/1.0/</a> Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 2004.056.01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia (Pa.) Extent The size or duration of the resource. 1 photographic print Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng https://omeka.pahrc.net/files/original/a55f92895c33dbdaf1cceab06936fa44.jpg 069e466b2940a4c7c29f7cd253657a5d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Misericordia Hospital Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. The 1918 Influenza Pandemic. Description An account of the resource Photograph of Misericordia Hospital Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/" target="_blank">http://rightsstatements.org/vocab/NKC/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.pahrc.net/files/original/ad0d014484d9d74f643c04907011a5fc.jpg c74c416a55cd7b4b6edf87b5f6825c87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Description An account of the resource Engraving of sketch of Mission San Jose y San Miguel de Aguayo, San Antonio, Texas (mistakenly identified as "Cal." or "Col." on item). Signed by H. [?] (signature indecipherable) at bottom of print. Inscribed on verso: "Mission of San Jose de Aguayo, 4 miles below San Antonio. Built 1718-1771-1803 discontinued as a mission". Identifier An unambiguous reference to the resource within a given context 100.1.1.JOSE (2) Subject The topic of the resource Catholic Church--Texas--History--18th century. Church buildings--Texas--San Antonio--Pictorial works. Engravings--1900-1910. Mission San Jose y San Miguel de Aguayo (San Antonio, Tex.) Missions, Spanish--Texas. San Antonio (Tex.)--Buildings, structures, etc.--Pictorial works. Title A name given to the resource Mission of San Jose. 4 miles below San Antonio, [Texas]. 1718-1771-1803 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/" target="_blank">http://rightsstatements.org/vocab/NKC/1.0/</a> Format The file format, physical medium, or dimensions of the resource jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.pahrc.net/files/original/155003aab5d0a3ca4fa6225d8d210dbf.jpg f6c104985339955d92ae2c7ae24ea25d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Shaw, Robert, 1859-1912. Description An account of the resource Engraving of sketch of Mission of San Luis Rey, Ca. Signed by Robert Shaw in bottom left corner. Identifier An unambiguous reference to the resource within a given context 100.1.1.LUIS (1) Subject The topic of the resource Catholic Church--California--History--18th century. Church buildings--California--Oceanside--Pictorial works. Engravings--1890-1900. Historic buildings--California--Oceanside--18th century--Pictorial works. Missions, Spanish--California. Missions--California--History. Oceanside (Calif.)--Buildings, structures, etc.--Pictorial works. Old Mission San Luis Rey (Oceanside, Calif.) Title A name given to the resource Mission of San Luis Rey, Cal. 1784 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.pahrc.net/files/original/288443f769114f606f5869e02b28e456.jpg de995d14a81a9dcdaa73a86ff6b4b319 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Sproule, Robert Auchmuty, -1845. Description An account of the resource Portrait lithograph of Bishop Bernard Claude Panet, Bishop of Quebec. Published by Fabre, Perrault & cie [i.e., Edouard-Raymond Fabre and Louis Perrault]. Printed below title: "Drawn by Sproule" [i.e., Robert Auchmuty Sproule]; "Bourne, Lith." [i.e., Adolphus Bourne]. Identifier An unambiguous reference to the resource within a given context 100.2.1.Panet, Bernard C. Subject The topic of the resource Panet, Bernard Claude, 1753-1833. Catholic Church--Canada--Clergy--19th century. Catholic Church. Diocese of Quebec. Lithographs--1840-1850. Portraits--1840-1850. Title A name given to the resource Monseigneur Bernard Claude Panet, Eveque de Quebec Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Publisher An entity responsible for making the resource available Fabre, Perrault & cie. https://omeka.pahrc.net/files/original/7052046eda61abdb6d6ee464c24e9278.jpg da5808644e3da90b67389685651a4aed Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monticello, Chestnut Hill Description An account of the resource Aerial sketch of Monticello, the estate of John Middleton , in Chestnut Hill. It would later serve as the Motherhouse of the Sisters of Saint Joseph and the Girls' Academy Publisher An entity responsible for making the resource available Sisters of Saint Joseph Source A related resource from which the described resource is derived A Centenary Tribute, 1858-1958: Sisters of St. Joseph, Chestnut Hill, Philadelphia, Pennsylvania Rights Information about rights held in and over the resource http://rightsstatements.org/vocab/InC/1.0/ Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context 1997.046.0095 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.pahrc.net/files/original/cd96b2019c1cf55d5595a9053507b823.jpg ed632183f480fb2bf79dda9a0f3f1e59 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics-Miscellaneous Creator An entity primarily responsible for making the resource William Hart's Lithography Press. Description An account of the resource Printed below title: "In Memory of the Revd. Daniel Sheridan of St. Michael's Church, who departed this life on the 17th day of July 1856, and of the Revd. John Loughran, Pastor of Immaculate Conception, Mauch Chunk, who died on the 24th day of June 1856. Reguies cant in pace. AMEN." Printed below lithograph: "Wm. Hart's Lithogr. Press Phila." Identifier An unambiguous reference to the resource within a given context 2010.047.057 Subject The topic of the resource Sheridan, Daniel (Rev.) Loughran, John (Rev.) Funeral Monuments. Funerary Sculpture. Title A name given to the resource Monument. Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.pahrc.net/files/original/9bb8ce7a6e08ed12be7245abedbbc96f.jpg 446c452424f9032bb1980be2d1ef5356 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 11" x 13.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Gutekunst, Frederick, 1831-1917. Description An account of the resource Portrait photograph of Archbishop Prendergast (seated). Note on verso reads: "Most Rev. Edmond Francis Prendergast, cons. [i.e., consecrated] Feb 24, 1897. Archbishop of Philadelphia May 27, 1911. Died Feb 26, 1918." Title taken from verso. Photographer's mark appears in bottom right corner of photograph. Identifier An unambiguous reference to the resource within a given context 1993.018.OS058 Subject The topic of the resource Prendergast, Edmond F. (Edmond Francis), 1843-1918. Bishops--United States--20th century. Catholic Church--United States--Clergy--20th century. Catholic Church. Archdiocese of Philadelphia (Pa.) Portrait photographs--1910-1920. Portraits--1910-1920. Title A name given to the resource Most Rev. Edmond Francis Prendergast Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.pahrc.net/files/original/ba04d15b61ed985eb55041428e691b87.jpg 2cc359ec083757c0a226a9538c844995 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10" x 12" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Gutekunst, Frederick, 1831-1917. Description An account of the resource Portrait photograph of Archbishop James Wood of the Archdiocese of Philadelphia. Printed below portrait: "Phototype, F. Gutekunst, Philadelphia. Copyright secured." Identifier An unambiguous reference to the resource within a given context 100.2.1.Wood, James (16) Subject The topic of the resource Wood, James Frederick, 1813-1883. Bishops--United States--19th century. Catholic Church--United States--Clergy--19th century. Catholic Church. Archdiocese of Philadelphia (Pa.) Portrait photographs--1880-1890. Portraits--1880-1890. Title A name given to the resource Most Rev. James F. Wood, D.D. Archbishop of Philadelphia Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Format The file format, physical medium, or dimensions of the resource image/jpeg https://omeka.pahrc.net/files/original/4b51ae7caff4a38e11915cbc3f47cd01.jpg d4fe9a8e51eb74471bd3376832ed9b44 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived American Catholic Historical Society Creator An entity primarily responsible for making the resource Case & Atkins. Description An account of the resource Portrait lithograph of Archbishop James Wood of Philadelphia. Published by Case & Atkins. Identifier An unambiguous reference to the resource within a given context 1993.018.EOS043 Subject The topic of the resource Wood, James Frederick, 1813-1883. Catholic Church--Clergy. Catholic Church. Archdiocese of Philadelphia (Pa.) Lithographs--1860-1870. Portraits--1860-1870. Title A name given to the resource Most Rev. James Frederick Wood, Archbishop of Philadelphia. Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.pahrc.net/files/original/aa328c7e18fcadf9bd0d8600a2da14f8.jpg 9d36044310e1a4850781731d8628674d https://omeka.pahrc.net/files/original/aa55da982e85b2bb3db00384e7e8e3fb.jpg 5721bbf426a328a15f134b7b4608d571 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Description An account of the resource Print of portrait lithograph of Archbishop James Wood on the cover of McGee's Illustrated Weekly, Saturday, July 6, 1878. Artist unknown. Identifier An unambiguous reference to the resource within a given context 100.2.1.Wood, James (07) Subject The topic of the resource Wood, James Frederick, 1813-1883. Bishops--United States--19th century. Catholic Church--New York (State)--Periodicals. Catholic Church--United States--Clergy--19th century. Catholic Church. Archdiocese of Philadelphia (Pa.) Christianity and art--Catholic Church--Periodicals. McGee's illustrated weekly. Title A name given to the resource Most Rev. James Frederick Wood, D.D., Archbishop of Philadelphia. Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Format The file format, physical medium, or dimensions of the resource image/jpeg Publisher An entity responsible for making the resource available McGee's Illustrated Weekly. Date A point or period of time associated with an event in the lifecycle of the resource 1878-07-06 https://omeka.pahrc.net/files/original/d970ec914f34533b70e840cb93cc8e44.jpg 94f3cfaceae58c9573523b3f84776e28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9" x 12" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Description An account of the resource Photograph of Rev. Joseph M. Corrigan, rector of St. Charles Borromeo Seminary, Overbrook, PA (1925-1936), rector of the Catholic University of America (1936-1942). Photographer's signature in bottom right corner is illegible. Identifier An unambiguous reference to the resource within a given context 100.2.1.Corrigan (8) Subject The topic of the resource Corrigan, Joseph Moran, 1879-1942. Catholic Church--United States--Clergy--20th century. Catholic Church--United States--Clergy--History. Catholic Church. Archdiocese of Philadelphia (Pa.) Catholic University of America--History. Portrait photographs--1940-1950. Portraits--1940-1950. Saint Charles Borromeo Seminary (Overbrook, Philadelphia, Pa.)--History. Title A name given to the resource Most Rev. Joseph M. Corrigan, D.D. Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/" target="_blank">http://rightsstatements.org/vocab/UND/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.pahrc.net/files/original/da277e8b395277171859e39239c60d25.jpg ec110e92b6bbdad118180311b3c73205 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Smith, William Description An account of the resource Portrait print of Archbishop Patrick Ryan. Credit line below print reads "Published by William Smith, Print Seller, 33 South Sixth Street, Philadelphia, Pa." Identifier An unambiguous reference to the resource within a given context 1993.018.EOS020 Subject The topic of the resource Ryan, P. J. (Patrick John), 1831-1911. Bishops--United States--19th century. Catholic Church--United States--Clergy--19th century. Catholic Church. Archdiocese of Philadelphia (Pa.) Portraits--1900-1910. Title A name given to the resource Most Rev. Patrick John Ryan, D.D., Archbishop of Philadelphia Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.pahrc.net/files/original/5d2bddf7e6db383c5b23c0b9c10234ac.jpg 85384234221b5275352b7312fa9c0130 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Gebbie and Company. Description An account of the resource Photogravure of Archbishop Kenrick of St. Louis, MO (1847-1896). Printed below photograph: "Copyrighted 1889 by Gebbie & Co. From negative by D. Bendann. Gravure, Gebbie & Husson Co. Ltd." Identifier An unambiguous reference to the resource within a given context 100.2.1.Kenrick, P. (4) Subject The topic of the resource Kenrick, Peter Richard, 1806-1896. Bishops--United States--19th century. Catholic Church--United States--Clergy--19th century. Catholic Church. Archdiocese of Saint Louis (Mo.) Photogravures--1880-1890. Portraits--1880-1890. Title A name given to the resource Most Rev. Peter Richard Kenrick, D.D. Archbishop of St. Louis Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Date A point or period of time associated with an event in the lifecycle of the resource 1889 https://omeka.pahrc.net/files/original/3d3a62f4a7f583137bc4980c8c1a6cbb.jpg de0183968f2b162d6f9c372001deaaa9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Longacre, James Barton, 1794-1869. Description An account of the resource Engraving of portrait of Reverend Ambrose Mareschal, third Archbishop of Baltimore, MD (1817-1828). Printed below engraving: "Engraved by J. B. Longacre from a Painting by P. Tilyard." Identifier An unambiguous reference to the resource within a given context 100.2.1.Mareschal, A. (2) Subject The topic of the resource Mareschal, Ambrose, 1764-1828. Bishops--United States--19th century. Catholic Church--United States--Clergy--19th century. Catholic Church. Archdiocese of Baltimore (Md.) Engravings. Portraits. Title A name given to the resource Most Revd. Ambrose Mareschal, third Archbishop of Baltimore Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.pahrc.net/files/original/6de7d82f6941e7a86dfd2f054ab5f1dc.jpg 93b2d478bd08980f83db6bb8f910ae79 https://omeka.pahrc.net/files/original/013b4a94dc1ed2005fbde4d835aec8a6.jpg 246f2f9a70039d31c7bfd42d8afc7a84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 16" x 20" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Large photograph portrait of Mother M. Loyola, I.H.M., first president of Immaculata College. Title taken from verso. Photographer unknown. Identifier An unambiguous reference to the resource within a given context 1993.018.EOS024 Subject The topic of the resource Mary Loyola, Mother, 1845-1930. Catholic Church--United States--Clergy--20th century. Immaculata College. Nuns--20th century. Portrait photographs--1920-1930. Portraits--1920-1930. Title A name given to the resource Mother M. Loyola, I.H.M. Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/" target="_blank">http://rightsstatements.org/vocab/UND/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.pahrc.net/files/original/b791a06d3ef67a917b2410557c258224.pdf 034a60745409bfd88776abb8a067f22e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pamphlets Description An account of the resource The Pamphlet Collection contains pamphlets and other printed materials relating to subjects of Catholic interest. There is also ephemeral material such as brochures, event programs, leaflets, and newspaper clippings. The material covers a wide range of topics relating to the history of the Catholic Church in the United States including Catholic individuals, doctrinal and theological matters, events effecting the Catholic Church and Catholic population, Catholic history in the United States, and Catholic opinions on political, social, and cultural affairs. Majority of the Pamphlet Collection has not be digitized. Please visit our <a href="http://chrcphila.pastperfectonline.com/" target="_blank">online catalog</a> for more information. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother Mary Basilia McCann, first Mother Superior of the Halifax Daughters of Blessed Elkizabeth Seton, 1811-1870 Description An account of the resource Life of Mother Mary Basilia McCann. Creator An entity primarily responsible for making the resource Francis d'Assisi, Sister S.C. Publisher An entity responsible for making the resource available Mount Saint Vincent Date A point or period of time associated with an event in the lifecycle of the resource 1968 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context P012.0321 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a> Subject The topic of the resource McCann, Mary Basilia,--1811-1870. Sisters of Charity of Saint Vincent de Paul (Halifax, N.S.)--Biography. Superiors, Religious--Nova Scotia--Halifax--Biography. Nuns--Nova Scotia--Halifax--Biography. Halifx (N.S.)--Biography. https://omeka.pahrc.net/files/original/e877c46a1a01a5f4e455ca374aea8f41.jpg e539000780360e87749704563d0230e4 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother Mary Bernard Graham, RSM Description An account of the resource A photograph of Mother Mary Bernard Graham, RSM, the foundress and first president of Gwynedd Mercy University Publisher An entity responsible for making the resource available Sisters of Mercy Format The file format, physical medium, or dimensions of the resource image/jpeg Source A related resource from which the described resource is derived A Century of Mercy, 1861-1961 Rights Information about rights held in and over the resource https://rightsstatements.org/page/InC/1.0/ Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 2003.005.003 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.pahrc.net/files/original/db53c3cf2cc4c0b75d7666ab8b0d6b49.jpg b5d37e43fdcf48ca4b28347d9857c986 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother Mary Dolores Brady, SHCJ Description An account of the resource An image of Mother Mary Dolores Brady, SHCJ, the foundress and first President of Rosemont College Rights Information about rights held in and over the resource https://rightsstatements.org/page/InC/1.0/ Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Subject The topic of the resource Archdiocese of Philadelphia (Pa.)--History. Catholic Church--Pennsylvania--Philadelphia--History--20th Century. https://omeka.pahrc.net/files/original/e5ac8c6dbdd24d6d7a67a84051d1a378.jpg 530797ce5dc2aa38dcb62e55347e0944 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mother Mary Loyola Gallagher, IHM Description An account of the resource A photograph of Mother Mary Loyola Gallagher, IHM, foundress and first president of Immaculata University. Publisher An entity responsible for making the resource available Dolphin Press Date A point or period of time associated with an event in the lifecycle of the resource c. 1903-1914 Source A related resource from which the described resource is derived Sisters, Servants of the Immaculate Heart of Mary Rights Information about rights held in and over the resource https://rightsstatements.org/page/InC/1.0/ Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 1997.045.0073 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.pahrc.net/files/original/e22ee2403e052d8c99aaff50a4870cc0.jpg 2ae7df5beb137a01d09c83343b216964 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 13.75" x 17" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Hansbury, Harry B., 1855-?. Description An account of the resource Photograph of interior of Mother of Divine Love Chapel, Catholic Home for Destitute Children, 29th & Allegheny, Philadelphia. Identifier An unambiguous reference to the resource within a given context 100.1.1.CAT (P) (04) Subject The topic of the resource Catholic Church. Archdiocese of Philadelphia (Pa.) Church buildings--Pennsylvania--Philadelphia--Pictorial works. Orphanages--Pennsylvania--Philadelphia. Philadelphia (Pa.)--Buildings, structures, etc.--Pictorial works. Sisters of Saint Joseph. Title A name given to the resource Mother of Devine [i.e., Divine] Love Chapel. "Catholic Home" Phila, Sisters of St. Joseph Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/">http://rightsstatements.org/vocab/NKC/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Format The file format, physical medium, or dimensions of the resource image/jpeg